Man's han-gappa which was worn over kimono when he went out and made of hand-spun cotton, both outside and the lining. It is in very dark green, dyed with natural indigo and vegetable yellow. It has beautiful two kinds of katazome (stencil-resist dye) for lining which is natural indigo dyed. The collar is made of imported wool...

A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter...

A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter...

A saucer form dish decorated in a full five colour Ko Imari “wucai”, gosai palette. The design arranged in fuyo-de Kraak style with a border of six sectional compartments each containing a panels of “Persian flowers”, precious objects, and Chinese figures standing upon a bridge in a stylised landscape. The central mikomi painted with rocks, viewing stones, and foliage and Banana plantain, basho, flanking a pair of small “Deshima style” figures, standing on a podium...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. Although this is the most reproduced version in the literature the design is actually a sinofication of the original Dutch landscape...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. The bowl is decorated with four elements of the pattern, two figures in a field, a female figure with cow held upon a leash, a rider in a landscape, and a “light-house”, beacon upon a hill...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high...

Asa (hemp) baby's kimono with hand-painted pine tree motif whose wefts as well as warps are hand-plied. It has se-mamori in the back which is a charm with silk threads and this one is boy's kimono as they are in the left as well as in the center (girl's one is in the right). Evils are believed to come from back in old days and it protects a baby from diseases. The second half of the 19th century. In good condition but some stains in front and holes in two belts made of thin raw silk...

An Arita cup possibly for noodles, Soba Choko, from the end of the 18th century or the beginning of the 19th. Shibata illustrates this mark as 1790~1810.

Approximately 7.2 cm high. Flea bite to one point, otherwise perfect.

Please study the photographs.

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Fine Japanese Arita Imari Wucai Dish c.1700. # 2 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character...

Fine Japanese Arita Imari Wucai Dish c.1700. # 1 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character. The back is decorated with various lingzhi motifs and within the foot-rim is a apocryphal Chinese Ming reign mark for Jiajing.

For a similar dish see pp 282-3 No 157 of the complete catalogue of the Kurita Museum where it is des...

19th century finely hand-carved Japanese boxwood netsuke depicting Three Monkeys that are squatting on top of Daikoku's Hammer. Very fine detail and harmonius form characterizes this superb miniature carving. Signed Koryu on an irregular red tablet inlaid of the barrel-like mallet. It measures 1.15 inches (2.9cm) wide, 1.94 inches (4.9cm) long, and 1.20 inches (3.1cm) tall. It is in outstanding preserved condition, as may be seen in the posted photos. Note: A reference to Koryu and hi...

A decorative pair of Imari Beaker Vases made for export to the West brightly enamelled with traditional Japanese motifs. The main part of the vase is painted with a Crane symbolising longevity with the three friends of Winter, the shochikubai, the Pine, Bamboo and the Japanese Apricot (Prunus tree). Whilst the upper part of the vase is decorated with a two part frieze, the first a Garden room with tied Curtain, and the second part a stream, ruisuimon, and Maple leaves, momiji, an allusion to a...

1800's, finely hand-carved Japanese mix-materials netsuke depicting an Entertainer or Dancer, who is standing on one leg, in the middle of a theatrical performance. He is wearing an Usobuki mask and a dancer's robe. Excellent detail and patination; he grimaces as he attempts to lift the large stone. Signed Hozan on his Obi, near the ribbon that ties it on his back. Netsuke measures 1.04 inches (2.6cm) wide, and 1.56 inches (4.0cm) tall. It is in outstanding preserved condition, as ...

This is a superbly Hand-carved EDO Period Boxwood Netsuke depicting a Mother, holding a trumpet in her right hand, and carrying a child on her back. The artist, on this netsuke, seems to have wanted to be unique by having the woman adopt a pose and portray a character that is normally associated with a male foreigner, such as her holding of a trumpet, which is uncharacteristic of a common Japanese woman . It is an outstanding piece representative of Tametaka, whose work, according to G...

An Arita moulded dish of shuronogata, Hemp Palm, form decorated in underglaze blue with gilt outlined enamels, somenishikide, dating to the late Mid Edo period. The dish decorated with a kachoga design evoking an image of late Winter or early Spring incorporating the Shochikubai, the Three Friends of Winter. The under-glaze blue portion of the design a Bamboo “Tree” with shattered trunk and a pair of enlarged yukiwa, snow flake roundels, to suggest seki, viewing stones. Further details a...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14 cm diameter. Perfect condition. A little kiln dross in the cloud.

Please study the photographs.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal. I will accept payment ...