Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), in the north of China, what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and more "heavily-potted" than some. It has a particularly pleasing form with its wide body and wide flared mouth...

Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), in the north of China, what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and has a wide flaring mouth...

A perfect Dehua mini censer for scholar table , burning agarwood incense use

A rare find, Peranakan Pendant with the birds and jewellery coin , popular in the olden days , worn by Baba and the Nyonyas in ceremonies , gilt gold and with movable part

LARGE Chinese Eastern Han Dynasty Glazed Pottery Granary Building

This large and impressive architectural pottery model of a granary was made during the Eastern Han Dynasty (AD 25 - 220). It is made from a red pottery that has been coated in green glaze that has degraded and acquired a silvery iridescence in places, a result of long burial in damp conditions...

Chinese Tang Dynasty Painted Pottery Female Courtier (“Fat Lady”)

Arguably the most desirable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This figure was made around the mid 8th century and is a particularly elegant example. The lady stands with her hands clasped together under her flowing robe and her head turned a little to the right. Note also the elaborate hairstyle...

Large black-figure skyphos decorated with reclining men facing rams. Female attendants on either side walk away as they look back.
The men rest on mats, their elbows propped on pillows, three loaves of bread at their sides...

Meiji (1868-1912) Japanese Satsuma Relief Ruffle Skirt Vase Geisha & Fan & Butterflies

It is 9.75 inches (24.7 cm) tall by 4.75 inches (12 cm) wide. It is 1.8 Lb.

It has rubbing of gold, stains at the mouth, flea bite chips at the foot's rim, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

A large gable seal carved in black stone with a Geomethric leaf pattern under the base, Western Mesopotamia, 5th. mill. BC. A very early seal of the gable type.

Size: 36 mm long and 23 mm wide, 11 mm thick.

Condition: VF, basically intact with minor wear to the edge.

Added to the Oberländer collection in 2002...

George V sterling silver tray. Made by Alexander Clark & Co. in Sheffield in 1927. Traditional Georgian cartouche with molded rim, gently curved sides, and double-scroll corners. Corner stepped disc supports. Fully marked. Very good condition.

Dimensions: H 3/4 x W 12 3/8 x D 12 3/8 in. Weight: 29.4 troy ounces. #BY054

Set of 8 Wedgwood sterling silver goblets. Made by International Silver Co. in Meriden, Conn., ca 1920. Each: Ovoid bowl on cylindrical stem with base knop mounted to raised foot. At mouth rim raised band with Neoclassical ornament, including paterae and amphorae, entwined with flowers and scrolls between beaded and Vitruvian scroll borders. At foot border alternating volute scrolls and W’s. Seven goblets have gilt-washed interior. An elegant tribute to the historic English pottery firm...

Lovely Edwardian Art Nouveau sterling silver picture frame. Made by Mauser Mfg. Co. in New York, ca 1900. Oval window in same surround. Front has engraved leafing scrollwork and tubular cartouche (vacant) at top; sides plain. Open bracket supports. With glass, silk lining, and red velvet back and hinged easel support for portrait (vertical) display...

Pair of George III sterling silver covered vegetable dishes. Made by Paul Storr in London in 1805. Each: Tapering bowl with gadrooned rim. Cover domed with lobed shoulder; cast coronet finial mounted to round disc with beaded border.

Engraved coat of arms of Robert Hobart, 4th Earl of Buckinghamshire (1760–1816), an early Empire allrounder, whose peripatetic career included stints as the governor of Madras, postmaster general, and chief secretary to the Lord Lieutenant of Ireland. Because he...

American Art Nouveau glass claret jug with engraved silver overlay, ca 1900. Cylindrical with small lip spout and spread base. C-scroll handle in silver collar. Overlay in form of entwined and whiplash tendrils with distended and elongated flower heads. Scrolled frame has vertical script monogram. Glass is green. Faint marks. Very good condition.

Dimensions: H 9 1/2 x W 6 x D 4 5/8 in. #BY348

Art Deco sterling silver picture frame with classic linear ornament. Made by JF Fradley & Co. in New York, ca 1920. Rectangular window in same surround with vertical plain and engine-turned through stripes. Bottom rail larger with lozenge mono plate (vacant) applied off center. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 2994T. Very good condition.

Dimensions: Frame: H 10 5/8 x W 8 in. Window:...

Interesting stone seal, shaped as a stylized scarab after Egyptian model, West-Mesopotamian, among the earliest types of scaraboids, 3rd. millenium BC.

A particularly finely carved specimen with a sophisticated Leaf/heering pattern.

Size: 22 mm. long and 17 mm. wide, 10 mm. tall.

Condition: Nice Very fine, intact and with much uncleaned deposits, so the imprint will improve much when cleaned.

Added to the Oberländer collection in 1994. Comes with ori...

Ivory manju netsuke depicting a giant cricket with long antennae next to an aubergine. Signed Mitsuo 光雄 under the base near the himotoshi holes. Origin: Japan Period: Edo 19th century Dimensions: 3.5 x 3.5 x 2cm. State of conservation: Very good

Rectangular rounded netsuke manju, made of ivory and depicting the mighty Shoki with horn eyes. Shoki is a Japanese mythological figure, also known as the demon hunter, who symbolizes protection from evil forces. Adding a touch of sophistication to the manju the sword, with which he fights demons, in mother of pearl and the details of Shoki's robes in tortoiseshell. Origin: Japan Period: Edo 19th century Dimensions: 3.7 x 4.5 x 1.5cm. State of conservation: Very good