A bowl of unusual inverted bell shape with a comparatively high foot-rim the exterior decorated in early Ming style with an elaborate high looping lotus arabesque to the body. The foot decorated with stylised lotus petals and an “oxo” border to the foot-ring. The interior of the bowl decorated with a band of alternating pairs of crested waves with blossom to the rim, and a roundel form “pussy foot dragon” with stylised clouds in the well of the bowl...

A square dish with canted corners decorated in Sometsuke style with a Peony mon to the centre made up of three stylised Peony blooms bound together with karakusa and four panels containing vignettes of a Dragon chasing a pearl, and waka matsu, young pine, set against a bank of snow with flower like snowflakes falling in the background. The rim decorated with a band of alternating double crested waves and flowers...

A very fine quality dish decorated with a pattern of stylised Lotus-mon with three quadrilobed reserves each containing an element of the shochikubai, pine, take, bamboo, matsu, and prunus, ume. The centre decorated with a small central roundel framed by a border of demi-florets containing a Dragon delineated in gilt with green and iron red enamels holding a jewel, tama, in its claw. The rim of the dish is decorated with a border of alternating double crested waves and gilded...

A large dish decorated in reverse painted style, kakiwake, with a pair of Karako, Chinese boys, Shirasagi, White Egrets, and Chrysanthemums. The border painted with a narrow band of shippo against a blue ground, and the reverse of the dish painted with a series of ten auspicious trigrams divided by zoomorphic motifs, perhaps intended to represent scroll dragons. A double square with a four character reign mark for the Xuande Emperor...

A long dish of elliptical form moulded with petals decorated with a dense hagi-karakusa ground and an oval reserve containing a simple flowering Apricot, ume, growing from a rock. The reverse decorated with Karakusa sprigs, and a spiral Fuku within a double square. The dish dates to the early Eighteenth century circa 1700-1740. The dish is in good condition with no chips, cracks or restoration. It measures 20.3cm in diameter, 10xm at its widest and stands 4.5cm high

Special offer: very old Shigaraki Chawan, hand shaped around the early 19th century (Edo Period). It has a great wabi sabi aura without chips, cracks or repairs.

A wood box is available for 50 $, a shifuku (silk pouch) for 30 $, box and shifuku together for 60 USD.

Size: 7,5 cm height x 12,6 cm in diameter.

Shipping included

A transfer printed, hand colored and gilt large mug with Japanese inspired patterns on two sides, an elaborate decoration on the inside rim and a brown edge at the top. Blue printed mark on the bottom. The body is hand thrown, but the handle is molded. Circa 1820. 4 5/8 (12 cm) tall 5 1/8 (13 cm) diameter body, with handle 7 inches (18 cm) diameter.

Condition: No chips, cracks, hairlines or repairs...

A hand thrown and painted hard paste porcelain punch bowl decorated on the outside with four bunches of roses and four groups of buds of roses around the outside under a wavy orange border on a tall foot. The inside edge is a band of black and orange hexagons in a Chinese manner under a gilt rim. In the bottom of the bowl is another bunch of roses. Unmarked and obviously European though Italian is a guess rather than a certainty. Late 18th century...

Hand painted in dark underglaze blue with a serrated rim this large bowl is soft paste porcelain. The decoration of a Chinese arrangement of flowers and twining plants is typical of Tournai. Height 4.5 inches (11 cm) and 11 inches (28 cm) diameter. Late 18th century.

Condition: no chips, cracks or repairs. Some scratches to the interior of the bowl and small flaw in the body of the bowl.

This style of decoration was popular at the time and still looks excellent today.

Statue of Buddha Sakyamuni, in monk's robes, sitting cross-legged on a double lotus throne, his hands in bhumisparsa mudra. Cast iron. China, Yuan Dynasty (1271-1368 A.D.). Height: 23 cm. Old accident at the back of the statue (see photos), strong oxydation due to great age, otherwise good condition. A rather rare piece

Original example of a Japanese antique isho tansu from the Matsumoto area. Made all of kiri (paulownia) wood with original patina (frame, top, sides, and drawers). Iron hardware includes money bag shaped lock plates specific to Matsumoto tansu, moko shaped drawer pulls and elaborately cut handle back plates and drawer corner bracing. The tansu has 5 large drawers and the lower right hand side has a safe box with 2 small interior drawers.

Late Edo to Early Meiji Period...

Antique Chinese figure of the goddess Quanyin seated with a child on her lap. Made of bronze and lacquered in red then black lacquer, this statue was once completely covered in gold. The goddess of compassion sits with one hand delicately balanced on her knee. The other hand holds the hand of the tiny girl-child in her lap. Both goddess and child are sculpted with beautiful expressions and naturalistic details. Qing Dynasty. Size: 24" high x 17" wide x 14" deep.

Porcelain vase of bulbous body and elongated neck, with a hand painted decor in blue over a white background representing a phoenix in clouds. China, Qing Dynasty, early 19th century or earlier. Height: 18,4 cm. Tiny chips around the rim and base, otherwise very good condition.

Two Chinese carved celadon jade figural toggles: a standing female with right arm above head and left holding sword, on lapis lazuli bead bracelet; together with male with slightly bent knees holding three flowers, on green silk cord; each with russet suffusions; L: 3 1/2" (larger)

Antique Chinese painting of Taoist immortals and scenes from their stories. Swirling clouds surround each scene in a heavenly vignette. Painted in ink and light colors on paper and framed. Provenance: from the estate of James G Jameson, Southern California. 19th century. Size of painting only: 55 1/2" high x 30" wide. Size including frame: 60 3/4" high x 35" wide.

Beautiful and Rare Korean Joseon Dynasty Silver and Coral Eunjangdo with Very Fine Floral Design. The eunjangdo was worn by a woman of rank as a chest pendant and a symbol of her social standing. This dagger also served as a tool to save women from personal humiliation or peril, not by attacking an assailant but by killing themselves, under the Confucian moral obligation of medieval Korea 'to remain faithful to one spouse'. 4 inches, 10 cm.

Japanese single section isho tansu (clothing chest) from the Iwayado area. It is made with keyaki (elm) wood on the front and has a beautiful all original translucent lacquer finish. This chest consists of four drawers of different sizes. Elaborate iron hardware includes a very large phoenix shaped lock plate on the top drawer and two peony shaped lock plates on two of the other drawers. Drawer pulls are warabite shaped...

Antique Japanese stringed instrument called a koto, with a black lacquer box lined in fabric with floral motif and a cherry blossom crest in gilt lacquer on the lid. It is made from kiri wood (paulownia) and is covered in beautiful, intricate inlay of coral, mother of pearl, and shells in the forms of various flowers and birds. A koto player would kneel before the instrument to play. Special bridges are used on each string to alter the pitch. Size: 4.5" H x 9" W x 70" L