Early Nineteenth Century German Brass Horn-Stethoscope approximately 11” in height Berlin Estate

19th Century Chinese Solid Silver White Jade Carved Bracelet with Flower Marked

It is 7.5 inches (19 cm) in circumference by 2.3 inches (6 cm) diameter and 1.05 inches (2.6 cm) wide. The jade is 26.8mm-28.1 mm long by 19.8 mm-20.5 mm wide. It is 35.1 gram.

It is tarnished and has inclusions at the jade, and surface wears and scratches (as seen in the photos)./p>

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Late Qing hand carved turquoise snuff bottle with bok choy and radish along with an ant, cicada, grasshopper and cricket. The workmanship and details is superbly done including the insects, having very fine details to the legs, antennae and bodies. Presented on a rosewood stand, this snuff bottle has a wonderful color and patina and is one of the coolest bug type carved snuff bottles that we have encountered in some time. In excellent condition, a later spoon and cork was applied...

This crystal vase was produced in Bohemia by Moser in the 1880s. It is 12 inches long and 9 inches high. The glass has a lead content and rings when tapped. It is hand blown and has applied glass features. It is formed in the shape of a cornucopia. The glass is dark, sea green. The entire body of the vase is covered with intricate enameled decoration. The flowers and ornamental swags in vivid raised enamels are completely done by hand. The vase is accented with profuse gilding...

An antique Japanese bronze Buddhist temple bell called Bonsho with a carrying handle depicting diverging dragon heads called Ryuzu. The upper protrusions called Chi or Nyu improves the resonance of the sound when struck. Two opposing striking panels called Tsuki-za is the point on the bell where the best and longest sound is achieved. A bell of this size was hung in a neighborhood temple to summon the monks to prayer...

A Chinese jade carved as a gourd with trailing foliage. The stone is of mottled celadon hue and the carving is well detailed and tactile. age: 19 C. SIZE: 1 6/8 INCHES X 1 1/2 INCHES X 6/8 INCHES thickness. ( 4.5cm x 4 x 2.3 thickness). Condition: excellent, no damage.

A wonderful Chinese wood elephant head architectural element. All sides are lacquered except for the back and top which are unfinished. This could be hung on the wall and used as a wall shelf to hold a small treasure. It is made of a heavy wood weighing 2 lbs and measuring 6" high, 4" widest, and 6" front to back. Date: mid 1800s.

A Very Large and Heavy Sterling Silver Tray, in the Victorian Manner, by E G Webster of New York. Dimensions; 20" in diameter x 1.5" in height; over 7.5 pounds (110+ounces)in weight. With the Webster sterling mark of a fleur-de-lis, crown, and lion (the tray was tested for silver). From the last quarter of the 19th century. Some surface scratches, but in excellent condition.

Austrian Rococo silver candle snuffer, 1827. Hinged with flower-head mount and flat vertical blade that fits into rectangular box with curved and lobed top. Ring handles on s-scroll mounts. Three baluster supports. Marks include year and alloy, which is 13 loths (that is 812 silver). Very good condition. Dimensions: H 6 1/2 x W 2 1/4 x D 1 5/8 in.

With: Austrian Rococo silver stand, 1847. Waisted rectangle with dynamic scrollwork surrounding plain and lobed well...

Very unusual Late Meiji Period C.1900 cypress wood 'Kannon' bodhisattva. Great condition. Ask for shipping quote from CA warehouse.

This set of 6 cut crystal cordial glasses were produced in Bohemia by Moser in the late 19th century. The glasses measure 3 3/4 inches high and the diameter of the opening is 2 3/4 inches. The glasses are hand cut and have panels of amber glass in panels around the outside. Vermicelli gilding covers the rest of the surface of the glasses. The scalloped foot of each glass is cut with a star. Condition: There is wear to the gilded surfaces from use.

Small and beautiful silver basket bowl made in Germany c 1890. Empire style boat shape, the reticulated and engraved decoration in Rococo style with flowers and rocaille ornaments. Marks for Martin Meyer in Mainz, a leading German silversmith (1888 - ), producer of cutlery as well as Jugendstil jewelry. German control mark: crescent and crown plus 800 for the silver content. On the border a French importation mark, in use from 1864 to 1893: a small insect, a weevil...

A fine group 4 different 10 Tical opium weights from the Late Shan Empire, c. 1820-1860 AD.

Interesting study groupe representing 4 different late Burmese Shan styles of Hamsa birds. all with fine patinas and weighing 162,12 / 163,5 / 159,8 / 159,7 grams.

Condition: VF-EF for type, all 4 with nice patinas.

Provenance: John Abrahamsen Collection, important Danish private collection of c...

African Makonde tribe ceremonial carved wood mask of a human head with real human hair. 19th century. An early and rare ceremonial mask that was actually for tribal use, utilizing genuine human hair.

This glass powder jar was produced in Bohemia by Moser in the late 19th century. It is 4 inches in diameter and 3 inches high. The hand blown glass is colored light blue. It is hand enameled with a lacy floral pattern on the lid. There are gilded panels on the top edge and bottom with colored enamel decoration. They are mounted with a gilded metal hinged frame. Condition: Excellent

19th century Japanese bronze for an altar of a Buddha seated in lotus position with his hands in anjali mudra - a gesture of greeting, prayer and adoration - in front of him. Very nicely cast, beautiful patina, good devotional object. Height 2.72 inches.

This crystal cordial glass was produced in Bohemia in the late 19th century. There are no marks to identify the maker. The glass is 9 1/4 Inches high and the diameter of the opening is 2 1/4 inches. The crystal is hand blown. The stem has an elongated air twist stem. There is hand painted enamel decoration on the top. It is accented with blue beading and gold trim. Condition: Excellent

An Edo period Kogo incense case of pale earth tones decorated with geometric shapes and green copper glaze in the oribe style with a scrawling streak of kintsugi gold extending down two sides. Kintsugi is the art of repairing using lacquer and powdered gold. Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered precious metals...