Antique Japanese small tansu chest made all of kiri (paulownia) wood. The chest is configured with seven drawers of various sizes: 3 small drawers above 2 medium drawers above 2 large drawers. Black iron hardware includes 7 round lock plates, circular corner bracing and square drawer pulls.

Meiji Period (1868-1912)

Dimensions: 23 1/4" high x 27" wide x 13" deep.

Japanese iron teapot, or tetsubin, all hand-cast iron in the shape of a Japanese house. The teapot is adorned with leaves and gourds on a thatched roof.

Dates Taisho Period c1920

Dimensions: 8" X 7.5" X 10" (with handle)

A lidded Japanese Imari porcelain vase, finely painted with landscape cartouches and Ho-o birds among brocade pattern and peonies. With 19th century French bronze mountings, the pedestal composed of four nicely modelled elephant heads and heart shaped bordure, which is repeating on the rim ring. Condition: fine, only cover inside with a tiny rim chip (see picture no. 8). Dimension: total height: 31.8 cm.

Cute miniature bronze figurine of an oriental dragon, kneeling its front legs and biting its own tail. Very nicely detailed from the fins along its back to the pupils in its eyes. Edo period (1615-1867) Size: 1" height, 1.5" length

Exquisite Japanese 6-panel byobu screen painting of grand mountain landscape with high peaks and distant waterfalls. In the foreground, men water their horses before ascending the narrow mountain trail. There is a beautiful sense of whimsy conveyed in the group of horse and men as they wade in the mountain stream in the shade of weeping willows. Far in the distance, the mountain range disappears in the mist. Painted in sumi ink on paper. Signed and with a large chop seal...

18th century netsuke of a kneeling boy wearing checkered jacket and a theatrical mask of a demon with his hands by his ears intent on listening. Strong early piece with wonderful wear and fantastic honey colored patina on the back where netsuke was touching the silk of kimono. Great vicious mask, wonderful textile pattern (worn in the middle of the back). Old loss to the tips of his fingers on the right hand...

A large-sized sculpture in patinated bronze depicting a study of a roaring lion. The lion’s gaping jaws display its sharp teeth, while the finely sculpted whiskers protrude in relief. The bronze patina gives the sculpture a rich and deep tone, while the metal’s luster enhances the shapes and contours of the artwork...

An antique Japanese Daruma wooden mold used for making paper mâché dolls. Likely retired from duty and lacquered to preserve its years of production and service. The worn lacquer is a testament to its display and use that extended beyond its useful life and paid tribute to the former artisans that supported the craft. The bottom reveals the three holes used to connect the mold to a turning wheel for ease of applying the paper mache...

Meiji (1868-1912) Japanese Studio Plate with Relief Flower by Shofu Katei with Silver

The plate is 1.25 inches tall, and 8.25 inches in diameter.

It has hairline cracks at the center (as seen in the photos).

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Japanese bronze mirror. Momoyama Period late 16th early 17th century. Good condition. 8.0 x 0.2 cm. 74g.

A good sized Imari porcelain bowl. Blue underglaze cobalt and Red, green, aubergine and gold overglaze enamel decoration. Good decorative impact. A "crows foot" crack inside the foot is stable and barely at all visible inside the bowl. Minor enamel losses. Diameter, 10 1/8 in. Height 3 3/4 in.

An antique Japanese Tohoku Todana Mizuya Tansu made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original wiped Urushi lacquer finish. With two sets of vertical ribbed sliding doors, the upper section has triple level storage and the bottom section has a split level storage separated by shelves...

A good quality large Japanese Imari bowl made for the European market decorated with a cobalt blue ground inset with a scrolling arabesque of Peonies in a highly stylised manner. The stems picked out in yellow enamels and the leaves veins in iron red. The flowers conventionally painted in iron red and gilt. Reserved against this ground are two quite large Ruyi shaped reserves containing a Pine and a Plum tree growing from a conventionalised rocky out-crop...

A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune...

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions...

Young boy in cast bronze. The subject is treated with breathtaking realism, thoughtful expression, body movement, everything is perfect and announces one of the greatest artists of his time. Examination of the fishing rod confirms this. Indeed this rod is so thin that it could not be cast, it was made patiently with a file starting with the thin end. It is movingly realistic with the knots and twists of growth. It is extremely fragile because bronze is a brittle metal. It's a miracle if it survi...

Antique Japanese carved wooden ranma (or transom) panel, carved with detail on back its front and back sides, of bamboo stalks with leaves and chrysanthemums. It has a black lacquered frame. Dates from the taisho period c 1920. Size: 69.75" height, 13.5" width

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen. Boy avatars,...