Wonderful Late Edo period (19cc) Shino ware Chawan for tea ceremony

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel ...

Remarkable Wabi-Sabi Shino Chawan made by Seto master Kato Shuntai (1802-1877)
The potter name "Shuntai" is carved on the bottom.

Kato Shuntai is a notable potter from Seto area, Aichi prefecture who lived in the late Edo period. He followed his father profession as a ceramist at the age of 15 and soon he received a name Shuntai from Tokugawa, the 11th Daimyo of modern Nagoya. Kato Shuntai expanded Seto ware techniques adding Shino, Oribe and Mugiwara styles to his works.

17-18cc Yi Dynasty White Porcelain Korai Katate Flat Tea Bowl
There are seven kiln spurs left to the interior.

Size
Width 16.8cm x 15.8cm
Height 6.7cm
Weight 541g

Condition
There is a chip on the side, gaps in the glaze and kiln scratches.
Supplied with the custom-made box matching the shape of the tea bowl, which says 'Yi Dynasty White Porcelain Tea Bowl'' on the top.

A beautifully hand-crafted Shino ware chawan with crackled glaze by Kato Gorohachi (?-1900). The potter signature is carved on the bottom. Probably inspired by early Korean Ido examples, the bowl perfectly lies in hands giving strong Wabi feel.
There is not much information available about this Meiji potter even in Japan and his birth year is unknown.
He worked in the Hinno kiln of Aichi Prefecture in late 19 century.

Shino ware pottery is produced in today's Gifu prefec...

15-16cc Korean antique Goryeo celadon bowl which was imported to Japan during Edo period and used for tea ceremony

Size
Diameter 17.6cm
Weight 355g

Condition
Excellent
No chips. No cracks.

This is an antique earthenware terracotta bowl from the Islamic Medieval era 11th - 13th century AD (391 AH – 700 AH) that originated from the Khwarezmian Empire of Central Asia, specifically from Bamiyan. The bowl has a flaring body that rises from a short foot. The surface of the walls is cream-colored with an incised zigzag motif that is divided by vertical green lines radiating from the center...

A Very Fine/Rare Korean One Hundred Boys ( 百童子圖) 8 Panel Screen/Mineral Pigments/Water color-19th C.: $8,000. Korea, Joseon dynasty, 19th century. It’s painted in mineral pigments and water color on paper, boys playing are variety different scenes shown from each panel, and you can name on it. It’s in fine condition but a right middle of the first panel has a spot repaired, otherwise, it is good condition, it measures 33.5cm x 90cm h. (13.25” x 35.5) only painting each...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

A Chinese, black glazed, tea bowl from Fujian province; Southern Song dynasty. This small tea bowl is covered by a black, lustrous, glaze to the interior and the exterior, where it terminates well above the foot. The glaze thins to a dark brown at the rim...

A sancai-glazed water pot; Tang dynasty. The fine water pot, made for the scholar's desk, of compressed globular form with an incised line around the rim, decorated with green and ochre splashes around the shoulders. With a wooden box, and from an old Japanese collection. Diameter, approximately 10 cm. Condition: good, with wear commensurate with age.

A Chinese, Yaozhou, bowl of conical form; C10-12th. Lightly potted and of refined aesthetic, the deep flaring sides rising from a short spreading foot, covered overall with an olive-green glaze. Diameter, 12.9 cm.   Condition: good. Free from cracks, chips or repair. Light surface wear; consistent with age. There is some mottling to the appearance of the glaze; see photos.

Antique Japanese small cha tansu (tea chest). Made with chestnut wood frame and burled hardwood drawer fronts. Two slider panels and a drop in panel are covered with gold-leafed silk on wood. The center of the chest has a small display area with a staggered shelf and two small drawers. The lower portion of the chest has three small drawers and a full-width drawer on the bottom.

Age: Taisho Period (1912-1926)

Dimensions: 25 7/8" high x 23 1/4" wide x 10" deep

A Chinese Gu vase with crackled celadon glaze; presumably from the end of the Qing dynasty. Height, 19.5 cm Condition; good. Some glaze skips and pin holes. A small piece of glaze missing from the rim; please ask for more photos.

A shop sign carved from a block of knotted wood in the shape of a tea leaf jar engraved on both sides with the character Cha (Tea) originally gilded which still reflects light from the correct angle. A large knot making up one shoulder has split apart in the center, while the outside edge remains intact. A perfect example of the Japanese aesthetic of wabisabi. It is 32 x 3 x 32.5 cm (roughly 13 x 1 x 13 inches)...

