Meiji Era futon-ji; indigo dyed cotton with tsutsugaki (free-hand drawn resist) image of the Three Friends of Winter: Pine, Bamboo, and Plum. L.150cm(59") x W.128cm(50"). Such bedding covers were given as part of a bride's dowry, commissioned with auspicious images or a family crest by the bride's family...

Imari ware bowls for serving small amounts of food were known as "kurowanka." These bowls feature a "sansui" land & sea scape scene in underglaze cobalt blue on a porcelain body. Each piece is in god condition with individual measurements of H.4cm X Dia.15cm.

Imari ware soba choko from the mid-Edo Period (1600-1868). Porcelain with underglaze cobalt blue painting of "houzuki" (Chinese lantern plant), a very unusual and delightful pattern among soba choko.H.5.5cm, Dia.8cm.

Sake flask from Tamba kilns in Hyogo Prefecture, early-mid Meiji Era. Characteristic reddish-brown glaze with black ladle drips around the neck. H. 24cm, Dia. 13cm.

Seto ware kneading bowl, or "konebachi" used in most Japanese households of the period. Characteristic warm yellow seto glaze with seiji (green) ladle drips to add accent to the rim. Height 15cm x Dia. 26.5cm. Minor glaze cracking inside the bowl.

Porcelain with underglaze cobalt blue Soba Choko, featuring a lovely land/seascape scene of mountains, willow tree, a hut, and the sea with boat sails and birds flying overhead. Average height 6cm, average diameter 7cm. Although soba choko are generally attributed to Arita kilns, by the late Edo-Early Meiji Period, they were also being made in Seto, as well as at kilns further north in Tohoku. These 5 cups all feature the same pattern and are all in good condition.

Early Meiji Era Soba Choko with landscape design painted in underglaze cobalt blue on porcelain. Average height of 6cm and average diameter of 7 cm. Though widely attributed to Arita kilns; by the late Edo and Early Meiji Periods, porcelain soba choko were also being made in Seto, as well as at kilns further north in Tohoku. This set of 5 features a typical land/seascape scene of a hut and the sea with a boat and birds flying overhead. All cups are in good condition featuring the same pattern.

A hanging scroll (kakejiku) attributed to Kano Masunobu (1823-1880) entitled "take suzume" (Bamboo and Sparrow) with Kiri (paulownia wood) box. Kano Masunobu, also known as Toun, was a member of the Kano School of painters who excelled in ink paintings (occasionally with the addition of pale tints) of landscapes and birds. The school's founder, Kano Masunobu (1423-1530,) was attached to the court of Shogun Yoshimasa. Scroll dimensions: H.90cm(35.25") x W.43cm(17")...

A striking example of a Bohemian Rococo Revival baluster goblet, with a high domed foot. The entire glass is engraved, with foliage, German writing, a crown, and the date "1876" on the bowl, foliage and writing on the foot, and foliage even on the knop. A true tour de force of decorative skill; 8 1/4" tall, 3 1/8" diameter bowl, 3 3/8" diameter foot

Chi Un-Yong (Pack Ryon) (1852-1935): A Poet sage under the Willow tree with Poem: His pen name is Pack Ryon. Hanging scroll, ink and color on silk, fine Japanese style mounting with silk brocade, 51” by 14”, signed Pack Ryon with three seals. It’s in fine condition except for few stain. Reference; Korean Art and Calligraphy by Han Moon-young, published in 2000.

A beautiful covered Bohemian goblet, with blue enameling, cutting, and engraved with roses and foliage, a true exhibition of decorative exuberance; 7 1/2" tall with cover, 5 5/8" tall without cover, 2 5/8" diameter bowl, 2 5/8" diameter foot

A large and truly magnificent glass from the South Germany area; an elongated round funnel bowl sits atop a stem with a central inverted baluster knop surrounded by 2 5-tier sets of merises; 2 other baluster knops and merise sets; a wide central band of elaborate foliate engraving surmounted by a band of engraved drapery devices and a series of arches below; the border of the foot is also engraved; 8 3/4" tall, 3 1/4" diameter bowl, 3 7/8" foot diameter

Ridgeway Reticulated Compote or Center Bowl, with Scrolled Rim and Foliate Scrolled Handles. Circa 1830-1840, in the "Helical" pattern. It is 10" wide and 10" wide and in excellent condition

A Pair of Vieux (Old) Paris Hand Painted Porcelain Figural Candlesticks Portraying a Pair of Young Lovers. From the Mid-19th Century. Dimensions; 7.5" high. Excellent condition.

Choson dynasty, 19th century This is one of a very rare example of a fine Choson dynasty’s blue and white dish, the wide and shallow dish is set on a high foot painted in blue underglaze in the well with a large longevity character “FU” within a double blue line, inscribed in underglaze blue with potter’s signature “Ahn” on the deep, recessed base. It is in fine condition with no damages at all. Measures: 9 5/8” and 2 ¼” high

This charming tea bowl is decorated with a Chinoiserie scene with three figures, one of them holding a bird. It dates from around 1775, and exemplifies the motifs that were so popular in that period. The interior has an iron-red border and sprig at the bottom of the bowl.

The bowl is 3 1/8" in diameter and 1 3/4" high. Condition is excellent, with no chips, cracks, restorations, etc...

From the latter half of the 19th century, this beautifully proportioned iron vane graced the spire of the United Baptist Church in Ellsworth, Maine. In 1933, a major fire swept through the town, burning many of the buildings, including the church. When the church was finally rebuilt, the council wanted a more modern look, and stored the vane in the basement, where it remained for the next 70 years or so...

In referring to certain types of pottery, "Leeds" and "featheredge" are both common misnomers. People think of certain types of Staffordshire pottery as being Leeds while in actuality only a small portion was made by that factory.

Further, to be completely accurate, this platter is really what is known as "shell-edge", as opposed to featheredge. It is pearlware, made around 1810, and is an extremely large 17 3/4" by 13 1/4" in size...