A carved wood figure of a wandering priest, robes billowing in the wind, his large straw hat full of holes, signed Yasuchika on the back. Dating from the late Edo to Meiji period, it is by a member of the Tsuchiya Yasuchika lineage. The figure is 31 cm (12 inches) tall and in excellent condition, complete with walking stick.

This extremely rare Inca carved Llama bone blood cup depicts a battle scene. One figure is holding a copper tumi knife and the other is holding a knife. It is 3 1/4" tall and 1 5/8" wide. It is in very nice condition. Excellent age on surface. Both dressed in full battle regalia locked in mortal hand-to-hand combat. Patina is beautiful. Circa A.D. 1200-1400. Old museum number on bottom "115". From the Len Weidner Collection. This is one of the largest and finest collections in the country...

Song Qingbai bowl with high foot rim and thick classic aquamarine Qingbai glaze, there is a 1cm hairline off the mouthrim (noted in last enlargement) otherwise good condition. The glaze is absolutely fabulous. D: 14cm/5.5in and H: 7cm/2.8in

Lovely traditional red silk satin child’s jacket with floral sprigs, circa first half 20th century, maybe even earlier. Excellent condition, except for the trim all hand embroidered and hand sewn. Old commercial trade cloth cotton lining. Would look good as a wall hanging. Width straight across shoulder 63cm/24.8in and H: 37cm/14.5in. Free shipping

Good black glazed with large swathes of russet jug circa Ming Dynasty bottle with two lugs. There are a few chips on the lower edge of mouth. This kind of ware was the “coke bottle” of their day, common place household/kitchen items, almost every home would have a few. No reason (after a good cleaning and sanitation) you couldn’t reuse for your favorite poteen, bai jiu or single malt. H: 21cm/8.2in and D: 14.5cm/5.8in.

A very large and impressive Neolithic period stamp seal, provenanced to Amüg-Ebene near Antioch in Western Mesopotamia / Eastern Anatolia, c. 6th. millenium BC of even earlier.

Rectangular seal of grey stone with a long ridged pierced handle and a grit pattern in the base.

Size: 40 mm. long and 23 mm. wide, c. 12 mm. tall.

Condition: Near VF, one corner chipped, lightly affecting the imprint...

Tall bottle with flat base, piriform body, and long cylindrical neck ending in a flared rim.
Unguentaria are small ceramic or glass bottles frequently found in burial contexts. Their most common use was probably as a container for oil. The unguentarium is sometimes referred to as lacrimarium (tear-container) or balsamarium (balsam-container). All three terms reflect different assumptions about their use.
Ceramic
Greek, Hellenistic Period, 4th-2nd century BC
H...

Very tall bottle with elongated foot, tapering body, long thin neck, and bulging rim.
Ceramic
Greek, Hellenistic Period, 4th-2nd century BC
H. 25 cm (9.8 in)
Broken neck reconstituted. Some wear and accretions on the body.
Swiss private collection. Acquired in the German art market, June 2008.

The authenticity of the object is unconditionally guaranteed.

Late Meiji (1890s - 1910s) Japanese ivory chashaku (tea scoop used for powdered tea during tea ceremony) of elegant slender shape. Comes in original chazutsu (inscribed bamboo case). Delicately carved, in great condition, beautiful patina, very pleasant to the touch. Chashaku length 7.25 inches, case length 9.25 inches.

Shabti for Iset Ta - Hemdjert (1)

Faience Ushabti “Iset Ta-Hemdjert” the Great Royal Wife of Pharaoh Ramses III.

Death figure with uraeus and youthful curls, as well as with remains of the eight-line surrounding inscription.

Queen “Iset Ta-Hemdjert” had at least two children, Ramses the successor to his father, and Amunherchepeschef (Ramses VI), who became king after the death of his brother and nephew (Ramses V...

Rich green glaze covers this elongated delicate undulating bottle from the Kosugi-yaki tradition of the Kaga region near modern day Kanazawa city. This bottle is roughly 20 cm (8 inches) tall and in excellent condition.
Kosugi ware is a type of pottery that was produced in Kosugi Town over four generations for about 80 years, from around the early Bunka era (1810-1820) to the Meiji 20s (around 1890)...

Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.

Kano Furunobu was a painter from the middle of the Edo period. He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.

Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age...

Japanese antique 15 ken (plates) jingasa hat for a ashigaru foot soldier. Made of iron with large rivets and edged with oxidized silver. Comes with a custom metal stand. The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather.

Age: Edo Period (1603-1867)

Dimensions: 23" high (including stand) x 15 1/4" wide

Antique Japanese gosho ningyo doll. Called a "palace doll" as these were once given as gifts from the Emperor and Empress to young princes and princesses. These young baby dolls represent a hope for happiness and prosperity. Made of ceramic and painted with gofun (a paste made from fine itabo oyster shell powder)...

Antique Chinese Peking glass bowl in a brilliant yellow color. Foliate form with six sides. Each lobed section is carved with a different type of flower ranging from lotus to narcissus.

Dimensions: 3" high x 7 1/4" wide

Antique Indian Kangra School miniature painting of Annapoorani Amman. A scene where Annapurna (the goddess of Nourishment and a manifestation of Parvati) seated on a throne, gives food to her consort, Shiva. The story goes that Shiva challenged the need for all materialistic things including food. Parvati, in order to prove to Shiva that food was essential (especially to his followers) disappeared, creating a state of famine. Humans and gods suffered. Shiva went in search of Parvati and f...

Exceptional Meiji Period wood carving of Daikoku, one of the seven lucky gods, known as the god of abundance. He stands on two full rice caskets and carries a bulging bag of treasures and happiness. 22cm tall x 13cm wide x 9cm deep. Ask for shipping quote.

Dry lacquer mask of the traditional Gigaku Theater, finely carved and lacquered to depict an elderly man (old widower) with a long aquiline nose, full red lips forming a smile, elongated earlobes, and deeply carved wrinkles. The eyes and mouth are pierced. The back with a label inscribed inside deszcribing the mask and with the artist signature. Rich, dark patina. Height: 25 cm. Good condition with some wear and minor age flaking and losses to lacquer, tiny chips to edges. NOTE: This mask rep...