A multiple spiral air twist (MSAT) glass with an uncommon waisted bucket bowl and a shoulder knop; 6.3" tall, 2.6" foot diameter, 2.4" bowl diameter

A single series air twist (SSAT) stem, much less common than the normal multiple spiral air twist (MSAT); a pleasing glass with a trumpet bowl; 7" tall, 3.3" diameter foot, 3.1" diameter bowl

An extremely fine set of 6 antique wine glasses, double series opaque twist (DSOT). Rare because of the triple knop and the fact that it is a true set of 6. Round funnel bowls. 6 3/8 inches tall, 2 7/8 inch diameter foot, 2 5/8 inch diameter bowl

A reverse painted tinsel painting, unusual for its combination of geometric and floral elements, and for its forceful colors; period gilded frame; sight size 9 1/2" by 7 1/2"; framed size 12 1/2" by 10 5/8"

One of the largest and best tinsel paintings we have seen, depicting a large urn of various flowers, with other blooms scattered about; original frame; 28" by 24"

Most tinsel paintings have suffered a fair amount of paint lifting or loss, whereas this example only has a few spots of very minor age loss in a couple of small areas in the white background, making the overall condition excellent

A stunning pair of elaborately metal-worked brass candlesticks in superb condition with removable bobeches. 9 3/4" tall

A striking quilt in a deep red and black. Most importantly the quilt has, stitched on its reverse, "Sarah amd Anne Hoit, Burlington, VT 1838". It also has, stitched at a later time, "A Present to O. Sherman 1881". It is very uncommon to find a quilt, especially such an early one, with such complete information as to the maker, place and date...

An American Hand Wrought Iron Candle Stand on a Tripod Base. Brown paint. Circa 1890-1915. Dimensions; 50" high x 20" deep x 13" wide. Very good condition.

This is a small and charming child's gameboard, measuring 13 3/4" long by 10 3/4" wide by 3/4" thick. It was found in Vermont, and most likely originated there. It is made of maple, with bread-boarded ends, affixed with square nails. The dry paint surface, with its red and black checkerboard, outlined with green stripes, is in superb condition, with no overpainting or areas of loss. The wood itself is in excellent shape, with 2 minor age cracks, and a knothole in the back which fell out...

This is one of three Edwardian sterling souvenir spoons, each with London hallmarks and makers’ mark for Wakley and Wheeler; two are date stamped 1913, the third, 1915; each richly cast with rope-twist and foliate handles with heraldic shield terminals engraved "B&H" and "I.R.C." Condition: very good, bowls have some surface scratches, hallmarks crisp and clear. Measurement: 4 _ in long.

This water jar, "mizugame," stands 60cm (23.5") high with a mouth diameter of 55cm (21.5".) The rich brown glaze is decorated front and back with freely poured ladle splashes of black slip. A band of 5 incised lines runs about 7cm below the rim of the jar. The decoration is similar to Tamba wares at first glance, but a look at the unglazed bottom reveals not the red clay of Tamba, but a yellowish-light brown clay from Seto or elsewhere...

Sake Flask, "tokkuri," Meiji Era (1868-1912) from Mashiko, Tochigi Prefecture. H.10", Body Dia.6". This early Mashiko ware shows the "tobi kanna" technique of chatter marking around the body. In Meiji-era Mashiko, this patterned flask was called a "matsu-kawa-tokkuri" (pine-skin-tokkuri.) A rich, dark brown glaze decorates the neck. Similar wares were also produced around the same time in Fukushima Prefecture...

A late Edo - early Meiji tokkuri (sake flask) from the Hokuriku (central west coast) of Japan. H.24cm (9.5",) Body Dia. 16cm (6.25".) Probably fired in one of the no longer existent kilns of what is now Niigata Prefecture, this tokkuri has a rich yellowish-brown glaze which has experienced a nice crazing over time. Although from central Japan, the glaze and somewhat refined shape are reminiscent of Yatsushiro ware from Kumamoto in Kyushu...

An antique flask much like a tokkuri used for transporting sake, the "abura" (oil) "dokkuri" (flask) was used to transport oil products. H.27cm (10.5"), Body Dia.16cm (6.25".) This one is from the old Echigo (present-day Niigata Prefecture) which had stores of oil used for heating and lighting that were shipped up the Japan Sea coast north to Hokkaido. This example is wonderfully pitted with oil over a white glaze, produced at one of the no longer existent folk kilns of the Echigo region...

