The blue and white porcelain made in ARITA erea Japan had been exported to Europe and much prized among the people, instead of Chinese porcelain. They are called as IMARI from the name of shipping port. We call the works produced in the EDO period as Ko-Imari meaning old Imari. This piece is supposed to be produced on the mid EDO period. The simple stroke in this piece is very favorable. No repairs or damages. Fine iron grains from the clay are appeared as black points...

A large amount of works made in INDOCHINA,for example Skhothai, Annan,Burma was exported to JAPAN. They were very prized as tea ceremony goods among the domination and the similar green glazed jars are transmitted from generation to generation, This jar was excavated in 20th century and　selected as mizusashi at tea ceremony in Japan and exhibited at the Simabara castle in 1987. SIZE: 13.3cm(D) 12.3cm(H) ACCESSORIES: cover made by Japanese lacquer wooden box

Antique Japanese low table made all of carved keyaki (elm) wood. The top is made of a single piece of dramatically grained wood with the edges carved to create a gnarled burl effect. The legs are also made of solid keyaki wood and carved with rounded feet. Original deep orangish red translucent lacquer finish.

Taisho Period (early 20th century)

Dimensions: 13 1/2" high x 71 1/2" long x 38" wide

Antique Chinese blanc de chine censer of a Qilin. Made of porcelain and glazed white, this Blanc de Chinese piece is from the Fujin Province of China. The Qilin sits on his haunches with his head turned over one shoulder. On the underside of the creature is an opening and two tube-like incense holders for joss (stick) incense. The smoke from the incense would have come up through the nose and open mouth of the Qilin...

An antique Tibetan painted wood image depicting the Female Bodhisattva Green Tara (Sanskrit: Syamatara; Tibetan: Dölma) seated on a lotus throne in the posture of 'royal ease' with the right leg extended; the left hand is held in the mudra of blessing; the right hand extended across the right knee in the gesture of giving protection. Both hands are holding the stem of an utpala flower. H. 19 cm...

Original antique 19th century Japanese Woodblock Print by KUNISADA (AKA TOYOKUNI III, 1786-1864). Presented matted and framed. In good antique condition some surface soiling commensurate of age. Kunisada Utagawa was born in 1786 in Honjo, in the outskirts of Tokyo, the capital of Japan, then called Edo. His father died when he was about one year old. But he had left his son a hereditary ferry-boat license which provided a safe income...

A bowl or cup of unusual Klapmuts form with an angled everted rim decorated in under-glaze blue with Auntumn grasses, akikusa. Shards of identical cups have been excavated from the Okawachi kiln site and dated to the late Edo period and the first half of the Nineteenth century. The bowl measures 9.8cm in diameter and stands 6.8cm high and the foot-ring measures 3.4cm in diameter. It is in good condition with no cracks, chips or restoration...

Antique Chinese bronze water dropper in the form of a crawling baby. Cast in bronze with details of traditional baby clothing tied at the back of the neck. The baby crawls forward with one leg slightly bent, elbows on the ground and face forward. When submerged, water would have flowed into the dropper through he hole in the baby's back...

Antique Chinese bronze incense holder for joss (stick or agarabathi) incense in the form of Laozi riding a water buffalo. Laozi is widely celebrated as the founder of Taoism and the author of Tao Te Ching, a significant treaty on Chinese cosmology. According to legend, Laozi left China for the west riding a water buffalo. In this small bronze incense holder, Laozi sits on the back of the animal, his robes flowing around him...

Antique Chinese small bronze scroll weight of a seated man. He is squatting on his heals with hands clasped together over his chest. Wearing flowing robes tied with a chord.

17th Century: Ming Dynasty (1368 - 1644)

Dimensions: 2 1/4" high

Antique Chinese small bronze censer in the form of a recumbent qilin. Possible used as a brush rest or for burning incense. Open on the bottom, the incense smoke would have come up through the qilin's open mouth. Subtle details include incised scales and a single horn.

17th Century: Ming Dynasty (1368 - 1644)

Dimensions: 3" high x 3 1/4" long

Antique Japanese gold lacquer inro with 4 compartments. Decorated with a scene depicting a cottage high in the mountains. On one side, a small stream meanders by a thatched roof building with doors opening to a garden surrounded by a low fence and opened by a tall gate. A large, blossoming plum tree stretches it's branches dramatically over the roof and a mist floats over the top of the scene. The other side of the inro depicts a churning river with ragged outcroppings of rock...

Japanese inro with 5 compartments decorated all around with a scene of a mountain stream running down hill through rocks and low tree branches. On one side of the inro, the stream falls over rocks and continues on the other side of the inro in a striated current. Various trees including blossoming fruit trees and pines spring from the rocks. Pine saplings emerge from a gold mist in the foreground. Created with a fine raised gold maki-e lacquer technique and inlaid with gold metal flecks...

The size of Tea Cup: 3 1/8" Dia x 2 1/4" High. The pair of Japanese Hakeme Tea Cups by 1st Kuze Kyuho (1874-1947). It is finely made with brownish earthen clay. It has finish of Hakeme, white brush stroke work glazing...

18th century or earlier Indian bronze votive sculpture of standingmale figure with a dagger and a a lingam in his hands. I believe the image to be a rare 2-armed form of Govinda Bhairava, who is a syncretic form of Vishnu and Shiva. Wonderful casting, great detailing of his clothes and jewelry, beautiful devotional wear, excellent patina. Height 4 3/4 inches.

18th century or earlier Indian bronze lamp stand from Western India in a form of Garuda standing on one knee, his hands in praying attitude, his wings spread, and with a naga (cobra) rising by his right leg. Garuda, being the mount of Vishnu, is regarded as representing essential qualities of the deity in animal form, and was worshipped as deity itself. Very nice casting, pleasant patina from the piece being handled, devotional wear on the front. Height 4 7/8 inches.

The expression of Sakyamuni is beautiful and serene. Clearly carved by a master artist. The image is made of one single piece of precious, dark purplish zitan wood. These type of wood images were made of different parts and assembled ( it can be seen by the holes where the various parts would have been stacked together ). Unfortunately the arms and lower part of the body has been lost but it is still a very charming piece! Fixed on a newer hardwood stand. Tibet, 16–17th cent. H 14,5 ...

Japanese Gilded Monkeys under Fruit Tree Brooch on Bronze, Meiji period, 1880-1900, 7/8" high, 3/4" wide, low relief Mom Monkey with Copper red face ready to feed for a Golden Fruit to Golden small Baby Monkey, under the Gilded fruit tree, this is a loving and beautiful design of mom takes care of her baby. Silver pin fastener is on the back. The condition is superb, no wear on the gilding.