The amethyst comma necklace is one of the most recognizable of Antonio Pineda's works of art. The silver is 970 and silky to the hand. There are no cracks or chips to the stones and no damage or flaws to the silver. The most important thing to look for is how the silver comes up and forms a wall on each link at edges. Most are uneven and without a sharp edge. The length is 16in. long,.75in. tall and it weighs in at 102.5 grams heavy...

Classy Mexican Deco silver and amethyst brooch signed by Fred Davis, there is something about the sculpturality of this piece that makes me think it might be a Valentin Vidaurreta design. It is not just the specific shape the amethyst flowers have been carved in that can be seen in signed Vidaurreta jewelry, it is mostly the bewitching rotundness of the silver bud that makes me think so...

Very beautiful and early Fred Davis sterling and Rhodonite ring. This same ring, with an amethyst stone, is featured on page 27 of the 4th edition of the book MEXICAN SILVER by Morrill and Berk. They date it c. 1930. The face of the ring measures 1" wide and 3/4" long and it is a size 6. Weighing 14 grams, it is in fine original condition with no chips or cracks to the stone. Signed as shown. A great addition to a Mexican Silver collection.

Filipe Martinez was well known at being the best stone cutter laying the stone next to the silver with no space in between. This is an outstanding example of such. The obsidian is a turned on sheen so strong I photographed and different light levels to help you see it in an in person sort of way. The necklace is 16 inches long 1.25 inches tall as well as the bracelet and the earrings. The bracelet is 7in. long. There is a 216 gram combined weight...

We do not find this old hallmark of Martinez very often but when we do it is special. This is a rare one with amethyst stones and carved silver dangles with repousse beads. The over all length is 19in. with the chain and just the links are 16in. The height is 1 3/8ths inches making it a bold treasure. Martinez is known for his stone work and all of these amethyst match very well with some looking lighter depending on the direction of the camera flashes. No chips or damage to the silver or stone...

One of the most inspired Taxco modernists, Enrique Ledesma is not widely known as an enamelist yet he did create jewelry combining sterling with bright colored enamels. It seems that those pieces are rare and difficult to find but if one is lucky enough to come upon an example, the search is justified and the seeker duly rewarded! The necklace at hand, distinctly "machine age" in its constituting elements, breaks free of its functionalist constraints with the use of brilliant blue enamel...

Featured on page 182 of the catalogue of the exhibit WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE:MAESTROS DE PLATA, this is the Modern Ribbon Swirl Cuff in sterling by Sigi Pineda c. 1955. The comment about this bracelet by the author of the catalogue reads " Sigi's purity of form is defined by a fascination with style developments in the modern art world". This beautiful bracelet measured 5 3/4" around in the inside with a 1" opening...

Beautiful carved obsidian faces signed by Fred Davis. We have a 16in. wearable and almost an inch tall. The silver is soft and silky with no damage to stones or silver The picture seems blurred sometimes but that is the sheen of the obsidian. Perfect for collectors, just LOOK AT THAT NECKLACE!

A terrific hand made sterling bracelet of squares by contemporary German born silversmith Agnes Seebass. She apprenticed in the Los Castillo workshop in Taxco and her work was represented in the William Spratling MAESTRO DE PLATA exhibit. Her pieces were featured on page 67 of the catalogue to the exhibit and Marbeth Schon wrote an article about her in the most recent edition of MODERN SILVER magazine in which she pictured this bracelet. It measures 7 1/4" end to end and is 1 1/4" wide...

This set is the Hector Aguilar V-chain necklace with detachable azurite pin/pendant, matching azurite earrings, and matching V-chain bracelet. The necklace is featured on page 39 of the book SILVER MASTERS OF MEXICO by Penny Morrill. It is shown with an amethyst pendant in the book. The azurite pendant on this necklace I am offering is shown on page 217 of this same book and the V-chain bracelet on page 63. These pieces are dated c.1945 and are in 940 silver...

Eagle 22, one of the assay marks used by Fred Davis, is stamped on the bracelet at hand and its design combined with the fact that Davis was not at all meticulous at signing his pieces makes me believe that we might as well be dealing here with one of this creations. The carved amethyst "masks" are rendered in the most minimalist manner, a classic Abraham Paz / Fred Davis characteristic. For me, they also bring to mind ancient Cycladic art yet they were made thousands of years later in a totally...

A fantastic sterling and azur-malachite necklace and matching screwback earrings by Taxco silversmith Enrique Ledesma. Known for his impeccable way of fusing stone with silver, this set is an astounding example of his skill. The teardrop shaped links are vertical and then horizontal. The color of the stones a beautiful mottled green. Fine original condition, the necklace is 17 1/2" end to end and 1 1/4" wide at the vertical front links. Secure push in clasp. The earrings are 1 1/8" long and 5/8"...

Circa mid-century, offered here is a gorgeous set of necklace and earrings produced by Antonio Pineda. The necklace is a book-piece design shown on p. 135 of "Silver Seduction: The Art of Mexican Modernist Antonio Pineda."

This set is collector quality. Necklace measures 15 1/2" closed, wearable length. It lays perfectly on the neck and has a very luxurious feel. Earrings are 1" tall and have clips. There are fifteen oval aventurine stones in the necklace which are open-backed to let ...

This is a signed Hector Aguilar Necklace that is hard to find design. The color is a fascinating white as the silver is almost pure. The link is 1 1/8th inches tall and displays a hand chased crescent moon in each link. The depth of the chasing and cut out crescent give great dimension in your hands and when worn. Strongly held together with rivets and a weight of 136 grams, the work speaks quality. No damage or repairs and a stellar design to wear causal or dress. The silver is soft in the hand...

Elegant sterling silver and black obsidian necklace designed and signed circa 1950's by Taxco, Mexico modernist Antonio Pineda (1919-2009). The necklace will comfortably fit up to a 16 1/2" neck. The necklace drapes beautifully and is in exquisite condition with no issues. Fully hallmarked. The clasp is tight and secure. Antonio designs have been included in numerous museum collections and exhibits.

This showpiece from Margot de Taxco is supremely rare. I've not seen another. It's a necklace which instantly commands attention.

The huge centerpiece can be used as a pendant necklace, or detached from the chain to serve as a pin.

It is a spectacular necklace, with a huge almost Foo Dog design with earrings. The hammered recessed on both the pendant and chain are oxidized, providing a great contrast to the silver.

Pendant/pin measures almost 3 1/2" wide, 2 5...

Today we have an out of the ordinary Matl necklace featuring charms that dangle with movement. Crafted by hand when Matilde Poulat was working in her shop. This design has a 1.5in. tall presence with the charms included and a weight of 121 grams of heft. The turquoise has a warmed hue of teal and sky blues. It is a refreshing design and a rare design without birds or flowers. The condition shows only original work marks, just LOOK AT THAT NECKLACE!

Impeccable silver and inlaid amethyst bracelet and screw back earrings by Felipe Martinez who opened his workshop "Piedra Y Plata" in 1950. Measuring 7 1/8" end to end, the bracelet is 1" wide and weighs 63 grams. The earrings are 1" long. All pieces are in fine original condition, no chips or cracks to the stones which are a vibrant purple. Signed as shown. This same bracelet and earrings is featured on page 187 of the book MEXICAN SILVER by Morrill and Berk with green stones rather than amethy...