A rich black glaze covers this Kasama-yaki jar from the late 19th C. It is in the shape of a "natsume," a tea powder caddy used in the tea ceremony. H.21.5cm (8.5") Body Dia.16cm (6.25".) Kasama wares currently do not enjoy the fame of pots from nearby Mashiko. But Kasama, in neighboring Ibaraki Prefecture about 30 minutes away by car, preceeded Mashiko in being a ceramic production center by nearly a century, and had a hand in training the early Mashiko potters...

Tea leaf storage jars used in Japan like this were produced in and out of Japan from about the 15th century onwards. I wish I could say that this is one of the famous Muromachi Era "nanban" wares from the Phillipines or Southern China that are so prized by Japanese tea ware collectors, but it is one of the replica items made up through the Meiji Era in Seto, Japan. Still, the Japanese kept the traditional shape and produced many fine chatsubo in their own right...

Toushin (wick) zara (plate) held a small amount of oil with a coiled wick, and was usually set in some sort of lamp arrangement. These were used until the advent of glass and other lamps. This example of fine folk pottery is from central Japan, likely Mino ware, produced during the Edo (1600-1868) Era. The top side has a warm yellow glaze, and the underside is unglazed. H. 1.5cm (0.6") Dia.10cm (4".)

Imari ware porcelain soba choko (soba noodle dipping cups) from the mid-Edo Period (1600-1868.) H.5.5cm(2.2") Dia.7cm(2.6".) This pair features underglaze cobalt blue pattern with two of the three friends of winter; pine and plum (the other being bamboo,) front and back of each cup. Abbreviated brushstrokes give these cups an aesthetic of simple beauty. Soba choko were initially used for small morsels of food, much like mukozuke or ko-zara are used in today's presentation of Japanese cuisine...

This quilt is made out of an old Japanese nobori banner probably from the Meiji period (1868-1912). The upper part of the banner, where the family crest (Mon) is dyed, was used for the border and two figures were sewn together side by side. The brown fabrics on each side of the design are the reverse side of an old obi sash. All hand-sewn except for the straight line where the panels were put together...

In referring to certain types of pottery, "Leeds" and "featheredge" are both common misnomers. People think of certain types of Staffordshire pottery as being Leeds while in actuality only a small portion was made by that factory.

Further, to be completely accurate, this platter is really what is known as "shell-edge", as opposed to featheredge. It is pearlware, made around 1810, and is an extremely large 17 3/4" by 13 1/4" in size. Wares of this type were often made in blue, and, much ...

From the latter half of the 19th century, this beautifully proportioned iron vane graced the spire of the United Baptist Church in Ellsworth, Maine. In 1933, a major fire swept through the town, burning many of the buildings, including the church. When the church was finally rebuilt, the council wanted a more modern look, and stored the vane in the basement, where it remained for the next 70 years or so. A picture of the vane on top of the church is shown below.

The design of the vane is f...

This charming tea bowl is decorated with a Chinoiserie scene with three figures, one of them holding a bird. It dates from around 1775, and exemplifies the motifs that were so popular in that period. The interior has an iron-red border and sprig at the bottom of the bowl.

The bowl is 3 1/8" in diameter and 1 3/4" high. Condition is excellent, with no chips, cracks, restorations, etc. There is some speckling, which is not at all uncommon, and the green in the robe of one of the figures fire...

Choson dynasty, 19th century This is one of a very rare example of a fine Choson dynasty’s blue and white dish, the wide and shallow dish is set on a high foot painted in blue underglaze in the well with a large longevity character “FU” within a double blue line, inscribed in underglaze blue with potter’s signature “Ahn” on the deep, recessed base. It is in fine condition with no damages at all. Measures: 9 5/8” and 2 ¼” high

A Pair of Vieux (Old) Paris Hand Painted Porcelain Figural Candlesticks Portraying a Pair of Young Lovers. From the Mid-19th Century. Dimensions; 7.5" high. Excellent condition.

