Burmese wooden lotus Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.
Age: Burma, Mandalay Period, 19th Century
Size: Height 13 C.M. / Width 8 C.M. / Depth 4.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age).
Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
19th century Chinese scholar’s brush rest in a shape of a violently swirling tree root. Works as abstract sculpture as well. Beautiful orange lacquer surface, dried ink in some spots, wonderful patina, very pleasing shape. Excellent piece in scholar’s taste. Length 6 inches, height 1.5 inches.
A rare iron cut monogram with nail from the royal armory of King Christian the V (1670-1699), with his crowned C5 and dated 1691.
Such nail would be hammered into wooden wheels for guns or wagons in the 17th. century.
Size: Substantial and heavy, 5 cm. long and 4,2 cm. wide.
Ex. Old Danish Collection of early metal antiques from europe.
A lovely late renaissance monogram of Christian the IV, 1588-1648 AD.
The pewter fitting, once gilded with remnants of gilt in the details. Such a fitting would have been hammered onto wood work in the period, prbably military related, navy or army.
Size: 74 mm. tall.
Old Danish Collection.
Origin: Egypt
Material: faience
Dimension: 0,7 cm.
The underside of this scarab is inscribed with a cartouche holding the name Menkheperre, the prenomen of pharaoh Thutmose III (Dynasty 18, ca. 1479-1425 B.C.) He was venerated after his death and the name of this great ruler continued to appear on stamp seals long after his reign, even into the Late Period (ca. 664-525 B.C.).
Comparison: Skarabäen und andere Siegelamulette aus Baseler Sammung...
Henuttawy A – Hnwt-tAwy A Worker 1
Duat Hathor and Mistress of the Two Lands (Queen)
Deir el-Bahri - Cache I - Royal Cache DB320
Also known as Henouttawy, Honittaoui
It is assumed that Henuttawy is a daughter of Ramses XI, the last king of the 20th dynasty. She becomes Pinedjem I’s first wife, has many titles and plays an important role at court...
Interesting early seal of a very rarely encounted shape, worn handle, 5th.-4th. mill. BC.
Size: 26 x 17 mm.
This seal comes with hard impression and original ID-card from below collection, see pictures.
Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...
Interesting carved and finely polished in now glossy green stone, Amüng-Ebene at Antioch, Halaf period, probably 3rd.-2nd. milleium BC, perhaps later!
The base engraved with an animal.
Size: 22 mm. tall and 17 mm...
Laos bamboo basket.
Age: Laos, 20th Century
Size: Height 23 C.M. / Width 26.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Interesting substantial seal in grey stone with a long round bar handle on top of a rectangular base, Amüng-Ebene at Antioch, Halaf period, probably as early as 6th. millenium BC.
The base engraved with a gritt.
Size: 31 mm. long and 17 mm. wide, 14 cm...
Interesting spindle whorl, decorated with bulls eye symbols, Mesopotamia, 2nd.-1st. mill. BC.
Size: 25 mm. in diameter and 10 mm. high.
Condition: F-VF, old wear to edges. Patinated.
This item comes with the original ID-card from below collection, see pictures.
Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...
A scarcer type of Western Mesopotamian seal with animals of a sort of rounded gable form or a semi-circular form of the seal itself, unlike the Anatolian forms. The seal dates to the Ubaid period of the 4th...
Finely carved stone stamp seal in a dark greenish stone, Western Mesopotamian / Eastern Anatolia border type, Late Ubaid-Uruk period, c. 4th.-3rd. mill. BC.
Typical design of the period wuth a round seal, with the cruciform engraving around a central globe.
Size: 21 mm...
A very rare and interesting stamp seal of the 2nd. mill. BC, carved in dark green stone in Anatolia during the Hittite period of dominance.
As typical for the Anatolian culture and glyphtic art, the seal depicting a hunting scene, but in this case a very unusual one. We see a winged Centaur with horse body and the forepart of a human, attacked by numerous spears and arrows, one is burried in his chest...
