Green serpentine cylinder seal, Mesopotamia c. early 2nd. mill. BC. Adoration or presentation scene before an alter.

Height: 2 cm, diameter 0.8 cm.

Condition: VF, intact with surface corrosion. Better than imprint indicates.

Ex. Private Collection of Karl Müller, 1950-1977. Comes with his imprint and COA.

Large Chinese Neolithic Machang Painted Pottery Bowl / Jar

This pottery bowl, or jar, was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a pale yellowish-brown pottery and is more highly-fired than most known examples. It has a wide body with a flared rim. There are two small loop handles on opposing sides...

A Japanese bronze vase decorated with dragons and clouds. Meiji period, mid to late nineteenth century. Unsigned. The work is reminiscent of Murata Seimin.

Approximately 21 cm high...

Nicely aged patinated Japanese old ivory letter opener or possibly a page turner with carved and dyed lizard making its way up the handle. The piece is 9.5 inches long and .5 inches wide. It is slightly doomed across the width and the "blade" section is sharpened on one side... Really a lovely piece.

Beautiful semi-transperant calchedony stone seal carved with a priest of Marduk in the base, Neo-Babylonian, 8th.-6th. cent. BC.

Attractive and finely polished seal.

Size: 17-18 mm. tall.

Condition: Near Extremely fine, thin light surface calcification.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection of seals between 1985 - 2000s, bought at reputable dealers and from old collections...

A very rare and interesting stamp seal of quality bone or tusk, Greek period of the Levante, ca. 4th. century BC.

A beautifully carved and polished smaller stamp seal of semi-globular shape and wthe engraving of a stagg on it's face. The medium fully polished and now attractively patinated and the relief is deep.

Size: 12 x 10 mm.

Condition: Complete and intact, very rare for an ancient bone artifact. With the typical natural hairline cracks

Ex...

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

A scarce terracotta oillamp with a Raven, dating to the 1st. century AD.

The lamp of the type Loeschcke I B with fine brown pigments. The bird in very high relief. Beautiful early type.

Size: 95 mm.

From a Berlin private collection, bought in 1990s.

A very attractive Byzantine or darkage bronze chest key approx 6th.-9th. century AD.

The key is very finely made with a hexagonal bow and decoration to the hollow stem.

Size: 65-66 mm. long.

Condition: Good very fine, very nice mottled green and red patina. A condition rarity as such.

Ex. Important old Danish collection of keys.

A Qing Dynasty, Qianlong Period ( 1736 - 1795 ) multi - lobed tea - tray. Richly decorated ( Famille Rose ) in an typical Qianlong manner. L : 19,7 cm. B : 16,9 cm. Condition : Perfect, some wear to the enameled decoration. IMPORTANT AND HIGHLY UP-TO-DATE INFORMATION REGARDING ALL OUR ANNOUNCED PRICES FOR CHINESE CERAMIC ITEMS : SINCE I`M NOW ENJOYING MY RETIREMENT PENSION NOW IT IS A MATTER OF SELLING OFF MY STOCK OF CHINESE CERAMICS...

Spanish colonial era Philippine Santos, painted wood carving of figure, wall-hanging home decoration. Very nice carving, mid-19th century. Figure is missing arms/cross. Hi-resolution images on request.

A Kutani “Yoshidaya Revival” dish, early 19th century.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the site's remote location, but his wares emulate the earlier Kutani wares in a variety of ways...

The dish is in “Ko Sometsuke” style. It is decorated entirely in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai...

This is an original yosegire hanjyuban made with plenty of silk katazime and silk fabrics from the Edo period. During the Edo period, silk was very expensive, so kimonos were often made without throwing away even the smallest scraps. This item uses plenty of linen thread as the basting thread. The lining is red silk from the Edo period. There are slight stains. there is some damage to the silk stripes. See image. Size: Length 90cm / sleeve to sleeve 127cm

A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles...

A Southern Song Dynasty ( 1127 - 1279 ) covered box. The white porcelain body most beautifully molded and covered with a very nice, clean white glaze. Probably Dehua ware. Diameter : 6,4 cm. Condition : One short fiering crack to the cover ( visible on the last enlargement ) and one fiering crack to the base of the box...

An Imari three colour export squat round teapot of small dimensions decorated in a rich Imari pattern of various shaped panels of lobed and comma form set against a dark blue brocade style ground with Chrysanthemum flowers and gilt vine arabesques. The reserves plain and iron red inset with Karahana, Tang flowers, and Irises...

An Arita dish decorated entirely with a dense arabesque of trailing bush clover vine and leaf with flowers, lotuses These belong to a class of design called hosoge which ultimately derive from Chinese patterns of the Tang period. This particular form popular from the seventeenth century features Bush Clover, Hagi one of the auspicious akikusa-de, and is known as Hagi Karakusa, where karakusa means Chinese (literally Tang) grasses. This type of design would have required great dexterity and skil...