Very rare pair of Yuan Dynasty Qingbai completely glazed jars with phoenix lids. These are high fired porcelain quality white bodied Jingdezhen wares with “iron rust” splashes and quirky applique figures. One is slightly larger than the other but both are from the same kiln and period. H: 40cm/15.8in x D:18cm/7in and H: 37cm/14.6in and D: 17.5cm/6.9in. There are Chinese characters at top of each jar the most legible one is “moon” and the incised one is …....

Very rare Tang Dynasty (618CE to 907CE) terra cotta wall tile depicting the face of a Zhemushou, a fierce guardian earth spirit meant to ward off evil. It is a trapezoidal shape with much of original red and black pigments intact. Some loss to the lower lip (please see enlargements). Lower W: 19cm/7.8in, upper W: 16cm/6.1in and H: 20cm/9in.

This is an original yosegire hanjyuban made with plenty of silk katazime and silk fabrics from the Edo period. During the Edo period, silk was very expensive, so kimonos were often made without throwing away even the smallest scraps. This item uses plenty of linen thread as the basting thread. The lining is red silk from the Edo period. There are slight stains. there is some damage to the silk stripes. See image. Size: Length 90cm / sleeve to sleeve 127cm

An elegant tall vase in signature soft blue by Shinjo Tozan III of Yamagata enclosed in the original singed wooden box dating from the early half of the 20th century titled Yohen Kabin. It is 15cm (6 inches) diametr, 41cm (16 inches) tall and in excellent condition.
Higashiyama (alternatively read Tozan) is the common name for the hilly area in the eastern part of Shinjo City, Yamagata prefecture, and the geology of the village is covered with a thick layer of clay...

A lovely work reflecting the simplicity of Art Deco predominant from the 1920s and 30s by master of the genre Ito Suito enclosed in the original signed wooden box The vase is 29 cm (11-1/2 inches) tall and in excellent condition.
Ito Suito (Yoshiharu, 1894-1980) was born in Kyoto and apprenticed under Ito Tozan in 1911. In 1918 he married his daughter, and took the family name and at the same time assumed the name Suito...

Bonji Sanskrit characters pierce the lotus finialed lid of this large antique bronze incense burner. The vajra-like finial topped in the shape of a lotus flower is hollow, the lotus seed pod pierced with holes to allow the smoke to escape like a chimney. This is also removable, slotting in to the incense burner, and turned to lock it in place. Inside the lid is stained and shiny from years of incense soot built up...

Chinese antique monochrome porcelain gourd shaped vase with "peach bloom" glaze. Light red mottled with light green glaze. White glaze inside and inset bottom with 6 character Kangxi mark. Very fine hairline crack on the neck near mouth of vase.

Dimensions: 5" high x 2 3/8" wide

A large Hizen-yaki, Arita kilns polychrome enameled charger. Imari, so named for the trade port through which these polychrome wares transited, decoration with namban (a reference to foreign subject or influence) figures, bijin, 'three friends of Winter', cranes, chidori, elephants and more (much going on). Edo period. Good condition. Diameter, varying between 18 5/8 to 18 3/4 inches

Very Rare Korean Goryeo Iron Gold/Silver Inlaid壽 Sutra/Relics Bowl Lid-12th / 13th C.: Korea, Goryeo dynasty, 11th – 13th century. Its top surround circle inlaid with 壽 (longevity) in gold and gentle dome shape lid inlaid with 4壽 in gold and leaf scrolled in silver over the surface and on around the edges inlaid in silver with lotus leaves. It seems to be used for a sutra or relics bowl presumably, but not it exist only lid...

Rare porcelain or (porcelain stoneware?) dish from China, from the 17th century or before. The ceramic is thick and solid, the decoration of peonies is incised then painted in turquoise and aubergine enamels. The incised lines of the design demarcated surfaces comprising the enamels mixing during firing. The peonies are treated simply and energetically, the artist has gone to the essential, his drawing is powerful...

1900's Chinese Silk Embroidered Gold Couching Egret Civil Rank Badge Official Robe

It is 72.8 inches (185 cm) from sleeve to sleeve, 28.1 inches (71.5 cm) armpit to armpit, and 45.28 inches (115 cm) collar to hem.

It has frayed silk, loose, pulling, and missing threads, fading, stains, separated seams, and wears (as seen in the photos).

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Very good, Pagan 12th century, impressed image of the Buddha inset a niche, flanked by stupas and two lines of Nagari script beneath. Overall the details are crisp and the interplay between light and shadow on this piece are quite dramatic. The best examples of this type reside in the Ashmolean and British Museums...

A very large Ming Dynasty Tomb pottery horseman soldier, c. 1500 AD!

This figure is dating to the Ming dynasty around 1500 AD. and is very large!. It depicts a exceptionally scultured and detailed horseman - likely a soldier. He is seated on a horse. The soldier is fully glaced with a fantastic lively green jacket which looks like a sort of bodyarmor. The helmet, face and horse are decorated in different colours.

Size: The figure measure ca. 40 cm...

A large and high quality Ming Dynasty pottery figure of a warrior probably an officer, dating to 1368-1644.

The figure with many fine details...

A diminutive image of the three monkeys made to support the Kettle lid in the Japanese Tea Ceremony dating from the later 19th to early 20th centuries by Nagaoka Kuumi enclosed in the original signed wooden box. A warning to all, the little creatures hear nothing, see nothing and speak nothing. What passes in the tea room stays in the tea room. The figure is 4.5 cm (roughly 2 inches) diameter the same height and in excellent condition. Impressed into the base is the artists seal.
Nagaoka ...

A Fushina (Fujina) yaki image of the three monkeys made to support the Kettle lid in the Japanese Tea Ceremony dating from the Edo period. A warning to all, the little creatures hear nothing, see nothing and speak nothing. What happens in the tea room, stays in the tea room! The figure is 4.5 cm (roughly 2 inches) diameter the same height and in excellent condition. Impressed into the base is the Rakuzan seal. It comes in an antique woven thread pouch.
Rakuzan pottery falls under the umb...

A Bairin Yaki Suiteki water dropper in the shape of an eggplant and bowl covered in that quintessential Bairin purple and green glaze flowing into the water bowl. It is 10.5 x 6 x 4.5 cm (4 x 2-1/4 x 2 inches and is in overall nice condition, with miniscule chips repaired on the rim. Suiteki are used to provide water for grinding ink on an ink stone.
Bairin Yaki was a resurrection of the ancient Omi style of ceramic called Zeze favored by Kobori Enshu and Honami Koetsu. Zeze Yaki died o...

A diminutive image of Hotei (Putai) the lucky god of fortune from the Edo period kilns of the Matsudaira clan of Matsue in their distinct golden color. It is 4.5 x 3.3 x 4 cm tall and is in excellent condition. Fushina-yaki was the Goyogama clan kiln of the Matsudaira of Matsue Han in modern day Izumo, established around 1764. It fell strongly under the aesthetic taste of Matsudaira Harusato (1751-1818) Daimyo of the province and one of the most influential Tea Masters of the later Edo peri...