A Sterling Silver Water Pitcher by William B. Durgin Co., Concord, NH and Retailed by Tilden-Thurber of Providence RI. Weight 27.5 oz, 4.5 pints, 8" high x 9" wide. Excellent condition. From the early 1900's.

A Silver Victorian Creamer. Hallmarked for London, 1876, with the Makers Mark for John Hunt & Robert Roskell. Bears the Markings for "Hunt and Roskell" late "Storr & Mortimer", the Successor Firm to Paul Storr. John Samuel Hunt was Paul Storr's Nephew by Marriage. Dimensions 3" high x 4" wide, handle to spout; weight 3.7 Troy ounces. Excellent condition

A Sevres Style Hand Painted Porcelain Hinged Box with Gilt Bronze Mounting. There is a different painting on the top, sides and front and back (6 in total). Probably by Samson. Dimensions; 4" x 3.75" x 2" high. Circa 1880. Excellent condition.

Guangxu mark, ca. 1875-1908

Interior of dish is decorated with multi-colored overglaze enamels in a pattern known as “thousand flowers” in the West. Most of the various blossoms are painted in thick white enamel which is then shaded with different colors of enamel glaze. Space between the flowers is filled with gold enamel. The reverse is enameled with a design of three flower sprays. A six-character Guangxu mark is painted on the base in red enamel...

An exqusite example of antique Chinese furniture with intricate carving and elegant proportions and design. All hand made with the extremly rare and sought after huang hua li wood. In excellent condition.

A museum quality Longquan Celadon glazed Lotus bowl of deep rounded form supported on a short footring, the exterior carved with interlocking lotus leavesemanating from the base, covered all over in an ice crackled pale green glaze with subtle bluish tint, the unglazed footring burnt slightly orange in the firing. Diameter 11,9 cm. Southern Song Dynasty. Condition : There is one nearly unvisible restored area to the rim, otherwise this rare piece is in a top condition. Dear Customer, in th...

1600s / 1700s

Round, footed bowl-form base and tapering stepped lid are heavily cast in bronze and then finished by lathe-turning to enhance the concentric stepped pattern on the lid and the incised rings encircling the base. The bronze retains its natural patina from age and use. There are areas of reddish-brown and small patches or verdigris on the exterior. The interior of the lid shows overall verdigris with numerous patches of brown encrustation...

Old rodan and gotoku for Japanese tea room, heavy item made with beautiful craftmanship from the Meiji period (1868-1912). The rodan is placed in the cut out hole of the tea room. Inside the rodan, the gotoku stand is placed (shown upside down in our photos) in ash for kama or kettle.

The dimensions of copper rodan: 16"w x 16"w at the top (the rim is 2.5" wide) and 10" in heigth. The bottom is 11 1/2" x 11 1/2". Old iron stand, gotoku is , 9 3/4" across and 6 inches tall.

Late 1800s / early 1900s

The shape of this lobed dish with three sides was likely inspired by ceramic forms said to be based on the shape of Mount Fuji. The shallow tri-lobed dish is set on a raised foot with its circumference painted in a continuous fretwork pattern in underglaze cobalt blue. In the center of the glazed base is a square seal-form fuku mark. The edge of the flaring rim is enameled brown...

Very rare Jar of cuboid form. Floral decorated in underglaze cobalt - blue. On the shoulder are two moulded lugs in the form of chi dragons. Porcelain body covered with a transparent glaze, the base flat and unglazed. Height 5,4 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : No chip no crack, a small demage resp. repair to one of the molded dragons. Please look : John S. Guy " Oriental Trade Ceramics in South - East Asia " page 92, item Nr...

Late 1600s / early 1700s

Large mountain-form brushrest molded with a fanciful design of a mythical horse prancing over stylized waves. Known as haima in Chinese, this decoration was popular on ceramics in the late transitional period through the early Kangxi period and often seen painted in wucai or enamels on biscuit...

A tall and elegant toasting glass with a drawn trumpet bowl leading into a stem with a multiple-spiral air twist. A nice gray metal, good striations, and tooling marks, with two small inclusions in the bowl. Rough, snapped pontil. Excellent condition with no chips or restoration.

7 5/8 inches tall, with a bowl diameter of 2 3/4 inches and a generous conical foot diameter of 3 1/16 inches.

An elegant and very unusual wine glass with a double shoulder collar and a single basal collar. This form is accepted as being Scottish, rather than English, making it rarer. The funnel bowl has leaves and acorns engraved around the rim, the stem with a pair of spiral threads around a lace twists.

5 1/4 inches tall, bowl and foot diameter of 2 1/4 inches. Rough, snapped pontil. No damage, polishing, or restoration.

A beautifully formed double series opaque twist (DSOT) firing glass of dram size. The ogee bowl with basal fluting surmounts a stem containing 4 spiral threads outside of an inner gauze. The extremely thick foot has a crescent shaped bubble in it which is totally internal and does not break the top or bottom surface.

The glass is 4 3/8 inches tall, with a bowl diameter of 2 inches and a foot diameter of 2 5/8 inches. Rough, snapped pontil...

1700s

Small beehive-form pot is covered in a rich, lustrous copper-red glaze that drains to a pale celadon tone on one side. The interior is glazed white with the glaze crackles being highlighted by ink staining from long term use. The copper has drained from the mouth leaving the often seen attractive white ring. The glaze stops at the beginning of the foot which though left unglazed has burnt a pale orange tone in the firing...

Qianlong seal mark, but 1800s

Round box is very well-potted and very skillfully painted in underglaze cobalt blue with a design of a boy, or possibly an immortal, riding on the back of a crane flying among clouds. The brushwork is finely detailed—even picking out tiny feathers on the crane’s back. Encircling both the base and the lid are bands of mille-fleurs decoration executed in minute detail with skillful brushwork...

Guangxu mark, ca. 1875-1908

Both finely potted bowls are covered with a lustrous clear glaze, then painted in a broad palette of overglaze enamels. The thousand flowers design, known in Chinese as jiacai (mingles colors), covers the entire exterior of each bowl from the foot to the rim. The flowers include lotus, peony, hydrangea, chrysanthemum and more...

1800s

Bulbous jar with rounded shoulders rising gently to a low, tapering mouth. Glazed overall with a fine clear glaze on the inside and outside as well as the base. Painted with bird and flower scenes within two cartouches in a famille verte palette of greens, yellow, aubergine and iron-red. The two main paintings are separated by a red and green enamel floral arabesque. A diamond diaper pattern band with four red flowers encircles the mouth and a band of alternating aubergine and yellow...