Interesting stone stamp seal of pyramidal shape, Western Mesopotamia, probably Late Halaf or early Ubaid period, c. 6th.- 5th. mill. BC.
The shape of the seal has been recorded many times in buriel finds of the 6th. mill...
A lacquered writing box in the shape of a kimono sleeve (sode) covered in soaring silver and gold geese among autumn reeds and Togidashi clouds with a secondary (inner) sleeve shape covered in Karakusa vine tendrils on black enclosed in an age darkened kiri wood box. The inside is covered entirely in nashiji gold powder, and contains a grinding stone, and a water dropper of copper inset into the tray. Also enclosed are a bamboo brush and gilded ink stick decorated with a squirrel on a grapevin...
NON-MAGNETIC WATCH Co.
Geneva and America
1887-1905
The Non-Magnet Watch Co. sold and imported watches from the Swiss as well as contracted watch made in America. Geneva Non-Magnetic marked watches appear to be the oldest type of movement. This company sold a full line of watches high grade to low grade, as well as repeaters and ladies watches. An advertisement appeared in the monthly journal of “Locomotive Engineers” in 1887. The ad states that the “Pallard’s patent non...
Antique Chinese 8 panel coromandel screen with a carved lacquer palace scene of noble figures on one side, pine trees and animals on the other. An inscription states that the screen was carved in the eleventh month of the thirty-second year of Kangxi. There is a poem that talks about the proud and powerful pine tree reaching for the sky and an approaching storm. The inscription also mentions a congratulations to Guo Zanzhang, a candidate for the the title of Dengshilang. Artist mentioned: Homgd...
18th century Indian bronze candle holder in a shape of a beast with a single horn on its head, could be a lion with mane (and possible vehicle of Durga) or some sort of other mythical creature. Beautiful casting and detailing - see its expressive face with tongue sticking out, tufts of fur on its feet and foliage supporting candle receptacle. Excellent red patina, wonderful feel of age. Height 3.5 inches.
19th century Indian bronze votive sculpture of standing Garuda holding his hands in front of him in praying attitude (anjali mudra indicating total devotion). Cast in the state of Karnataka. Garuda, being the mount of Vishnu, is regarded as representing essential qualities of the deity in animal form, and was worshipped as deity itself. He is present in both Hindu and Buddhist tradition, and usually has a body of a human, with a beak of a crow and wings. Very good casting, wonderful dark patina,...
17th / early 18th century small votive Indian bronze sculpture of Vishnu sitting on high base with one foot pendant and holding Lakshmi on his left knee, protected by Naga (cobra) with spread hood over his head. Usual name for this grouping is Lakshmi-Narayana. His hand is in abhaya (no fear) mudra, while Lakshmi is holding lotus flower in her hand. Beautiful casting and detailing, great patina with subtle green encrustation on the surface, wonderfully worn attesting to its great age. Height 2.3...
18th century small votive Indian bronze sculpture depicting the mother goddess Durga riding a lion - her vehicle. Durga is the most powerful female deity in the Hindu pantheon. Great bronze with powerful casting and detailing, beautiful patina and wear, strong feel of age, old loss to an object in her right upper hand, crevices with accumulation of sandalwood paste used during worship. Height 2.69 inches.
19th century Indian bronze votive sculpture of standing Garuda holding his hands in front of him with palms up. Cast in the state of Karnataka. Garuda, being the mount of Vishnu, is regarded as representing essential qualities of the deity in animal form, and was worshipped as deity itself. He is present in both Hindu and Buddhist tradition, and usually has a body of a human, with a beak of a crow and wings. Very nice casting, his left wing was originally cast bent towards the front, does not ta...
Unusual 17th / early 18th century small votive Indian bronze sculpture of a standing female attendant of a deity, her hands in front of her, and must have contained an object (missing). Beautiful casting and detailing, great patina with subtle green encrustation on the surface, wonderfully worn attesting to its great age. Height 2.3 inches.