Ridgeway Reticulated Compote or Center Bowl, with Scrolled Rim and Foliate Scrolled Handles. Circa 1830-1840, in the "Helical" pattern. It is 10" wide and 10" wide and in excellent condition

A large and truly magnificent glass from the South Germany area; an elongated round funnel bowl sits atop a stem with a central inverted baluster knop surrounded by 2 5-tier sets of merises; 2 other baluster knops and merise sets; a wide central band of elaborate foliate engraving surmounted by a band of engraved drapery devices and a series of arches below; the border of the foot is also engraved; 8 3/4" tall, 3 1/4" diameter bowl, 3 7/8" foot diameter

A beautiful covered Bohemian goblet, with blue enameling, cutting, and engraved with roses and foliage, a true exhibition of decorative exuberance; 7 1/2" tall with cover, 5 5/8" tall without cover, 2 5/8" diameter bowl, 2 5/8" diameter foot

Chi Un-Yong (Pack Ryon) (1852-1935): A Poet sage under the Willow tree with Poem: His pen name is Pack Ryon. Hanging scroll, ink and color on silk, fine Japanese style mounting with silk brocade, 51” by 14”, signed Pack Ryon with three seals. It’s in fine condition except for few stain. Reference; Korean Art and Calligraphy by Han Moon-young, published in 2000.

A striking example of a Bohemian Rococo Revival baluster goblet, with a high domed foot. The entire glass is engraved, with foliage, German writing, a crown, and the date "1876" on the bowl, foliage and writing on the foot, and foliage even on the knop. A true tour de force of decorative skill; 8 1/4" tall, 3 1/8" diameter bowl, 3 3/8" diameter foot

A hanging scroll (kakejiku) attributed to Kano Masunobu (1823-1880) entitled "take suzume" (Bamboo and Sparrow) with Kiri (paulownia wood) box. Kano Masunobu, also known as Toun, was a member of the Kano School of painters who excelled in ink paintings (occasionally with the addition of pale tints) of landscapes and birds. The school's founder, Kano Masunobu (1423-1530,) was attached to the court of Shogun Yoshimasa. Scroll dimensions: H.90cm(35.25") x W.43cm(17"). Silk-bordered area: H.37c...

Early Meiji Era Soba Choko with landscape design painted in underglaze cobalt blue on porcelain. Average height of 6cm and average diameter of 7 cm. Though widely attributed to Arita kilns; by the late Edo and Early Meiji Periods, porcelain soba choko were also being made in Seto, as well as at kilns further north in Tohoku. This set of 5 features a typical land/seascape scene of a hut and the sea with a boat and birds flying overhead. All cups are in good condition featuring the same pattern.

Porcelain with underglaze cobalt blue Soba Choko, featuring a lovely land/seascape scene of mountains, willow tree, a hut, and the sea with boat sails and birds flying overhead. Average height 6cm, average diameter 7cm. Although soba choko are generally attributed to Arita kilns, by the late Edo-Early Meiji Period, they were also being made in Seto, as well as at kilns further north in Tohoku. These 5 cups all feature the same pattern and are all in good condition.

Seto ware kneading bowl, or "konebachi" used in most Japanese households of the period. Characteristic warm yellow seto glaze with seiji (green) ladle drips to add accent to the rim. Height 15cm x Dia. 26.5cm. Minor glaze cracking inside the bowl.

Sake flask from Tamba kilns in Hyogo Prefecture, early-mid Meiji Era. Characteristic reddish-brown glaze with black ladle drips around the neck. H. 24cm, Dia. 13cm.

Imari ware soba choko from the mid-Edo Period (1600-1868). Porcelain with underglaze cobalt blue painting of "houzuki" (Chinese lantern plant), a very unusual and delightful pattern among soba choko.H.5.5cm, Dia.8cm.

Imari ware bowls for serving small amounts of food were known as "kurowanka." These bowls feature a "sansui" land & sea scape scene in underglaze cobalt blue on a porcelain body. Each piece is in god condition with individual measurements of H.4cm X Dia.15cm.

Meiji Era futon-ji; indigo dyed cotton with tsutsugaki (free-hand drawn resist) image of the Three Friends of Winter: Pine, Bamboo, and Plum. L.150cm(59") x W.128cm(50"). Such bedding covers were given as part of a bride's dowry, commissioned with auspicious images or a family crest by the bride's family. This theme of Pine, Bamboo, and Plum was especially auspicous for a newly married couple, with each element having its own characteristic way of overcoming hardship (the cold winter.) The free-...

