From our Japanese Collection, a good Fuyode Ko-Imari Arita blue and white porcelain dish, the term "Fuyode" referring to late 17th century Japanese porcelain painted in the style of Chinese Ming Dynasty porcelain. This is one of the earliest examples of Japanese Arita ware. This dish is painted in underglaze blue with a central panel of flowering peony, and with panels of the “Three Friends of Winter" design (pine, bamboo, and prunus) in the border...

A beautiful and intact torquise faience ushabti, Late Period, ca. 664 to 500 BC.

A mold-formed faience ushabti standing in mummiform with fused legs, holding implements, and with 8 rows of sharp hieroglyphs wrapping around the legs. The face presents with almond eyes, a prominent nose, and a petite chin, all beneath the lappets of the tripartite wig...

A Korean Very Fine Highly Transparent Inlaid Celadon Shallow Dish-13th C. Korea, Koryo dynasty, 13th century The shallow formed dishe set on low ring foot decorated with floral head and ruyi patterns in white slip inlat in interior and 5 black and white slip inlaid floral head decoration in exterior, with 3 spur marks on base, applied over all with glossy grey sea-green celadon glaze. They are in very fine condition without any chips or repairs. It measures approximately 13cm d...

Antique Chinese hardwood ruyi scepter, naturalistically carved in the gnarled form of a lingzhi mushroom. A ruyi (meaning "as desired" or "as you wish" in Chinese) is a symbol of power and good fortune. Larger ruyi were held by nobility as scepters, smaller ruyi acted as a talisman...

Chinese wood carving of Quan Yin, the compassionate female bodhisattva. With pigments of red, black, and gilt lacquer. She stands posed with her arms crossed, holding a scroll close to her chest.

Republic period circa 1920

Size: 9" x 7" x 26" H

A nice Chinese Liao to Jin Dynasty green glaze buddha. Ht. 20cm. Condition: minor glaze deterioration, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.

Chinese rectangular ink box made of white brass and copper. The lid is decorated with calligraphy inscription and chop. The interior of the box with dark patina and ink stone. The copper based is signed with maker's mark.

Dimensions: 3 3/4" x 2 1/2" x 1"

Antique Chinese porcelain serving vessel with green and blue enamel dragons accented by gold and red fireballs and floral motifs on the outer and inner rim. The handle has a braided form with gold enamel design. The foot is slightly recessed and outlined in green enamel.

Dimensions: 7 1/4" x 4" x 3"

A Very Large/Heavy/ Fine Chinese Dark Spinach Jade Seal(?)with a Fitted Box: China. A very heavy large jade carved in high relief with a recumbent mythical beast on a square formed dark spinach nephrite jade for a paper weight or seal?, with some natural fissure lines, soft yellow hued stome marked and an opaque creamy white patch line on the top. It’s in good condition without any chips. Meaures:18cm x 18cm across face , and 11cm high, weighs 8.8 lbs (4 kgs) respectably.

Japanese framed woodblock print by Utagawa Hiroshige (1797-1858) of an Oban Tate-E size and format (common sizing / vertically printed), from the series Gujusan Tsugi Meisho Zue. Signature and seal in bottom left with calligraphy seals. Imagery of far off boats heading into shore.

Size: (entire frame) 16.75" L x 20.75" H (artwork only) 9.5" L x 15" H

Japanese framed woodblock print by Utagawa Hiroshige (1797-1858) of an Oban Tate-E size and format (common sizing / vertically printed), from the series Gujusan Tsugi Meisho Zue. Signature and seal in bottom left with calligraphy seals. Bright coloration in blue tones.

Size: (entire frame) 16.75" L x 20.75" H (artwork only) 9.5" L x 15" H

Japanese woodblock print by shin-hanga artist Kawase Hasui (1883-1957) titled "Rainy Yasuniwa, Nagano Prefecture", Hotei #480. Titled and signed, with 6mm cartouche in bottom right corner. Framed. Size: (entire frame) 15" height, 20.25" width (artwork only) 10" height, 14" width

Antique Chinese coffer chest, all original condition with dark red finish, attractive hand-carved panels with fleur de lys and lotus motifs, two hinged front doors with charming dragon's head locking pin, spacious interior with shelf. 19th century Size: 41.5" L x 32" W x 33.5" H

Up for sale is one out of the 4 silk panels, #1, an antique Chinese Qing Dynasty Cantonese embroidery, dated to the reign of emperor GuangXu. Panel is embroidered with birds and flowers, all in a beige color silk satin ground. Executed in various embroidery techniques. Intricate work ! Overall in very good condition. A few small holes in the beige silk ground Measurements - Approx. 36.5" x 10.5" Overall

An exceptional bellarmine jug or Bartmannskrug as they are called in Europe. Made in Germany, cologne region, probably Frechen, late 16th. century AD., and exported to Holland, as it's bearing a medallion with the Coat of Arms of Amsterdam.

On the globular jug, a strong head of a bearded man with classic naturalistic features. Below the long beard, an oval medallion with the crowned coat of arms. Fine Tiger-glaze ware piece...

A very finely carved late- to Neo-Assyrian red stone cylinder seal, depicting a human headed, winged demon with Scorpios tail and a large Bull. In between them a tree and above star and crescent.

Interesting and beautiful composition, probably depicting Pazuzu. Beautiful jasper -like stone, quite hard.

Size: 25 mm. tall and 12 mm...

A high quality and massive Mesopotamian cylinder seal carved in dark serpentine stone, North-West Mesopotamia, c. 18th.-16th. century BC.

The seal is profusely engraved with a complex depiction of deities and animals. A central godess is sort of flying with her hands touching two creatures above. A worshipper in front with hands raised. Aray of animals and smaller figures including a Centaur below.

Size: 44-45 mm. tall. and 15 mm...

Antique Japanese circular jingasa with a gradually pointed top. Textured to simulate leather and lacquered a bronze color with red and gold lacquer on the underside. The raised, carved lacquer kikusui (chrysanthemum and water) mon is covered in gold leaf. The Kikusui mon was used by Masashige Kusunoki, a samurai lord who helped overthrow the Kamakura Shogunate...