An antique Meiji Period two sectional tansu made from kiri wood with iron hardware. The top section has two large drawers. The bottom section has two medium size drawers and on the right side a door with lock. Behind the door are two smaller drawers. And below one small drawer.

It originates from the Yamagata tansu district of Japan in the Tohoku northern Japan region.

Date: Meiji (1868-1912)

Dimensions: 38"tall X 48"long X 18"deep

A fine small Chinese silver-inlaid bronze censer for the scholar's table modelled as an archaic ding. Early Qing dynasty, 17th/early 18th century. Height 11.5 cms. 471g. Private collection, USA.

A Kenzan style Chawan Tea Bowl decorated with blossoming plum bending over a golden rim by Miyagawa (Makuzu) Kozan enclosed in the original wooden box signed inside on the box floor by the aritst with an annotation inside the lid by Omotosenkei Iemoto Tea Master Seisai (1863-1937) reading Makuzu Yaki Chawan Ume-no-ga Ari (Makuzu Pottery Tea Bowl Decorated with Plum). It is 12.5 cm (5 inches) diameter, 7cm (3 inches) tall and in excellent condition...

An antique Japanese Kiri Kasane Tansu (stacking chest on chest) made entirely of Kirinoki (Paulownia) wood. Using hand made iron fitting and Kakute style handle pulls. Construction includes straight dovetail joinery and hardened wood nails. Two drawers behind the small hinged Kobiraki door.

A secret box can be found hidden behind the bottom small drawer in back of the hinged door...

Unusual antique Tibetan gau ghao (gao). Used as a portable shrine that hangs around the neck, a gao is usually a box filled with prayers written on cloth around a central deity visible through a window. This gao is flat but it is similar to the traditional gao in that it has a central deity and a window cut out of leather...

Antique Japanese set of 10 imari plates with foliate edges, underglaze motifs of and scrolling vines with gilt accents. The underside features cobalt blue underglaze auspicious objects and a four character signature.

Size: 9.5" W x 1.75" H

An antique 2 section tall Japanese Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. Beautiful original finish of fine Shunkei-Nuri (lacquer) in front and a wiped lacquer technique on the top and sides. In addition, the handmade iron hardware is original with Warabite handles. Top section has two sliding doors with 5 drawers below...

Tiles and fragments from the safavid period (17th c.). Cuerda seca technique. Variable dimensions. Even if damaged or used, each one still has a particular strength in design and colors.

A carved lacquer box which pays homage to Chinese literary taste while presenting itself clearly in a modern, Japanese way (for turn of the century lacquerware at least) by 2nd generation lacquer artist Ishii Yusuke enclosed in the original signed wooden box. The tsuishu lacquer technique requires applying layer upon layer of lacquer which is then carved through and polished, a painstaking process...

Beautiful contemporary Japanese todana tansu (shelf chest) with two sections, made from a very light keyaki wood with a nice smooth finish and attractive grain. It has two large sliding doors with open wood panes and interior shelving, two smaller sliding doors below with horizontal slats, and two sliding drawers with hirute shaped handles. Size: 74.75" height, 34.75" width, 17.75" depth

An antique pair of architectural corbels of mythological elephant baku’s are commonly placed under the eaves of Japanese Buddhist temple and Shinto Shrines to ward off evil spirits. The baku devour dreams and nightmares and protector against evil. The baku cannot be summoned without caution, however as ancient legions say that if the baku is not satisfied after consuming the nightmares, he may devour ones hopes and dreams...

A late Joseon dynasty mother of pearl inlaid black lacquer cosmetic and mirror box of drawers. Cranes and peaches decoration on the top. Butterflies, flowers and rockery decoration on the sides. Bamboo decoration on the back. Honeycomb pattern decoration on the front. Good condition, retaining the mirror, and with only light mother of pearl and lacquer loss. A recent owner lined the bottom of the hinged top mirror compartment with a drawer liner and felt. 19th century...

A good Chinese Song dynasty black glaze pot, Zibo kiln, Shandong province. Ht. 15cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

We Japanese have been loving celadon from China since 11 century. Especially about the Long-guan ware, we categorize 3 types. 1."Kinuta"celadon in Song dynasty, 2."Tenryuji" celadon in Yuan dynasty, 3."Shichikan"celadon in Ming dynasty. This piece is categorized "Shichikan" celadon. The celadon of Long-guan-yao had been declining in Ming dynasty and generally has not clear color...

The natural cobalt had become to be imported to China again at Jiajing period, and so color development of blue had become very clear...

Thai sutra box and sutra. The rectangular box with ornate gilt decorated panels (each a different scene), three on each side and one on each end, of deities in combat on black lacquered surface. the interior painted red. The sutra with leather ends and sturdy paper leaves with mostly Sanskrit and hand illustrated in colors variably throughout. All good condition with reasonable wear. Sutra (closed) cover length 26 3/4 inches (67.9 cm). Box length (along the base), 32 1/2 inches (82.55 cm)...

An antique Japanese Niigata 2 section Kasane Tansu (stacking chest on chest) with hand made iron fittings. The lock plates feature the Sho Chiku Bai motif (Pine, Bamboo, Plum Blossom known as the 3 felicitous friends of winter) with the longevity symbols of the turtles and crane. Each drawer has Kakute handle pulls and the hinged door hides 3 small drawers.

The front of the chest is made of natural Kirinoki while the tansu body was designed using a dark red wiped lacquer technique. Cons...

A very thick and massive gold ring with clasping right hands, Roman Imperial Period, 2nd - 3rd century AD.

Typical high shoulders and compressed design. 22+ carats gold.

The depiction of the dextrarum iunctio (handclasp) was highly popular in Roman art. In the Roman world, the right hand was sacred to Fides,the deity of fidelity. The clasping of the right hand was a solemn gesture of mutual fidelity and loyalty at the conclusion of an agreement or contract, the taking of a...