Japanese five section lacquer inro in the hiramaki-e technique. The low relief gilt lacquer adds depth throughout the landscape composition of pine forest, distant ocean, mountainous terrain, and the famous Uji bridge. The black ground lacquer also shows the use of nashiji gold flecks creating mist and cloud formation. The interior of the compartments are covered with the nashiji gold flecks, resembling a pear skin effect...

Antique Japanese small tansu from the Sakata region, with original red lacquer top and sides and black lacquer front. The top and bottom drawer are decorated by large iron lock plates, incised with a bamboo forest, blossoming cherry trees, and small flying birds. The corner hardware on the face of each drawer also show floral motifs.

Meiji Period (1868-1912)

Dimensions: 33.75" L x 15.5" D x 18.75" H

Length: 4.5cm (1.7 in)
Height: 2.6cm (1.1 in)

Japanese wooden netsuke of two aubergines; excellent condition

Rengetsu Otagaki (1791-1875) was Buddhist nun who is widely regarded to have been one of the greatest Japanese poets of the 19th century.
She was also a skilled potter and painter and expert calligrapher and adorned her ceramics with poems written in her unique calligraphic style.
The cup style and the age of the glaze is consistent with authentic Rengetsu work.

Size
Diameter: 5.8 cm
Height: 4.3 cm

Condition
The cup has a crack but it is not a probl...

Japanese Arita Blue and White Jug, the slender body decorated with a stylised landscape. C1680/1700 Height 22.5cm. Condition: slight wear to tip of spout, rim and top of handle from original metal mount. Shallow chip to inside of footrim 2.0cm. No other chips, cracks or restoration.

Utagawa Kunisada [Toyokuni III] (1786-1864). Subject: Yakusha-e, Kabuki actor print; Kawarazaki Gonjurou (stage name of Ichikawa Danjurou IX [1838-1903] from 9/1852 to 2/1869).Signature: “ki-o Toyokuni ga” in red toshidama cartouche. Engraver Seal: Yokogawa. Censor Seal: “aratame” (examined), year of the cock (1861) 9th month. Publisher: Yamaguchi-ya Toubei. Date: 1861. Format: oban tate-e, H.13.75 x W.9". Comments: “kirazuri” mica powder giving sheen to dark blue background o...

A gorgeous JAPANESE OBI DEPICTING IMPERIAL 5-CLAWED DRAGONS AMONGST CLOUDS, THE PEARL, suspended from a dowel and comes with 2 Tassels. Size: 152" x 12.5" (386 cm. x 32 cm.). Very good condition. Can be used as an embroidered Wall Hanging Tapestry or folded as a Central Runner on a long Table.

Very nice example of Edo Period (1603-1868) Nezumi Shino Chawan for Tea Ceremony.
Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
Diameter 12cm
Height 7.5cm
Weight 600g

Condition
Overall good. No chips, no cracks.
Supplied with box

Dark brown patina bronze sculpture of a praying mantis.

The praying mantis (in Japanese, kamakiri) is considered an auspicious symbol.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.3 cm – width: 1.18 in / 3.5 cm – depth: 3.15 in / 8.8 cm

19th Century, nicely Hand-Carved stag antler Netsuke depicting a standing Karako who is carrying a large Treasure Sack over his shoulder. He also holding a fan on his left hand. Netsuke has a mellow patina and feels very smooth in the hand. Netsuke has a hollow bottom, characteristic of netsuke made from stag antler This netsuke is unsigned. It measures 0.85 inches (2.2cm) in diameter, and 2.0 inches (2.5cm) tall...

Japanese kanzashi hair accessory, Kogai hair pin. The quality of decoration is very good. It looks more antique than shown in photos. The material is, bone, hard and heavy as ceramics. 6 7/8 inches long.

Excellently potted japanese porcelain dishes, decorated in underglaze Cobalt blue with a nice landscape scenery. Nabeshima - style, Meiji Period 1868 - 1912 ) Diameter : 20,8 cm. Condition : No crack, but each of the dishes has a small chip which is old repaired in Kintsugi technique ( Japanese Gold Lacquer repair.) Provenance : Old German collection. ( All in all we do have 4 pieces of the same kind of dishes on offer ( 2 pairs )).

An antique Japanese Chobako (merchant box) made of thick Hinoki (Cypress) and thick Suginoki (Cryptomeria) woods. Straight dovetail joinery with hardened wooden nail construction. Original bronze and iron hardware. Two different sized coin slots at the top of the box. Includes a working key.

Age: Meiji Period (1868-1912) Dimensions: 10 7/8" Side x 12" High x 11 7/8" Deep

Meiji (1868-1912) Japanese Satsuma Vase by Yabu Meizan

It is 10.8 inches (27.6 cm) tall by 7.5 inches (19 cm) wide.

It has no repairs, except a chip, a crack, stains, and surfaces scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Small kogo, incense box, in the shape of a crab in rest. Grayish brown grainy earthenware, much like Raku, with red glaze and with patches of green and white glaze. The eyes are accentuated with gold, as is a small area on it’s back.

Potter’s mark on the belly.

Japan, late 1700s.

H ca 1.25 x W ca 3 in.

Some of the gold rubbed, split in clay caused by firing at the rim of the lower section, which does not impact the stability of the piece...

Japanese Bronze Shrine or Temple Bell with attached long rope, 19th century, 5" high, 4 1/2" wide for Bell only, pellet is inside and ring nicely, in original old condition.

1900-1920s (late Meiji - early Taisho) ceramic chaire (tea caddy for storing powdered green tea used in tea ceremony) in bunrin (apple) shape with a single small handle. Unusual Kyoto piece made in neriage (agateware) technique that is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect. Comes with very well made shifuku (silk brocade storage bag).Old turned bone lid lined with gold leaf paper on the inside...

Japanese rare antique 3-panel screen painting of Raigo Zu: Amida Buddha in Raigo pose. The screen has three panels with the two outer panels half the width of the central panel so they open like shrine doors. A bronze butsudan latch keeps the doors closed. The screen opens to reveal a central panel with a large image of Amida Buddha painted in mineral colors and gold on silk and framed with silk brocade of golden clouds. The outer frame is lacquered red...