The Hiramaki-e technique, which dates from the latter part of the Heian Period (794-1185), was preceded by Togidashi maki-e, a technique in which not only the design, but the whole surface is covered with clear lacquer after the sprinkling of metal powder. The lacquer is then polished down to reveal the design.

The Japanese letter box is decorated in low relief of mountainous terrain and a stylized linear mist or cloud line...

A moulded hexagonal bowl, hakkaku hachi, decorated to the exterior with an iron red ground inset with alternating reserves containing ribbon bound scrolls, makimono, and artemisin leaves, mogusa-ha, two of the Eight Chinese precious objects, Babao, hachitakara, and a band of stylised eight petal flowers, presumably Tessen the clematis flower, with leaves and pine branches...

In China, the first mention of the Japanese Archepelago was in the historic text Book of Later Han, written in the year 57 AD. From that time forward, a great flow of Chinese cultural objects and ideas made their way to Japan—greatly influencing future developments there...

In China, the first mention of the Japanese Archepelago was in the historic text Book of Later Han, written in the year 57 AD. From that time forward, a great flow of Chinese cultural objects and ideas made their way to Japan—greatly influencing future developments there...

This finely crafted tripod incense burner is one of several often-employed motifs used by renowned Meiji/ Taisho ceramic artist Suwa Sozan I. With a design borrowed from ancient Chinese porcelain production, this piece displays horizontal bands on a field of luminous light-blue—contrasting nicely with the lid which is a dark varnished wood.

Suwa Sozan (1852—1922) was born in an area of what is known today as Ishikawa prefecture...

Antique Japanese Nabeshima ware bowl, with blue gourds hanging from a vine and two red flower buds with gilt pigment accents on the stem and around the bowl's rim. Blue butterflies decorate the outer edge and "comb" design along foot. Provenance sticker from Japanese antique dealer Shiota in San Francisco. 19th century. Size: 6" diameter, 1.5" height

Antique Japanese Nabeshima ware bowl with scalloped rim to resemble a lotus, with blue cobalt florals designs along the outside and "comb" style design along the foot. The interior of the bowl has a black squirrel hunting for grapes. Provenance sticker from Japanese antique dealer Shiota in San Francisco. 19th century. Size: 5.5" diameter, 2.25" height

Chinese song dynasty white or qingbai glaze flower shape small dish. Decorated with molded flower motive. 12 cm diameter. dish has some hairlines at the center (please see on the pictures).

Antique Chinese hardwood desk, made from attractive jumu wood. Three drawers with ring pulls and carved outlines run along the front with a carved panel of dragons and flowers below. 18th/19th Century Size: 33.75" height, 40" length, 23.25" depth

Antique Chinese ceramic vase with a greenish brown glaze. The body is ribbed and globular with a tapered neck. The handles resemble two small critters. Dates from the Han Dynasty ( 206 BC - 220 AD ) Size: 11 1/2" High X 9" Wide

Ca. early 1800s

This porcelain dish is in the shape of an abalone shell with underglaze blue and overglaze enamel decoration. It is raised on a low footring with an underglaze blue four character mark reading, “Made in the Great Ming.” There is minor glaze wear to the interior and minor firing flaws. There are no cracks or restorations.

Length: 6 3/8 in., Width: 5 3/8 in., Height: 1 ¼ in.

An excellently and thinly potted Porcelain jar, decorated with an abstractly painted landscape scenery. The underglaze Cobalt blue is deep and very nice. Qing Dynasty, Yongzheng Period ( 1723 - 1735 ) H : 10,9 cm. Diameter : 9,7 cm. Condition : Perfect.

Finely drawn chrysanthemums on a field of ivory porcelain. The flowers are placed on the outside and inside edges of one half of the bowl drawing the eye away from the center and giving this piece a unique perspective.

Seifū Yohei IV, Seizan (1871-1951) was the second son of Seifū Yohei III (1851-1914) who was awarded the title of Teishitsu Gigeiin or “Imperial Court Artist” in 1893...

19th Century, nicely hand-carved Ebony Netsuke depicting Ama, the Diving and Fisher Girl, standing with a basket on her back, accepting the advances of the amorous Octopus that is enveloping her legs with its tentacles and placing one of them in her private parts. The netsuke is unsigned. It measures 0.75 inches (1.9cm) wide, and 2.68 inches (6.8cm) tall. It is in excellent conditon, as may be seen in the posted photos.

Antique Chinese tripod ceramic celadon with pale green underglaze, resting on an a hardwood stand with three raised pockets for each foot of the censer. This is a Longquan Celadon, unusual size, dating from Song to Ming dynasty. Perfect Condition. Size: (on stand) 3.25" height, 2.5" diameter (off stand) 2.25" height

A stunning two section Japanese tansu from the Yonezawa region, made with Kuri (chestnut) front and Sugi (cedar) burl frame. The iron hardware is highly decorative with floral elements and incised cherry blossom mon (family crest) into each round lock plate, as well as attractive mokko "melon" style handles for each drawer. Top section has side lockbox with two drawers within. Beautiful lacquer finish. 19th century. Size: 38" height, 42" width, 18" depth

Antique Japanese large carved wooden tray, natural form and curled edges reminiscent of a lotus leaf, beautifully sculptured, late Meiji/early Taisho Period. Size: 24 1/2" wide x 15 1/2" wide x 1" deep.

Antique Burmese basket woven by the Akah people, tall hour glass shape, still with it's original lid, beautifully woven in different patterns, c.1920. Size: 26 1/2" high x 14" wide diameter