Indigo dyed (aizome) cotton "yutan", or covering cloth, stencil dyed with family crest of pine boughs flanking a "koto bashira", the bridge of a koto musical instrument. L.150cm (59") x W.129cm (50"). Such textiles were commissioned for use as bridal dowry pieces and covered the items taken to the new bride's home. The family crest may have been that of the bride's or groom's family, or possibly a combination of the two, depending on the rank or status of the families. Textile dyers in South...

Sakiori, or "rag weave", was a necessity of many common people in old Japan, especially those of the NE Japan (Tohoku region) which was known for its harsh climate and living conditions. This item is a late Meiji piece from the region showing wonderful color combination, and sporting a few repair patches from its long life. L.144cm(56.5") x W.34cm(13.5").

Onigawara, Roof Tile End Caps, of fired clay with motifs of Daikoku's Hammer and Tama, the Buddhist Jewel of Wisdom. H. 37cm(14.5") x W.56cm(22"0 x D.11cm(4.5"). Excellent condition from Meiji Era. The region of Ogi in west-central Japan was a well-known center of roof tile prodcution, and continues this trade today.

Jizo is of one of the most beloved of Buddhist Boddhisatvas in Japan as a guardian of children and travellers. Sado Island in Niigata Prefecture was once ringed with Jizo statues, and the granite there made it a center of religious sculpture production and sales. This Jizo hails from Sado and holds a lotus leaf in his right hand and a "tama" or Buddhist ball of wisdom in his left. His face is well worn from the elements and time. H.24cm(10") x W.17cm(6.75").

Jizo is one of the most beloved Buddhist Boddhisatva in Japan as a guardian of children and travellers. Sado Island in Niigata Prefecture was once ringed with Jizo statues, and its granite quarries made it a center of religious statue production and sales. This Jizo holds his hands in front of his chest in prayer, or in the traditional Indian greeting of "namaste." His face is well worn from the elements and time, but a faint smile seems to grace his lips. H.25cm(10") x W.13cm(5").

Wooden saddle, "kura" made of wood and iron fittings. Meiji Era (1868-1912,) but the top board is a later addition. This flat board makes it ideal for display items, especially for flowers. H. 44cm(17.25") x W.68cm(26.75") x D. 32cm(12.5").

Large Itomaki, spool, for weaving. Wood with 6 arms. Late Meiji Era (1868-1912.) H.39cm(15.5") x Square Base of 37cm(14.5"). Good condition, has been cleaned and oiled.

Waraji (straw sandal) Gata (mold). This mold was used to make the straw sandals worn by farmers. It is of solid carved wood. L. 50cm(19.75") x H.9cm(3.5") x W.9cm(3.5"). Acquired in Yamagata Prefecture in NE Japan (Tohoku), this piece exhibits the wonderful folk qualities of the region. Hung vertically, the "shelf" portion of the mold can hold a small flower vase, creating a lovely "wabi" arrangement for the tokonoma.

Japanese samurai dolls, Yoroi and Kabuto (armor and helmet), swords, nobori and carps banner are all a part of the display used for the Boy's Day in Japan. The quality set like this will give a wonderful, rich flavor as a decoration to your home all year around. There is no Maruhei label label on the box but we are pretty sure that this was made by the Maruhei in Kyoto. The similar set that we had seen had the Maruhei label that indicates the set was made in early Taisho period (1912-1926)...

This early 20th century Chinese export lacquer cinnabar bowl is 3 ½” high and 6 ¾” in diameter. It depicts two dragons flying through the clouds chasing a flaming globe. There is an honorable Qian Long mark on the bottom. Aside from some cracks inside the bowl due to age, it is in great condition.

This Qing dynasty Tong Zhi period (1862~1874) gold and blue square bowl is 3” high and 6 ½” wide. It has a turquoise interior and gold floral design over blue background exterior. It has a red Tong Zhi mark on the bottom. Aside from some worn gold trim, it is in great condition.

