Japanese futon cover with design of crane and turtle, design of Shouchikubai (the Three Friends: pine, plum, and bamboo) in the background, colorful paste resist on cotton, 2 panels, tabs added at top, signed. Size: 62 1/2” high x 52 1/2” wide Condition: one nice repair, very good condition

Antique Fukusa, a Japanese gift cover with a pair of cranes and pine Tree. This type of silk fukusa was used as a gift cover at the time of a gift-giving ceremony held prior to a wedding. This was one of the rare occasions that the recipients were expected to keep the fukusa as a gift since any return associated with a wedding was considered a bad omen.

The crane and pine trees are both regarded as the symbol of harmonious marriage and longevity in Japan...

Fukusa, Japanese Gift Cover, Pine, Bamboo and Plums on Fans: This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is held prior to a wedding. This is an elegant old satin silk Fukusa in excellent condition. It is not as shiny as it looks in photos. The lining is an old, red (light red color, not orange as it appears in some photos) crepe silk with padding on the rims...

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling...

This is an antique fukusa, Japanese gift cover with cranes. A pair of crane is a symbol of longevity and harmony. The embroideries on this fukusa are particularly beautiful. One small hole in the front (smaller than the one in the back) did not show in the photos...

A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx...

Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...

Antique Japanese wedding kimono gown, black silk brocade with flying cranes over pine, plum and bamboo (Sho Chiku Bai). They are celebrative motifs that are almost always seen in the Japanese wedding and New Year. The beautiful color combination of gold threads (wrapped in real gold leaf) and white shiny silk threads are woven into the background of black Shusu, satin silk with the contrasting color of a red silk liner. This is an absolutely gorgeous wedding gown...

Image of a heron in water in rice-paste-resist dying technique (tsutsugaki) on cotton. The color showing are coffee brown for the background and different shades of brown with white for the heron. The image mounted as a hanging scroll, which has been cut to fit into a frame. Meiji period, late 19th century. Mingei.
Cotton image: 11 ¾ x 8 ¾ in. Frame: 36 ¼ x 13 in.
Excellent condition.

Indigo dyed cotton wrapping cloth, furoshiki, from late Meiji Era. The family crest stencil dyed (katazome) into the corner is "anzu-botan" (apricot-peony). L.133cm (52.25") x W.130cm (51").

Furoshiki, wrapping cloth, of indigo dyed (aizome) cotton. Two corners display a "kiri" (paulownia) crest, and there is karakusa scrolling around the entire border, stenciled dyed (katazome.) Ca. late Meiji Era (1868-1912). L.142cm (56") x W.132cm (52").

Thick, coarse asa (hemp) kimono in beautiful condition: The collar is made out of an old cotton Kasuri, all hand done. Rare find from the Meiji period (1868-1912).

38 inches (sleeve to sleeve) x 36 inches (shoulder to bottom hem)

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field...

Antique Tansu cover (yutan) with a family crest of crane. There are few Yutans left in original shape like this one. The fabric is a loosely hand woven cotton and is made to fit over the tansu (cabinet), the size of 40" by 18"...

This is “kataginu” (shoulder cloth), only the upper part of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time. This delicate, indirect way of conveying feelings has been in Japanese culture, poems replacing words for occasions, reminiscent of the ...