A Korean celadon stand of a barbed form, late Goryeo dynasty. The exterior with floral sanggam design, and upper surface with moulded decoration. The foot with attached kiln sand. Dimensions: diameter 11.25 cm. Condition: with some age related wear, and a glaze crack to the rim which may extend to the other side; as a hairline. Additional photos are available upon request.

A Chinese, qingbai glazed, bowl with incised decoration of boys amongst floral scrolls; Southern Song dynasty. The glaze is an attractive pale bluish-green colour. Diameter, 20 cm. Provenance: From the Hurdle collection of early Chinese ceramics. Condition: A couple of short tight hairlines eminating from the rim. Some age related wear.

This is a bronze Scythian brooch from an ancient Eurasian Steppe culture dating back to the 6th-4th Century B.C. The brooch is shaped like a recumbent deer, with a slender body and pronounced musculature. The legs are folded beneath the body, and the head is large, with round eyes, facial features, and stylized antlers. The reverse side has its original clasp for attachment...

A Korean, inlaid slip (sanggam), celadon brush washer for the scholar's desk; Goryeo dynasty. Delicately potted and with a fine coloured glaze, this washer is fully glazed with three kiln-support marks to the foot. It is inlaid with floral decoartion to both the interior and exterior. Dimensions: 10.9 cm diameter. Good glaze condition, some overpainting to the rim, and an associated hairline. Additional photos are available upon request.

An iconic work with dynamic floral pattern in pale white on pink by Kiyomizu Rokubei V enclosed in the original signed wooden box titled Taireiji Ichirinsashi. It is 19.5 cm (7-3/4 inches) tall and in excellent condition. The vase retains the original wood stand and stamped cloth pouch. Undeniably Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare...

What a rare and impressive Chawan, made during the mid Edo Period (1603-1868) - Seto-Karatsu Kutsu Chawan with a wonderful shape and a vivid Seto glaze, which which partly looks like the glaze of Chinese Song-Dynasty Tenmoku tea bowls. Really one of a kind.

It has no chips, cracks or repairs and comes with an old Japanese wooden box. The inside of the lid bares the appraisal of the first Mashimizu Zoroku 初代 真清水蔵六 (1822-1877)...

It would be hard to overstate the beauty of this ritual knife, made from an exquisite mottled green nephrite, with swirls of paler green and brown stone. Measuring some 11" in length (29cm) by 3" in height (7.5cm) and 1/8" (.3mm) in depth. The three holes are drilled conically from one side only. Please examine the photos, as they are part of the description. A truly beautiful piece; the stone is tapered to a point from both sides, although not especially sharp...

You are considering a massive neolithic nephrite jade ritual (votive) axe, weighing one pound 10 ounces and measuring 6-1/4" in length by 2-1/4" in width and 1-1/4" in thickness (16cm X 6.5cm X 3cm). Predominantly green in color (celadon), there are extensive black and brown areas, indicative of a stone with a large iron content...

Finely carved Japanese Netsuke Depicting a Kappa laying on top of a Shell. According to Karl Schwartz, in his book 'Netsuke Subjects', Kappa is a Goblin who lived in rivers, having a body resembling a frog with a carapace like a turtle. Its head is similar to that of a Monkey with a cavity on top which must always be filled with water. It is mischievous and is often in love with young girls. This wonderful miniature sculpture was carved by Kozan, a little known artist, dating back to Early 19th ...

Noh theater mask, with a vivid fierce expression, representing the character of Otobide. Wood, painted in gold, silver, black and red to enhance the mask features. Japan, 19th century. Height: 21.2 cm. The mask is nicely mounted on a custom stand. Old accidents and restorations, otherwise good condition.

Historical Masterpiece - Early Edo (17c) Ko-Seto Chawan made by Kato Kagemasa (?-1659) with the old cloth and the wooden box of the period.

Kagemasa Kato was the 16th head of the Seto kiln family, counting from the 1st Kagemasa Kato (1168 - 1249), the legendary founder of Seto ware.

The bowl is covered with old Seto glaze creating a deep Sabi scenery. Thrown on a potter's wheel, the body was intentionally distorted and slightly stretched. The foot ring is cut in an irregula...

Lovely pale Gohon Mishima Hanshi Chawan made in Korea in late Joseon dynasty (18-19cc).
Supplied with the old box.

Such bowls were exported to Japan where they were used for tea ceremony giving the birth of Japanese Mishima ware.

