An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

The Hannya (般若) mask in Noh theater represents a jealous female demon. She possesses two sharp bull-like horns, metallic gold eyes, and a leering mouth with jagged teeth. The mask is all hand-carved with open eyes, nostrils, and mouth so the Noh performer can see, breathe, and speak. There are also two pierced holes at the temples to be secured against the head with cord...

A moulded rinka-gata form dish decorated in underglaze blue with additional enamels in the so-called Kakiemon palette. The outer register painted in underglaze blue with repeating pattern of a landscape with small weathered rocks from which grow auspicious Pomegranates and Peonies. The centre painted with a Chrysanthemum spray. The reverse painted with a simple Karakusa scroll and a six character mark for the Ming Emperor Chenghua...

A good quality large Japanese porcelain mug or tankard decorated in under-glaze blue with iron red, green and yellow enamels with Peonies and Chrysanthemums. It weighs 444 grams and has a capacity of over a Pint. It stands 15.5cm high and has a mouth diameter of 7.8cm, foot-ring diameter of 7cm and a body diameter of approximately 10cm...

A Japanese porcelain wine ewer or Chosi of cylindrical form decorated in underglaze blue with alternating horizontal bands of flowers (auspicious gobenka)and pinnate leaves (resembling Asters). The design perhaps influenced by the Chinese Aster pattern of the Kangxi period and the later, Mid Qing, provincial Chrysanthemum pattern (see the Desaru Wreck). The ewer dates to the first half of the 19th Century. The Chosi measures 10.5cm in diameter and stands 15cm high. The foot-ring measures 7cm...

Japanese solid Keyaki isho tansu from the Sendai region. With original deep red lacquer finish. The interior of the drawers done in black lacquer...

Rare Japanese Sado Island Funa Tansu, also known as a captains ship safe. Made of solid quarter sawn Keyaki (Zelkova wood) burl construction with heavy hand-forged iron plates and mounts. The front of the piece with a drawer above a pull-out panel, opened by Kakute handles. The bottom panels pulls away to reveal four interior drawers surrounding a second pull-out panel, all with Hirute handles. The middle panel opens to a safe keeping box with heavy iron lock and hardware...

This is a very fine unsigned Japanese cloisonne vase with a unique form. The enamel and wire work are exquisite. It is not signed but the quality is so good and so unique that the maker is Hayashi. Look at the last image of a signed 3 3/4 inch vase and compare them. The work on this vase is not only similar, the gold wire birds, unique spider mums and leaves on this vase are even smaller in size...

Antique Japanese 2 section 6ft Mizuya with dark red lacquer frame made of Hinoki (cypress) wood, with Sugi (cedar) sides, and Keyaki (elm) burl hardwood front panel drawers and sliders edged with black lacquer frame. From the Kanazawa region. Kanazawa is the capital of Ishikawa Prefecture, on Japan’s central Honshu Island...

This is a Japanese antique silk Shiny striped weave from Edo to Meiji period child kimono. Hand embroidered luxurious and beautiful semamori (amulet) is attached. It is an antique kimono which was kept carefully. I recommend you to your collection. It has the no stain damage. It is a very Excellent condition. size: Length:93cm / 36.6inch Cuff to cuff:85cm /33.4inch

Japanese 2 section Mizuya or kitchen tansu, the front frame with original dark lacquer Hinoki (cypress) wood, Sugi (cedar) sides, and door panels of Keyaki (elm) burl with original reddish orange lacquer finish...

Japanese set of 10 blue and white sobachoko or soba cups. With cobalt blue underglaze floral motifs and ocean landscapes, double ring below the inner rim, and a floral medallion in the center of the well with single ring. The foot is slightly recessed and left unglazed except for the center.

17th/18th century Edo period (1603-1868)

Dimensions: 3" W x 2 1/4" H

This is a children's kimono used in Kyoto during the Edo period. This is depicted in Tsutsugaki. This is exactly the bold expression only Tsutsugaki has. It is the carps, waves and rocks, movements are boldly expressed in Tsutsugaki. It is a three-dimensional expression. It has a sharp color. This is expressed in high quality natural indigo and is impressive. It has four pinholes and a few slight stains, but it does not stand out. Size length 92 cm 36.2 inch width 88 cm 34.6 inch

Japanese lacquer tray with low relief depiction of a peacock in fine gold maki-e lacquer, with maki-e lacquer chrysanthemums, against a nashiji gold flake ground. The peacock's face and the "eyes" of the feathers are inlaid with finely ground shell. The edges of the tray are of a mokko melon shape and the reverse of the tray is all in nashiji lacquer. With display stand.

Dimensions: 13 1/4" L x 9 3/4" W x 3/4" H (without stand)

Antique Japanese kogo, or incense box, used in traditional tea ceremony. The box is squared in shape with the lid ornately done in maki-e gold and red lacquer chrysanthemums, resembling the front cover of a story book with the revealed inner "page" done in silver. The interior of the box and base are done in nashiji gold flake lacquer, sometimes called pear skin for resembling the texture of the Asian pear.

Edo period, late 18th century

Provenance: From TZ Shiota of San ...

Antique Japanese half section Mizuya, or kitchen buffet tansu, made of Hinoki (cypress) and Sugi (cedar) wood frame. The chest has bold Keyaki (elm) front drawers along the bottom and right side with copper handles. The large sliding front panels are reinforced with attractive horizontal slats, and open to the large interior compartment.

Dimensions: 70 1/2" L x 18" D x 32" H

Probably Echizen province, late 16th or 17th century. Bizen province artisans also took up Yoshiro zogan inlay work in the Kinai (ancient provinces and surrounds) manner. Brass (valuable in the period) and silver inlay flush with the iron surface was thought to have been introduced by an artisan named Yoshiro, for whom it is named. Slightly earlier, Heianjo school work tends to rest atop the surface into which it is inlaid. Late Muromachi or early Edo period. Length, about 12 inches. More pictur...