Many stories were written based on Benkei and Yoshitsune (Minamoto, Genji family). They first met on the bridge of Gojyo in Kyoto when Benkei challenged Yoshitsune...

Published by Unsodo Co., title and printer’s name on left margin, very good impression and color, margins somewhat trimmed, light soiling, slight creasing in margins and wear to two corners, dated in Arabic numerals for export

Overall size: 9 ½ x 14 ½ in.

Published by Unsodo Co., title and printer’s name on left margin, good impression and color, margins somewhat trimmed, minor wear, very slight wrinkles, dated in Arabic numerals for export

Overall size: 9 ½ x 14 in.

The artist skillfully illustrates the fabric dyeing techniques of stencil printing and tie-dyeing (shibori) using the woodblock print medium

Very good impression and color, centerfold, some thinning of paper on margins

Overall size: 9 ¾ x 14 in.

Produced by the Tokyo Nai Fuda Club, Very good impression and color, good condition, light center crease, light glue residue on verso

Overall size: 6 ¾ x 8 ¼ in.

Very good impression and color, light staining in margins, light staining on verso

Overall size: 6 ½ x 8 ½ in.

Five individual “fuda” pasted side by side on a backing

Very good impression, good condition

Overall size: 6 ¼ x 10 in.

Good impression and color, center fold, wrinkle to lower right corner, minor stain on center of upper margin, not backed

Album leaf: 9 ½ x 14 in.

Ink on thin paper mounted on an old backing, centerfold, light toning, generally good condition

Shita-e: 10 ½ x 15 in. overall; drawing size: 9 ½ x 12 ½ in.

Very good printing and color, very heavy paper with remnants of thin backing, very minor soiling overall

Overall size: 9 ½ x 14 ¼ in.

Good impression and condition

Album leaf: 9 ¼ x 12 in.

Very good impression and color, original album backing, center fold, minor wrinkling to lower corners Album leaf: 9 ¾ x 14 ½ in.

Very good printing (to simulate age and wear), color and condition

Overall size: 8 ¾ x 14 in.

Hirafuku Hyakusui was a noted painter and illustrator in Nihon-ga style, and was a professor at Tokyo School of Fine Arts and a member of Imperial Fine Arts Academy.

Publisher’s information on lower left with the number 21, good condition

Shikishiban: 9 ¼ x 9 ¼ in.

Signed Toyokuni Ga (Toyokuni III) on lower right, very good impression and color, repaired hole on upper left margin, light soiling and wear, penciled on verso (incorrectly), “Toyokuni II 1785-1864”

Oban tate-e: 10 x 14 ½ in.

Signed Hiroshige, good impression and color, small glue stains on upper corners, very minor wear, small mark on lower right corner, not backed.

Oban tate-e harimaze-e: 8 7/8 x 13 in.

Scene depicting a bizarre tale about dolls, issued 1864

Two chuban size images that form one oban tate-e size print

Signed Yoshimori, title and publisher’s seal on right margin, aratame censor’s seal (1864), good impression and color, very minor wear, not backed.

Oban tate-e: 9 ¾ x 14 ½ in.

Signed Toyohara Kunichika hitsu, dated Meiji 14 (1881), good impression and color, not backed.

Oban tate-e: 10 x 14 1/8 in. including margins

Signed Toyohara Kunichika hitsu, dated Meiji 14 (1881), good impression and color, very light and even toning, full margins, minor creases to corners, not backed.

Oban tate-e: 9 7/8 x 14 ½ in. including margins

The characters beside each design describe the motif and type of fabric.

Very good impression and color, vertical center crease, minor wear, remnants of old backing.

Overall Size: 9 ¾ x 14 in.

The characters beside each design describe the motif and type of fabric.

Very good impression and color, vertical center crease, minor wear, remnants of old backing.

Overall Size: 9 ¾ x 14 in.

From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon...

From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1860. Main image by Kunisada depicting the miracle occurance

Signed Toyokuni (III), publisher’s seal and censor’s seal on left margin, very good impression and color, very minor wear and light stains on the margins.

Oban tate-e: 10 x 14 ½ in.

No. twelve from the series: “Ukiyo Juni Ka Getsu” (Twelve Months of the Floating World) issued 1890

Signed Gekko with artist’s seal, dated 1890 in a red cartouche on lower left, margins intact, fine impression and color, some wear and light creasing, very light soiling, not backed.

Oban yoko-e: 9 x 13 in.

Two uncut horizontal chuban prints – numbers eleven and twelve on one oban leaf. The upper print depicts a warrior battling demon ghosts and the lower is a shrine scene.

Upper and lower prints are both signed Yoshitsuya in red cartouches with aratame and date seal to 1859, good impression, color and condition, remnants of recent hinge paper on upper corners, a new narrow line of old backing paper on ...

Published by Ise-ya Kanekichi, very good impression and color, light rubbing and slight wrinkling to edges, upper corners with small reinforcements, not backed.

Oban tate-e: 9 ¾ x 14 1/8 in.

The actor died at age 60. He is shown holding a Buddhist sutra and his “death poem” in is cursive script above his head.

Signed Utagawa Toyosai, dated: 1903, fine impression and color, left margin slightly trimmed, small brown spot above sutra page, original paper backing possibly from time of issue.

Oban tate-e: 9 ½ x 14 in.

8 1/4" long x 4 1/2" wide x 3 1/2" tall