A bronze okimono of an owl, constructed in two sections, the short-eared owl (detachable) perched on a tree branch with its head cocked quizzically to the right and its wings folded at its sides; signed on one side of the branch Seimin chu within a rectangular reserve, by Murata Seimin (村田製眠, 1761-1837)

Japan - Edo period (1603-1868)
Height : 10¼ in - length : 10¼ (26 cm x26 cm)

This is a Japanese antique indigo dye cotton Boro noragi old Farmclothes Thick of patched and sashiko stitch Meiji (1868-1912). It was repaired many times, and the boro rag that were used became wonderful folk art by themselves. The patchwork & sashiko stitch of the indigo dye cotton for the repaired is very beautiful. The string of the repair is also charming. This noragi can enjoy both sides. size: Length 90cm (35.4inch) sleeve to sleeve 90.5cm (35.6inch)

Meiji (1868-1912) Japanese Bronze Articulated Crab

It is 2.2 inches (5.5 cm) tall by 6.8 inches (17.3 cm) wide. It is 743 gram (1.6 Lb).

It has oxidation and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

This is Japanese vintage indigo dye cotton and kasuri ikat sashiko boro noragi Thick jcaket of It is a big noragi. There are finely detailed fine stitch sewing by hand. It can enjoy both sides. Although there are slight dirt, discoloration over many years, it is not noticeable It has no damage. They are not disturbing, and as a whole it is in very good condition. noragi jackat can be worn wearing easily like a light jacket or cardigan according to clothes such as shirts and blouses, ...

Sukisha is the word is used to refer to a person who is an enthusiast of sado (tea ceremony) beside his or her profession, or it refers to a person who owns collectable tea utensils.

The selected pieces include Takahashi Dohachi III (1811-1879) persimmon glaze Tenmoku tea bowl, Mashimizu Zoroku II (1861-1936) Kobiki tea bowl, Hozan kiln tea bowl, Akahada Hakeme tea bowl from the early 19th century , Kohagi tea bowl from the early to mid-Edo period, and Karatsu Itome tea bowl from the ...

Antique Japanese 2 section isho tansu (clothing chest) constructed of Kiri (paulownia) and Sugi (cedar) wood. With hand-forged iron lock plates, hardware, and handles. The upper section of the piece holds two open compartments side by side, and five shallow drawers of various size. One side of the chest has a lift-away door and the other with pair of sliding door panels framed with shou sugi ban panels...

Late 19th to early 20th century Japanese hanging scroll of a Chinese scholar enjoying wine in the shade of a banana plant. Ink and slight color on paper, great content face with a slight smile, superb quality brushwork - see the ink washes used for banana leaves. Signed DAI SOUISHI SOKO FUDE followed by a seal in red paste. The characters for Soko can also be read as Zengzhi - I believe the painting actually depicts Shen Zengzhi (1851-1922), great Confucian scholar-poet of late Qing Dynasty...

Bats, symbol of good fortune, flit over the sunset surface of this Ki-seto vase by Kato Sakusuke enclosed in the original signed wooden box titled Kiseto Kabin. An inscription inside begins Fukuju ? Zu (Lucky ? Image) and appears to be dated 1919 in the 60 year cyclical Zodiac calendar (possibly 1859). This is followed by the signature of a painter who also signed and dated the vase, indicating Sakusuke made the vase, while another artist provided the decoration...

Hard to find: Large antique Kyo-yaki Suiseiji Mizutori Suichu (also called "mizutsugi").It is a Japanese ewer, an utensil used in the sado and sencha tea ceremony to replenish the jar that holds water for rinsing teabowls and filling the iron kettle at the tea ceremony.

This wonderful antique celadon suichu was made around the end of the 19th century during the Japanese Meiji Period...

A shop sign carved from a block of knotted wood in the shape of a tea leaf jar engraved on both sides with the character Cha (Tea) originally gilded which still reflects light from the correct angle. A large knot making up one shoulder has split apart in the center, while the outside edge remains intact. A perfect example of the Japanese aesthetic of wabisabi. It is 32 x 3 x 32.5 cm (roughly 13 x 1 x 13 inches)...

19th Century Japanese Kutani Porcelain Covered Jar with Mountain Scene

It is 14.4 inches (36.5 cm) tall by 10 inches (25.4 cm) wide. It is 12.4 Lb.

It has been repaired (glued back) at a section of the lid. It also has manufacture chips, small indent holes at the body, uneven glazes, and skip glazes, rubbing of paint, dark spots, firing cracks at the inside, and surface wears and scratches (as seen in the photos)...

Antique Japanese ikebana (flower arranging) basket, very finely hand-woven with thin strips of bamboo. Its form is narrow towards the mouth of the basket and flutes slightly towards the squared base, with four knot-woven feet, and the frame of the basket is reinforced with thicker bamboo sections, secured with tight coils. The handle is formed by natural Wisteria burl root. With hand inscribed signature on the base.

Dimensions : 9" x 7" x 19.75" H

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features a stylized phoenix of under glaze red, yellow, green, and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

18th century netsuke of a wild boar sleeping on a bed of leaves. Classic early piece, excellent carving of the body bulk resting on a heap of elongated leaves with a maple leaf in front of it, old age lines. Very pleasant wear to the surface from more than 200 years of handling, beautiful yellow patina (especially on the bottom from wear against the silk of kimono), of characteristic 18th century triangular section...

Exceedingly rare and very large Japanese Meiji Period Imari Porcelain Vases Adapted as Lamps. These great vases are one of a kind, not to be seen or found again. Gorgeous, rich, colorful glazes featuring flowers and birds with a charming fence design, all featured on a translucent white glaze. Height: 41 inches, 104 cm.

19th century Asakusa school staghorn netsuke in manju shape with openwork carving of a winged water dragon in flight among clouds. Superb design and excellent quality sharp carving, beautiful warm patina, darker porous areas as is usual with staghorn. Loss to the part of the inner ring (not visible when manju is put together, photo #5, lower right image) not affecting integrity of the piece. Diameter 1.6 inches.

Japanese studio ware ceramic figure of the immortal, Gama Sennin. Based on the Chinese 10th century alchemist, Liu Hai, Gama Sennin is often depicted in relation to the lucky 3-legged money-toad. Gama Sennin can assume the form of a toad and can change his skin to appear young again. In this depiction of the much loved immortal, he sits on a rocky outcropping and hold in one hand a peach, in the other a small toad...

Three boxes inrô in black lacquer and gold hiramaki-e, maki bokashi, kirigane and mother-of-pearl (raden) inlay depicting peasants planting rice seedlings in a rice field.
Nashi-ji lacquer interior with the inscription ソカウアン (sokauan) at the top of each boxe.
Rice is the staple food in Japan...