This very well painted early 20th century Chinese porcelain vase is 9” high and 4” on the widest part. It depicts a lady sitting on a garden rock in front of a cherry blossom reading book; a young maid is standing next to her watching. A poem is written on the other side of the vase and signed by the artist Hong Jin-Hao. The vase has two gold handles of the shape of bats and maker’s mark on the bottom. The workmanship is very clear, simple and elegant. Aside from some worn gold trim,...

This late 19th century Chinese egg spinach vase is 15 ½” high and 8 ½” on the widest part. It depicts phoenixes surrounded by peony blossoms. There is a blue honorable Qian Long mark on the bottom. Aside from an old chip on the rim, it is in great condition.

Wine rinsers or wine washers were used to cool or rinse wine glasses between courses of meals. At formal meals of this type, beer or ale would not be served. Therefore, the engraving of hops and barley on this rinser is very unusual and a bit inexplicable, as this type engraving was specifically used on ale glasses. The rinser is 3 1/2" tall and 4' in diameter.

A simple but special early wine glass from Northern England; the hollow stem makes this unusual; soda metal because of the glass taxes; funnel bowl, folded foot; 5 1/4" tall, 2 3/8" bowl diameter, 2 5/8" foot diameter

An extremely generously proportioned wine goblet , the stem with a double series opaque twist (DSOT) and the bucket bowl engraved with a sunflower and leaf spray, the reverse with a bird. The sunflower has been loosely associated as a Jacobite symbol; 7 3/4" tall, 3 3/8" bowl diameter, 3 1/2" foot diameter

Roof tile with a "tomoe-mon", a crest of circular repeating commas in a whirlpool pattern. Fired clay, 19th century. Diameter: 4", Width: 3/4". The round tiles such as this line the bottom roof line, above the eaves. Commonly, the crest of the family or temple was depicted on these tiles. Historically, a center of roof tile production was the town of Ogi, in west-central Japan.

A Japanese Samurai doll (ningyo) with the look of a Daimyo: feudal lord in the Edo period (1603-1868). The Kamishimo with long hakama trousers were only worn for special occasions in the Edo castle. The samurai's blue top kimono is made out of a wash paper (a liner to his original kimono). There is a beautiful patina on his face which is covered with a gofun mixture from the time. In the old time, doll makers used to let oyster shells sit outside for years before they could ground th...

A fine oil on canvas portrait of a young woman in a brown dress and blue lace trimmed hat, with a column and red drape behind her. Stylistically, this would be from the Philadelphia School. Sight size is 30" by 24 1/2" and the overall size is 35 1/4" by 30". The portrait is in its original gilded frame, which is in very fine shape, with the normal minor nicks. The stretcher also appears to be original. Overall, the painting is in excellent condition, but has has been relined, and has a small ...

An excellent example of a firing glass, or firing dram, with a single series opaque twist (SSOT) stem and a drawn trumpet bowl; 4 1/2" tall, 2 1/8" diameter bowl, 2 1/4" diameter foot

Note: Single series opaque twist stems are less common than double series opaque twist stems (DSOT).

A beautiful antique wine glass with a bell bowl above a double series opaque twist stem (DSOT) with collar, medial, and basal knops. Knops on opaque twists are much less common than straight stem opaque twists, and the more knops, the rarer. 5.9" tall, 2 5/8" diameter bowl, 2 11/16 diameter foot

A lovely Chaffers Liverpool bowl, decorated with peonies issuing from hollow rockwork, a red bird on a branch. and an insect to the reverse. Chaffers, even more so than the more common Liverpool factories, has seen a substantial and lightning growth in interest and value, especially for items in good condition. This piece is in overall excellent condition, with no chips, cracks, or restoration, although the interior has a rubbed flower, as is often the case. 6" in diameter, and 2 3/4" tal...

Early 20th C. back pad from North Eastern Japan (Tohoku region, most likely Yamagata Prefecture.) In the local dialect, of the Echigo & Shonai Regions (current day Niigata & southern Yamagata Prefectures), these are referred to as "Bandori." Other areas call these back cushions "se-na-ate." This particular example is a "Koro [round[ Bandori" and is made from woven straw and encased in a marvelous webbing of "yamabudo" (mountain grape vine.) Coarse hemp rope also creates a striking design in fron...