Lovely 18K five stone opal ring with five perfect blue-tinged translucent Australian opals set in an embellished gold setting. Eight tiny diamonds nest between the opals. The ring is hallmarked Sheffield and dates to 1870. This is the opal ring you have been looking for. It is a size 8 3/4.

Wonderfully painted enamel ring depicting the love between Cupid and Psyche, the universal symbol of everlasting love. The ancient Greeks viewed the butterfly as a symbol of the immortality of the soul. The painting on the enamel ring shows the goddess Psyche, which means "soul" or "spirit", in the form of the butterfly, being chased by Cupid. The ring is 18K, circa 1910, size 6.5 and can be sized.

Fabulous Berlin iron ring decorated with symbols associated with faith (dove) love (heart) and loyalty (dog). The heart is surrounded by a leafy wreath and surmounted by the dog and the dove. The band has a floral motif, probably laurel leaves. The band has a floral motif. Berlin Iron jewelry was popular in the early 1800's...

Rather unusual late 19th century Chinese glass seal in a shaped of a stylized rock. Beautiful transparent glass, excellent finish to the surface. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). The bottom is crisply carved with four raised characters that can be translated as THE HALL WHERE KINDNESS is CULTIVATED, old dried red seal paste in the grooves. Very nice object for scholar’s desk...

An Asian wood cookie press. Folk art (Japanese or Korean - if Japanese would be considered "Mingei") utilitarian object. The "cookies", or treats, pressed from this mechanism could have been sweetened bean paste, possibly with rice starch, and not necessarily cooked. The iron nails slide along routing to enable the pressing action. Well used and in fair condition - exhibiting some distress by loss of wood on ends of the top board. A nicely decorative curiosity. Length, 9 7/8 inches

The sporting craze in Victorian jewelry started in the 1890's and continued into the 20th century up until WWI. Encouraged by women's more active participation in sports, such jewelry was particularly fashionable for country wear. Our bangle is a slightly more modern version of the Victorian silver bangle, with a silver ball in the center of the tennis racket as the main motif, and stylized leaves to the left...

This is a finely hand-carved netsuke in Ebony wood of a Nasube (Aubergine or eggplant). Netsuke was carved by an unknown artist from the Iwami Province sometime during the 19th century. The carving exhibits similar material and carving characteristics of a netsuke (Photo #7) made by Kyokusui; item 133* of Bonhams catalog. Observe the smoothness of the surface, and the realistic form of the piece. Netsuke is unsigned. It measures 2.44 inches (6.2cm) tall...

This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a large Seated Hotei with a wide Smile, by an unknown artist from the Iwami Province, carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region...

18th Century Chinese Gilt Lacquered Bronze Miniature Buddha on a Silver Clip Pin

It is 1.18 inches (3 cm) tall by 0.78 inch (2 cm) wide. It is 8.6 gram.

It is tarnished and has rubbing of gilt, oxidation, surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

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Meiji (1868-1912) Japanese Dark Green Satsuma Bowl with Chicken Group & Geisha (Unmarked)

It is 2.75 inches (7 cm) tall by 3.75 inches (9.7 cm) wide. It is 0.5 Lb.

It has minor rubbing of gold and stains, glaze crazing, and surface wears (as seen in the photos).

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This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Lotus Seed Pod, made as a Karakuri or 'trick' Netsuke in that the seeds rattle and peep out of the seed holes. Netsuke was carved by an unknown artist from the Iwami Province sometime during the Early 19th centuries. The carving exhibits similar material and carving characteristics of a netsuke (Photo #6) made by Seiyodo Gansui (1809-1848)...

Late 18th C. Early 19th C. Japanese Iwami Kurogaki Netsuke: Gama Sennin with Toad This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Gama Sennin with a Toad on top of his shoulders, by an unknown artist from the Iwami Province carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region...

This 19th Century, finely hand-carved Iwami Ebony Netsuke that shares similar carving and material characteristics as the Tree Stump attibuted to Jikan Ganbun depicts a Toad that also provides a functionality of an Ashtray. This toad is also remarkably similar to the toad that the Gamma Sennin (item 98 of Bonhams Iwami Catalog* – photo # 6) is sitting on...

This is a finely hand-carved Ebony Netsuke attributed to Jikan Ganbun, depicting a Tree Stump. Nicely detailed rendering of a tree stump with its rough textured exterior contrasting with a smooth top and bottom that are styled in a star shaped manner...

Finely carving of a charming Pigeon resting on its characteristic true-to-form bird feet, just as shown in the book 'NETSUKE 100 Miniature Masterpieces from Japan', by Noriko Tsuchiya, that displays netsuke pieces from the The British Museum in London. Fine cohesive composition partly stained to enhance its form. Eyes inlaid with dark horn. The signature of MITSUHIRO 光廣 is intricately carved under the pigeon feet, as shown in the book's picture.

19th century small Chinese scholar’s rock in a shape of a long mountain range. The piece gives a very strong feeling of weathered rock shaped by water and time, and overpowering energy of the mountain range. Beautiful black Qilian limestone (Mount Qilian, Gansu province) with rich texture, provides excellent views from both sides, great patina. Fixed on newer ebony stand, superb object for contemplation on scholar’s desk. Length with stand 5 inches.

18th Century Chinese Kangxi-Yongzheng Period Famille Rose Porcelain Teapot with Relief Lotus Flower

It is 4 inches (10.2 cm) tall by 6.65 inches (17 cm) wide. It is 0.7 Lb.

It has chips at the leaves, stems, and inner rim of teapot, dark spots, firing holes and cracks, and surface wears and scratches (as seen in the photos).

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Antique Japanese ceramic figure of the moon faced Otafuku. Her name was once Uzume and evolved into Okame which means "tortoise", a symbol of longevity. Otafuku or Okame is considered the goddess of mirth, a cheerful woman who's name means "abundant good fortune". A bringer of victory and success, she is good-natured, good-humored, good-hearted, generous, kind, serene, and patient. She is smart, strong-willed and competent as well as powerful enough to easily frighten away evil spirits. ...