Chrysanthemums cascade gracefully down the mirror black ground of this 4.125" early Namikawa Yasuyuki cloisonne vase. Though unsigned, it is definitely the work of Namikawa.
Condition: Excellent, absolutely no repairs.
Should you not be completely satisfied with the piece, you may return it within ten days of receipt.
California residents please add 7.25% sales tax.
Oriental poppies and small white chrysanthemums decorate this 5" purple gin-bari cloisonne vase. Circa 1900 and artist signed, its condition is excellent.
Should the vase not meet your expectations, it may be returned within ten days of receipt, preceded by an e-mail.
California residents please add 7.25% sales tax.
Signed Adachi Kinjiro, this 6" vase features colorful silver wire enamel hydrangea and leaves over a base of emerald foil chips. A stunning example of different styles of cloisonne workmanship, the piece is in excellent condition.
A 6" midnight blue enamel vase, unsigned, decorated with iridescent foil peonies and a pair of quail standing on a stylized ground. Excellent condition.
Offered is an 8.5" bowl decorated in five colors on a greyish white ground, green reverse with Fuku mark. There are many knife cuts on face and a gold lacquer mend on the rim. An old piece well used and treasured.
A silver wired dragon on a black field. This 12" charger is in fine condition with only minor pitting usual to the period.
This superb Japanese Meiji Period (1868~1912) oblong cloisonné plate is 8 1/8” long,
6 7/8“ wide and ½” thick. It depicts two flying cranes, peonies and chrysanthemums on a burgundy background. It is in excellent condition.
Very interesting,bowl. Porcelaneous grey stoneware with a underglaze red decoration under a greenish colour fine crackled glaze.
I am not very familiar with korean resp. japanese ceramics - I never before have seen a piece like this, but I know, how to look at a piece of porcelain resp. stoneware - this piece is genuine.
It also has a " provinience " - it comes from a native Dayak family - very far from the interior of Kalimantan, Borneo.
Diameter : 16,3 cm...
This late 19th century Japanese gold lacquered tortoise shell box is 5 inches long, 2 ½ inches wide and 1 inch thick. On one side, it depicts an eagle resting on a plum tree and
a sparrow flying over a river on the other side. The workmanship is precise and elegant. Except for a few tiny chips and scratches due to its age, it is in good condition.
This rare Japanese 19th century painted ivory snuff bottle is 3 ¾ inches tall, 2 inches wide and 3 quarters of an inch thick. The base inscribed with a four character Qian Long mark. Both sides depict ladies chatting in a garden. The workmanship is superb and it is in excellent shape except slight retouching on the bottom.
I am not familiar with Japanese porcelain, and so I cannot date this nice piece, but with a magnifying glass it it possible, to see all all the fine scratches on the surface of the dish, which is a sign, that this dish is old.
Very nice condition. D : 14,9 cm.
Kesa was originally made from old scraps of material donated to the priests. The scraps became finer and quite luxious in time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This also could mean that the wealthier temples end up collecting the better fabrics or are able to send out for the expensive custom made kesas...
This early 20th century Japanese Mokugyo (Buddhist wood drum) is 6 ½ inches long, 5 ½ inches wide and 4 ¼ inches high. It is signed ¡°Gyokurin¡±. It came with a square 8 ½ inch red cushion and a wood mallet (quite possibly, it is a replacement). It is in good condition.
This is an old Japanese towel rack, sometimes called a children’s kimono stand. The metal work is in traditional style and the mounts have been used on many different kinds of lacquer pieces throughout the Edo period. The chrysanthemum mons (family crests) on each end of the mount, were used by the Emperor, royal princes and others outside the Imperial family, in a variety of forms. Although the 16 petal mon was designated for use by the Imperial family, others were entitled to use it...
Possibly Arita ca. 1700 underglaze blue and red decorated bowl. A very unique and extraordinary piece . D : 7,5 inc.
Perfect condition !
Rare bowl with overglaze enamel ( polychrome ) decoration . Dehua ware from Fujian. Late Ming period. D : 3,4 inc. Minute rim fritting no chrack !
The Koto is a string instrument that originated in China and came to Japan in the 7th ¨C 8th century. The Japanese Koto is a large instrument, about six feet long. This rare smaller version of Koto from Meiji Period (1868~1911) is 21 inches long, 4 inches wide and 2 ½ inches tall. It has a hollow body made from Kiri wood, underneath the body are two sound holes, one at each end. There are 13 strings which are tied over at each end of the body...