19th Century, Boxwood Netsuke finely hand-carved and engraved boxwood netsuke depicting a squatting Karako (Chinese Boy), wearing the customary Chinese garb, holding a Hyotokko mask with both hands. Signed Yoshiharu on the bottom of the netsuke. Nice compact form; great expression and form details; nice mellow patina. Netsuke measures 1.35 inches (3.4cm) wide, and 1.48 inches (3.8cm) tall. It is in excellent condition, as you may be able to see in the posted photos.

A daimyo’s firefighting wool jacket with a Kiri-no-mon crest, chest protector baring the same crest. It has a silk liner decorated with old marble dye. Dated from late Edo period (1603-1868),

Japanese could not produce wool of their own during the Edo period. Totally depending on Nanban trading, wool was pretty rare and pricey commodity. The liner for this jacket is also unusual. This is our first and only antique marble dyed fabric ever...

This is benibana-dye (Natural safflower dyeing)-shibori and katazome yosegire kimono textile of the Edo era(1800-1867). It has a few thin stains. It has a small damage in several places. However, it is in a state good The red shibori (Tie-dye)is very impressive and beautiful. The pattern on the hem is a traditional Japanese treasure and has a very auspicious design. Size: Size: Length: 140cm (55.1inch) / Cuff to cuff: 123cm (48.4inch)

An energetic and bold zenga painting depicting the wish fulfilling jewel known as a hoju in Japanese. The jewel represents the energy of the dharma and often is used for the hope that people's wishes can be granted. Signed Shunbokuzan. Provenance James Coburn Estate.Age: Edo Period Size: Length 49" Width 22.75"

Edo Period (19c) Karatsu Guinomi (sake cup) from old Kansai pottery collection.

Karatsu pottery is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century.
It is made from high in iron clay often decorated with an iron-based underglaze, giving an earthy and natural feeling to the fired items.

Width 5.7cm
Height 6.7cm
Weight 89g

In excellent antique condition. No cracks...

A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China...

This is a Japanese antique edo era silk tsutsugaki natural indigo dye yuzendye fukusa textile of (iseebi)Lobster and wave pattern. Ise Lobster was drawn very precisely. It is a tsutsugaki dye and Yuzen dyeing of hand-drawn dyeing There is a slight pale discoloration. There is a small hole in the lining safflower-dyed silk. They are not disturbing, and as a whole it is in very good condition. Size:Length:47.5cm / 18.7inch Width:: 47.5cm / 18.7inch

Jûbako picnic box made of paulownia wood and shaped like a paulownia flower. It is composed of three compartments with the interior in red lacquer.

With its original box with several inscriptions, included the datation "- 2nd year of Kaei era", namely 1848

Paulownia (kiri) is considered as a symbol of nobility, honor and longevity...

It is indigo dyeing Patched Sashiko-stitch beautiful BORO kimono of very rare and amazing in the Edo era . This is all an original state.This can enjoy both sides. As for this, the good cotton of a texture spun by hand in the Edo era is used. This was colored into Katazome, Shibori, solid color with an indigo plant of nature. This was found in the very rich area of the Tohoku district. It was food, money and an easy heart. As for this, hemp thread is used all for Sashiko...

Circular kobako in gold lacquer, decorated with cranes and pines on a nashiji background. The interior is in nashiji lacquer. On the lid, we can see the mon of the Tsugaru family (津軽).
This family is a samurai clan from the province of Mutsu, in the north of Japan. It was originally a branch of the Nambu clan, which became free during the Azuchi Momoyama period (1573-1603)...

A large sometsuke style bowl of auspicious Yuanbao form imitating the form of a boat shaped gold ingot decorated in underglaze blue with an elaborate lappet border to the base incorporating Pomegranate and Lotus motifs and a variety of geometric and contrasting karakusa patterns to the narrow border to the rim, repeated both to the interior and the exterior...

A fascinating Japanese shrine bell known as, Waniguchi, or directly translated as Crocodile's mouth, which resembles the wide mouth of a crocodile. The bell is usually found in shinto shrines that enshrine deities that were imported to Japan or Shingon temples. The bell contains an inscription stating that the bell was originally donated by the ancestors of the donor in 1686 and a new bell was rededicated in 1839. The bell appears to be dedicated to Sometani Shinbei. Age: Late Edo Period, 1839...

This is an Early 19th century excellently hand-carved Netsuke depicting a standing Scholar who is holding a scepter on his right hand. By his side, there is a Karako who is looking up to the scholar and holding a Jar. Intricate detail and rich patina. Signed Genyosai (Minkoku) on an oval reserve on the scholar's back. Netsuke measures 0,76 inches (2.0cm) wide, and 1.90 inches (4.8cm) tall.

This is a child kimono of the Tohoku district of Edo period. This is Tsutsugaki where a face is very sharp. And it is very impressive with lining dyed in Akane. Generally, the dyeing madder-red was said to have been cut off early in the Edo era, but the dyeing madder-red was slightly handed down in the Hanawa area of the Akita area. And this lining was left. This cotton is spun by hand very much by Folky. This is original form. As for this, a face is upper Tsutsugaki...

Douchuugi is Kimono which a person wore at the time of going out. This Douchuugi is the kimono which a samurai wore in a trip. List cloth is cotton. And lacquer is painted the surface with. Because it was able to rub against the surface which created beautiful changes. However, it is beautiful like "unintentional art". The lining is very good hemp of the Katazome- dye.It has three places of repair. There is one place of thin stain. Size: 83cm x 128cm (32.6 "x 50.3") It has three places of repair...

This is a hydrangea pattern and a high technique of yuzen dye, and shadow and the color of the leaf are expressed boldly. It is the gem which does not exist in other tsutsugaki. It is a painting of wonderful yuzen dye. Tsutsugaki is done by a considerably exact technology. It is a wonderful masterpiece of Edo at latter term. There is slightly a repair mark.It has several small holes.The material is hemp (superior grass cloth)and cotton. size:162cm x 140cm (63.7" x 55.1")

This is a children's kimono used in Kyoto during the Edo period. This is depicted in Tsutsugaki. This is exactly the bold expression only Tsutsugaki has. It is the carps, waves and rocks, movements are boldly expressed in Tsutsugaki. It is a three-dimensional expression. It has a sharp color. This is expressed in high quality natural indigo and is impressive. It has four pinholes and a few slight stains, but it does not stand out. Size length 92 cm 36.2 inch width 88 cm 34.6 inch

An Arita porcelain seashell form, scalloped dish with tall foot. Enamel decoration of Ho-o (Japanese mythological Phoenix) in the Kakiemon pallete - black, red, blue, green, yellow and gold overglaze enamel - applied over the glaze inside the dish. Slightly opaque white, large bubble suffused glaze with faint celadon pooling in recesses. Kiln grit adhering to the unglazed foot rim. An old label remains taped inside the foot proclaiming the dish to be 18th century Kakiemon ware (but probably Arit...