The smaller version of this particular design, this set of vintage Margot de Taxco earrings reminds me of elaborate woven baskets. The repoussage here is very sculptural and the beading in combination with the wonderful patina the set has acquired over the years accentuates its three-dimensional appeal. Eye-catching without being visually overwhelming, it is easy to wear and will hold its own whatever the occasion you chose it for...

Early and quite hard to find, this Los Castillo silver repousse bracelet is comprised of lusciously sculpted, wide feather links. A dream to wear, I love it for the scrolled edges of each feather and the way the links alternate their orientation adding drama to the design. The bracelet measures a wearable 7" long and it is 1 1/2" wide. It weighs 52.9 grams and has a safety chain as well...

This elegant, hand wrought sterling silver necklace was designed and signed c. 1940's by Taxco, Mexico artist William Spratling. Measuring 20 1/2" long & 1 inch wide the necklace weighs 100 grams. Beautiful condition and patina. This design is pictured on p. 46 of MEXICAN SILVER by Penny Morrill and Carole Berk. Looks great with casual or dress. Spratling designs are the central focus of the permanent 20th century Mexican silver collection at Los Angeles County Museum of Art.

Better than wearing your heart on your sleeve is this lovely silver bracelet with seventeen charms. The bracelet is 7 1/4" long and is sterling. It bears a maker's mark for GJ Ltd. The charms are clearly a collection made over time. There are charms made of sterling, 800 silver, and silver plate. There are padlocks, puffy hearts, plain hearts, and flowered hearts...even a heart locket. The bracelet dates from the 1950s.

Without a doubt the “queen” of vintage Mexican silver jewelry, Matilde Poulat was an exceptional designer and, in my humble opinion, one of the country’s artists who, in their work, expressed the philosophy of the Arts and Crafts movement. Her highly textured repoussage allows us to follow the silversmith’s hand as it slides over the metal thus affording us, to an extent, a glimpse of the creative process...

Trained as a sculptor Felipe Martinez, the founder of Piedra y Plata, is one of the best lapidaries in the world of vintage Mexican silver jewelry. There is a liquid perfection that characterizes the way he fuses stone and precious metal together and the serenity on his carved “masks” seems to be flowing in from a different dimension...

Here is a fantastic necklace, in the style of Murrle, Bennett and other Arts & Crafts designers of high renown. It is unsigned, which is not unusual. It features a central silver panel with a big labradorite cab, 3/4” x 9/16”. The whole panel with dangles measures 13/16” x 1-7/8”. The wearable length is 24”, and there are 20” worth of labradorite beads, most having the distinctive and beautiful blue flash for which that stone is known...

A trained sculptor, Felipe Martinez created some of the most amazing “mask” jewelry in the golden period of Mexico’s 20th c. Silver Renaissance. His ability to work with precious metal and stone is astounding, the two materials becoming like one whole in his inlaid designs while in his “mask” creations turning into living, breathing figures in a deeply serene sleep...

I have said many times in the past that I consider the Los Ballesteros workshop Taxco’s foremost creator of the so-called “mask” jewelry. And among their best are their hinged bangle bracelets, a fantastic example of which I am presenting here. The effigy is carved out of tiger’s eye, a stone which creates a magical sensation with its molten gold, glistening caramel and rich chocolate browns...

Inspired by ancient Inca motifs this 1950s Industria Peruana silver and 18k yellow gold necklace is a classic example of the best jewelry that came out of Peru around the middle of the 20th c.. Hand-hammered sterling links feature figural appliques on their slightly concave faces, the same combination of silver and gold also used to form the circular connectors...

Steeped in ancient Italian lore, the “cimaruta” pendant might have started its life in the world of magic yet somewhere along its long life, it became adopted as a talisman warding off the “evil eye” and protecting against witchcraft in general. The Flli Coppini example presented here dates in the first decades of the 20th c. and is the next best alternative to the impossible to obtain ancient pieces...

Ethereal, barely touching the ground, light as a feather and lost in the music to which she is dancing, this vintage Marcel Boucher ballerina was crafted in the mid-1940s in Mexico for the renowned designer’s Parisina line. Wrought in sterling, she has a teardrop piece of lapis for her bodice and she is magnificent...

With delicately carved features, this silver and tiger’s eye Egyptian Revival “Cleopatra” bolo tie is a small work of art that came out of the Los Ballesteros workshop. One of the best - and definitely the most persistent - Taxco talleres involved in the creation of exquisite “mask” jewelry, the Los Ballesteros used an array of semi-precious and hard- stones to create serene, out-of-this-world effigies for brooches, rings, bracelets and pendants...

Based in Mexico City Plateria FarFan created some of the most impressive and well-made collar necklaces, many in the multi-row "mesh" style and others in puzzle “Cleopatra style” designs. The necklace presented here is one of the latter, a pretty handsome one at that and a favorite of mine for the comfortable, just-at-home way in lies around the neck...

Symbols of hope for fresh, new beginnings swallows are an integral part of the advent of Spring in my home country and I grew up waiting for a glimpse of their bifurcated tails and soft, white bellies as a sign that the end of the school year and the fun-filled days on the beach were not far away. In Victorian symbolism the birds express enduring love and loyalty and the promise of a safe return back home and it is these hopes the set of Mexican silver earrings at hand encapsulates...

In the last couple of years I found myself drawn closer and closer to the jewelry created by the Los Ballesteros workshop. I am especially attracted to their “mask” pieces in all the forms they can be found as well as to what I like to call their “hinged bangle” bracelets. I consider both kinds the absolute jewel in the taller’s creative crown and it seems that there is always something new and different to discover. The perfectly carved tiger’s eye “Joker” pendant is a piece I h...

Set in a raised bezel on a hand-hammered sterling platform the “mask” in this vintage Carmen Beckmann brooch is carved out of dyed calcite, often - and mistakenly - referred to as “jade”. Oxidation and a geometric glyph applique add complexity to the design and the portrait’s minimalist rendition brings to mind the more austere of ancient artifacts unearthed from the Mexican soil. I believe that this brooch comes out of a line of similar brooches Beckmann created, sometimes using anci...

One of my favorite sub-genres in the world of vintage Mexican silver jewelry includes those early Deco repousse brooches wrought in the usually referred to as the “Mexico City style”, the most famous proponent of which is, undoubtedly, Matilde Poulat. Quite often anonymous, as in our case, these pieces can be fascinatingly weird, at times even bordering on the surreal. Who is this bearded man with the thick facial features, his eyes cast down as if in intense concentration, and what is this ...