17th / early 18th century votive Indian bronze sculpture depicting Sri Devi - a form of Lakshmi, the consort of Lord Vishnu. Very elegant casting, great patina with subtle green encrustation on the surface, wonderfully worn attesting to its great age. Height 2.3 inches.
18th century Indian bronze votive sculpture of Shiva shrine with lingam, Naga (cobra) with protectively open hood, Nandi bull (the vehicle of Shiva, or sometimes considered to be a form of Shiva himself), pile of offerings and couple of plates. Very nice casting, beautiful patina and wear, very good devotional object. Length 3.14 inches.
19th century Indian bronze cast in the state of Orissa. Depicts Lakshmi wearing loincloth and jewelry standing on a lotus base and holding an oil receptacle (was cast separately and now not present) in front of her, and a handle at the back. Good casting, pleasant patina, nice feel of age to the piece. Height 6 5/8 inches.
Polychrome ivory okimono depicting the study of a peeled banana, finely carved in real and natural details.
Period: Meiji – Taisho, early 20th century.
Dimensions: 10 x 3.5 x 2 cm.
Conservation status: Excellent condition
Vase in metal and cloisonné enamel with a yellow monochrome background, decorated with three flying butterflies with the Ando Company brand.
Period: Taisho 1920 ca.
Dimensions: 21 x 10 cm.
Conservation status: Excellent condition
Bright Byobu 屏風, folding screen, with six wooden panels covered with hand-painted paper with gold dust applications.
The decoration is made with gold dust applied to create a nuanced effect creating a diffused brightness that captures the essence of natural light.
The panels are framed with a red lacquer frame.
Period: Meiji end of 19th century.
Dimensions: 174.5 x 365 x 2 cm.
Conservation status: Excellent condition. There are slight defects on the lacquer frame and stains an...
Two-panel screen depicting a scene capturing a tiger under a Japanese Matsu pine with gold leaf frame. On one of the panels, a tiger is depicted with a concentrated expression.
Above the tiger stands a Japanese Matsu pine plant, symbolizing longevity, stability and resilience. F
signed Hanae 華江 with Naonobu seal なおのぶ.
Period: Edo late 18th early 19th century.
Dimensions: 172 x 186 x 2 cm.
Conservation status: Excellent condition. There is slight wear to the paper betwe...
Rare Burmese wood carving panel with a set of Buddhas.
Age: Burma, Shan Period, 16th Century
Size of panel only: Height 83.3 C.M. / Width 43 C.M. / Depth 11 C.M.
Height including stand: 92 C.M.
Condition: Some expected degradation due to its age including old wears. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Japanese Edo period woodblock print by Toyohara Kunichika (1835-1900) depicting a street scene in the Yoshiwara at dawn with two cats playing at the lower right. The print is the right panel of a triptych titled "That Romantic Figure (referring to Prince Genji) in the Licensed Quarter at Dawn" (aka "A Related Dawn at the Pleasure Quarter") published by Hiranoya Shinzo in 1863. The print is signed at the lower right "Itto Kunichika ga" and bears the Hori Ota Tashichi carver's seal. Included is...
Chinese late Tang dynasty to Five Dynasties period stoneware ewer with high shoulder tapering down to a slightly flared foot and flat base, the short neck ending in a slightly wider rolled mouth. A double-strand handle connects to the neck and shoulder, and a short straight spout is opposite the handle. The ewer is covered overall in a thin, splotchy golden glaze with olive green touches that drips down and ends well above the unglazed base. 7 1/8" high. The form is consistent with ewers dat...
Boxwood netsuke depicting the smiling Okame mask.
Shuzan signature engraved on the bridge on the back.
Period: Edo 19th century
Dimensions: 6.5 x 4.5 x 2.5 cm.
Conservation status: Excellent condition. There is a small chip on the right eye.