Sagemono made of armor’s fragments. Probably mounted during the early Edo with elements dating from the Muromachi period. 9 x 6,5 x 6 cm.

Height: 22.5 cm (9 in)
Width: 11.2 cm (4.4 in)

Fine Chinese porcelain famille verte mallet vase; features a noble figure and attendants; fine decoration throughout; six character Kangxi marks to the base; good condition; email for more pictures

Maiwai is a kimono having been given to fishermen from a fish boat owner on the occasion of the large catch. It is seen along the Pacific Ocean, from Aomori to Izu Peninsula in Shizuoka prefecture. The motif of the picture in the lower part is “Gonin-dachi Kashima Odori”, five people performing Kashima dance which is the group folk dancing originated from Kashima-jingu Shrine in Ibaraki Pref. The design is katazome (stencil-resist-dye) and vegetable indigo dyed and pigments...

A rare Worcester coffee cup with a slightly flaring rim, a grooved loop handle, and incurving toward the base. Painted in the famille verte palette and displaying chrysanthemums growing from a large triangular rock in a landscape which also features other flowers. This wonderful piece has a panelled green diaper border and a red flower sprig on the inside base.

An identical cup sold as lot 586, Watney II, Bonham's 5/10/2000 for 4500 pounds ($6893) including premium...

A beautiful pair of Louis XV style chest of drawer with fabulous marble tops circa 1900 measuring 31” height, 31” width, 18” depth

A Fine/Large Korean Koryo Two Dragon Bronze Mirror/Dark Green Patina: Korea, Koryo dynasty, 14th century. A large round bronze mirror, cast in the center with a pierced knob encircled by flower petals, well molded with a pair of sinuous dragons, each pursuing a flaming pearl through clouds, and the outer band with clouds around, rim raised higher thank the design, the face of the mirror with a partially mottled, green patina with some dark-brown encrustation...

There is one silver buckle. The belt consists of eleven silver engraved boxes. Weight approximately 354 g. In good condition.

Antique Chinese ovoid form ink stone carved of green serpentine and inscribed with calligraphy on one side and archaic script on the reverse. The text on the front of the ink stone references a quote from the Analects of Confucius:
子曰：“不患人之不己知，患不知人也。 Which translates as Xue Er: The Master said, "I will not be afflicted at men's not knowing me; I will be afflicted that I do not know men." There is a key difference however in the middle of the phrase...

An antique Chinese Qing Dynasty 19th century silk brocade tapestry woven with dragons & cloud patterns; the silk ground is coral red color, backed with light brown linen; probably made for the imperial household; Excellent condition, minimal sign of use. Measurements- Overall 86" x 55" ( There is a seam in the middle, 2 pieces of 27.5" wide joined together )

This is silk beautiful yuzen-dye fukusa textile of meiji Era. This little bird is White wagtail and is hand-embroidered. It's a very polite and beautiful embroidery. Thread of gold is embroidered of the morning sun .The other part is yuzen-dye which was drawn by hand and dyed. It's like a beautiful Japanese painting. This fukusa can be easily decorated on the wall. Recommended for your antique collection. It has few thin stain. However, it is not conspicuous...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature...

This beautiful Red Raku tea bowl is the work of Raku XI Keinyu (1817-1902), the 11th Raku potter in an unbroken line of artisans stretching back over 450 years. Keinyu was adopted into the Raku family after marrying the daughter of the 10th Kichizaemon, thereupon becoming torchbearer for the most noted and celebrated tradition of pottery within the world of Japanese tea...

Antique Japanese round lacquered wood container decorated on both sides with a karakusa (octopus vine) pattern and blossoms around the central aoi mon of the Tokugawa shogunate. Gold lacquer on a dark brownish black ground. Possible for archer bow strings.

Age: Edo Period (1603-1867)

Dimensions: 3 3/4" wide diameter x 1 3/4" deep

Antique Chinese Song Jian Zhan chawan (tea cup) with beautiful cafe au lait coloring and subtle hare's fur effect. Made specifically for the appreciation of whisked tea.

19th century or earlier

Dimensions: 3" high x 5" wide

In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportions and tight weaves. Though the maker and date of production for this piece are unknown, judging from appearance it was likely crafted in Late Edo or in Meiji—with the box being furnished at the time Houn-sai granted his endorsement...

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters...

Large cloth which is recycled from hemp maku (shroud) with Tomoe-mon crest (three-way), dyed with vegetable indigo and painted with sumi (ink). Both warp and weft yarn are hand-plied. The original maku might have been used in the temple or shirine, or on the occasion of rites and festivals. Generally in god condition but has a few mending patches and the indigo blue faded parts and wear. 19th century. 148cm x 2m80cm

An antique Japanese Okidoko (display stand for a Tokonoma, a reception room) made of Kakinoki (Persimmon) and Keyaki (Zelkova) woods. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays. It will work in a contemporary setting to elevate and display any myriad of items.

Age: Early Taisho (circa 1912-1920)

Dimensions: 47 1/2" Wide by 5" High by 16 1/2" Deep