Size
Height 9cm
Width 15cm

Condition
There are fixed cracks on the rim, scratc
hes of the surface and minor chips on the foot.

Rare Handmade E-Shino tea pot made by Shuhan Genpo 宗般玄芳 (1848-1922), the head of the Daitoku-ji temple, Rinzai school of Japanese Zen.

Shuhan Genpo was the 468th Daitoku-ji temple's head monk, Japan's most famous Zen temple located in Kyoto.
He was a student of Nakahara Nantenbo, a leading Zen artist during Meiji period. After serving as chief priest of Enpukuji Temple in Oita Prefecture, he became the head of the Daitoku-ji of the Rinzai sect of Buddhism in 1908.

An exceptional web of gold interspersed with nishiki-cloth patterned designs on gold lacquer fuses this once broken 16th-17th century Koro with ami-me net patterned solid silver lid. This was likely originally made as a tea cup, considering that the entire interior is glazed. Broken and reassembled using the Kintsugi gold technique and placing unusual patterns on the missing portions, this is an exceptional work of art. The silver lid was likely made when it was repaired and repurposed as an ...

Antique Japanese kimono made of chirimen silk died black with a dramatic paste resist and painted design depicting a group of shōjō. The red-haired mythical fairies that live in the sea are shown drinking sake from a large jar. They have long handled ladles and red sake bowls. They are dressed in beautifully patterned robes. The shōjō characters are made famous by the Noh play with the same name and a folklore tale of a man who comes across them while looking for a sip of sake, his fathe...

Antique Japanese porcelain figure of Manjushri. The bodhisattva is seated on a moss covered rock with one hand on a sword and scroll and the other on the fu-dog in his lap. Manju is usually seen riding on a large fu-dog, this image is a sweet departure from that tradition. The fu-dog look up admiringly. Mulit color glaze and gold details.

Age: Late Meiji Period

Dimensions: 18" high x 9" wide x 7" deep.

A Northern Chinese black ware dish; Jin to Yuan dynasty. Probably from Henan province. Overall covered in a dark glaze which terminates to the exterior well above the foot. The interior of the dish was fully glazed, then a ring wiped clean for stacking purposes. The dish is decorated to the interior with five evenly spaced splashes of iron-oxide; which have fired reddish brown. In good condition. Diameter 16.8 cm

A very finely painted Nabeshima Okawachi porcelain bowl on a high footrim of Mokuhaigata form decorated in under-glaze blue with a pattern of five Hydrangea's in Bloom painted in “Korin Style”. The reverse decorated with three Peony motifs, botan karakusa, and the foot-ring with finely painted kushide comb pattern to the outside of the footring. The dish dates to the late Edo period circa 1800-1840. See Metropolitan Museum of Art New York for a dish in the same pattern, Accession number 93.3...

A beautifuly formed iron sake kettle known as a Choshi with a solid silver lid and featuring sliver inlay designs on the handle enclosed in an age darkened kiri-wood bos titled Tetsu Choshi Jungin-futa. It is 8 cm (just over 3 inches) diameter, 16 cm (6 inches) to the top of the handle, and is in excellent condition.

Antique, Indo-Persian, Indian lacquered hide shield Dhal Separ 18th century, Islamic Mughal India.

The shield is of a circular convex form, made of black lacquered buffalo hide, hand-painted in raised gilt polychrome, with four floral sprays pointing towards the center, marked by a round medallion with floral arabesques, surrounded by four gilded solid silver domed bosses with pierced collars.

The upper part is set with a gilded, solid silver, half-moon crescent.

The bottom part is...

An antique Japanese Kotansu (personal storage chest) made entirely of Kiri (Paulownia) wood. All original bronze hardware including the stylized Gumbai handles and the metal embossings symbolizing the four seasons; Maple leaves on the handles representing the Fall season, Mums representing Spring, etc. Constructed using straight dovetail joinery and hardened wooden nails.

Age: Meiji Era (1900-1910)

Dimensions: 23 1/4" Wide by 16 1/4" High by 11 1/4" Deep

Antique 17th- 18th century Chinese Qing Dynasty bronze hanging censer (incense burner). The compressed, rounded shape of the censer is perfectly balanced, with a bulbous body adorned with two intricately detailed lion-heads on either side. The rim of the censer is affixed with three suspension loops, which not only adds to its functionality but also adds an elegant touch to its overall design. The censer is a true masterpiece showcasing the craftsmanship and attention to detail characteristic of...