Antique Japanese kanzashi, hair comb, hand carved on “urushi" lacquer (natural lacquer produced only from the threes that grow in certain parts of Asia) and decorated in make with a rooster on a drum surrounded by auspicious flowers. The design comes from an ancient Chinese poem that describes the era that was ruled by Emperor Yao who was known for his wisdom and fairness. The poem reads, “The drum for raising alarms is now covered in deep moss, and the fowls are left undisturbed”...
Japanese hair comb decorated with a pair of love birds, Oshidori (Mandarin ducks) perched on a plum tree, raised gold makie with silver, kirikin and shells. The theme here is auspicious. We counted 33 teeth in 3 cm, amazingly skillful hand work. Excellent condition - actual color loss in the center area of wooden teeth is not so obvious as shown in the photos. Circa, Meiji period (1868-1912) Dimensions: 3 1/4" x 1 1/8"
This porcelain tea bowl and saucer was produced in Germany by Meissen. The mark dates from the period around 1750. The crossed swords mark is under glaze and is first quality. The saucer has a diameter of 5 3/4 inches and is 1 1/2 inches deep. The cup is 2 3/4 inches high. It does not have a handle. The shape of the set is in the form of a lotus blossom. There are finely hand painted sprays and sprigs of flowers scattered across each piece. The rims are trimmed with gold...
Sensational Mokubei (lived 1767-1833) scholar figurine in polychrome enamels. Famous as a potter working for the Lord of Kii and later the Lord of Kaga where he opened his own kiln. He used to stick his head far into the kiln during firing to ascertain the temperature of the heat by the sound of the fire. Later because of this he lost his hearing and changed his name to Robei, 'which means deaf. His figurines were highly prized for the sencha tea world. This scholar sits with brush and book...
This porcelain box was produced in England by Royal Crown Derby in 1906. The marks on the bottom identify this date. The box measures 2 3/8 inches wide, 2 1/4 inches long and 1 1/4 inches deep. The porcelain is pure, white, bone china. The box is heart shaped with a little puffiness to the lid. The bottom half has a gadrooned edge around it. The box is decorated in the Imari pattern with tradition colors of cobalt blue, iron red, green and gold...
This flint glass pitcher was produced in the United Stated at the Boston Sandwich glass factory in the late 19th century. It measures 5 1/2 inches high. It is cranberry opalescent hobnail with a clam broth attached handle. There is a rosette connecting the handle and a wide polished pontil on the bottom. The pitcher rings like a bell when tapped. The pitcher has a sensuous quality about it...
This porcelain plate was produced in the U.S.A. by Lenox between 1894 and 1906. The plate has a diameter of 9 inches. It was commissioned for the retailer Bailey, Banks & Biddle of Philadelphia. The plate is artist signed W.H. Mosley who was a prominent painter at Lenox. The plate has a soft cream colored ground. The center is hand painted in subtle colors in a rather “Impressionistic” manner. The birds are identified as “Snipe” found in marsh lands...
This porcelain plate was produced in the U.S.A. by Lenox between 1894 and 1906. The plate has a diameter of 9 inches...
This porcelain plate was produced in the U.S.A. by Lenox between 1894 and 1906. The plate has a diameter of 9 inches. It was commissioned for the retailer Bailey, Banks & Biddle of Philadelphia.
The plate is artist signed W.H. Mosley who was a prominent painter at Lenox. The plate has a soft cream colored ground. The center is hand painted in subtle colors in a rather “Impressionistic” manner. The birds are identified as “Rail”, a game bird living in marsh lands. They are painted ...
Myanmar silver-work is an ancient industry dating back to the 13th Century. Monarchs customarily used silver and gold bowls as rewards for the ministers
and the attendants' loyalty and faithfulness to the royal family. Silver items were also a symbol of wealth because only the ministers, the generals
and the rich citizens used silver for items such as betel-nut boxes and stands, flower bowls and vases, spittoons, daggers, dagger sheaths,
and regalia and waistbands for the kings. Descriptio...
A FINE 16TH CENTURY PERSIAN JAMIYA, with doubled edged curved steel blade, the carved ivory handle with Arabic inscription "Made by Haji, Enthronement
of the King Cumar Farug the Second 986 AH," which equates to the year 1578. It also exhibits the image of Persian mythical King with his inscribed name
"Houshang". The length oh khanjar is 18 inches. Condition Report: This item is in great condition.
Elegant silver basket with key fret decoration. Foot with "Zeewo" and Chinese character mark. Condition: fine. Dimension: 18.4 cm high, weight: 136 g.
This crystal goblet was produced in Bohemia by an unknown company. We believe it was made sometime in the early 20th century. The goblet is 9 3/4 inches high and the diameter is 3 1/2 inches. The decoration is beautifully hand enameled, depicting brightly colored parrots on both sides of the glass. There are also flowers and gilded leaves.
CONDITION: There is a bit of wear to the gilded stems of the flowers.
Hand stitched Japanese short jacket, 36" wide x 33" long.
A massive, heavily potted, Ming dynasty Cizhou stoneware wine jar freely decorated with flowers and plants in brown on a thick cream ground. For a very similarly decorated jar (possibly painted by the same hand) please see the example illustrated - Fig 1, p431 "Ming Ceramics in the British Museum" (ISBN 0 7141 1488 X). During the 15th and 16th centuries Cizhou-type jars, for use as wine containers, were ordered regularly by the Ming Court. There are two four character inscriptions on each side ...
Antique Japanese fabric, Japanese indigo dye (aizome), Katazome stencil dye on loosely woven cotton, flowers in chained fuji (wisteria) Shippo design. Excellent condition (one hole, visible on reverse side). 56" long x 13 1/4" wide.
Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).
Sensational 'ichibori' one knife carved block representation of Hotei, one of the seven lucky gods of Japan. He holds a Gumpei in his right hand, the magical standard and in his left hand the Hoju, the sacred wishing gem. Carved in the early 1900's out of keyaki or japanese elm and lacquered and painted with vine swirls. Exellent condition. Ask for shipping quote. H:7" x W: 10"