Four calligraphy works dating from the Edo period mounted on an antique two-panel Kama-byobu tearoom screen; the backing paper covered with minute gold flake. The centerpiece of the screen is a scene of Mt. Fuji next to the character Ryu (for Dragon). This piece is signed Ryukoubi (Soro Ryu 1714-1792) a well documented artist known for calligraphy and poetry who seemed to change names and addresses as often as humanly possible...

Hagi Yaki is a thick, grained pottery with a thin yellowish-white or bluish-pink glaze with large crackles. It is originated by a Korean potter as many other Japanese potteries are. Hagi ware is especially known for the beautiful changes that follow after each use...

A discreet masterpiece are words which could easily describe this gorgeous chunk of antique burled vine root carved and polished to a subtle sheen in the shape of a two tiered vase inset with bamboo pots. The piece rises from pebbly textured burl, abundant with character, like a clay pot which collapsed during firing. The second level appears to float above the first on tendrils of smoke. A startling effect. This piece truly captures the Japanese sense of respect for the natural world...

A bakumatsu era (mid 19th century) Shishi Koro of dark red clay covered in a rich green glaze from the Banko kilns in Mie. It is 14 x 24 x 8 cm (9 x 5-1/2 x 3 inches) and is in fine condition but for one clawed toe which has been chipped. This squat style of facial expression was popular from the declining years of the Edo period into the early Meiji, and fits the date of this piece perfectly.

Japanese plique-a-jour cloisonne enamel vase densely decorated with a bouquet of flowers set against a celadon green background. Chrome rims. Dates from the Occupation period (1945-1960). Measures about 3 3/4"H x 3" diameter. Very good overall condition. There is a faint interior stress crack at the shoulder that cannot be felt (see enlargements 6 and 7). The neck is very slightly tilted.

A raw earthen bottle hand formed for sake and engraved with a poem by Otagaki Rengetsu. It is 5-1/4 inches (13.5 cm) tall and in fine condition. The poem reads:
Fuyubata no On the Daikon Leaves
Oone no kuki ni In a winter field
Shimo Sae Te Frost gleams
Asatode Samushi Going out in the morning I feel cold
Okazaki no sato Here in Okazaki village
Much has been written about the life and work of poet/artist Otagaki Rengetsu...

WEARABLE ART: When this coat was tailored out of an old Japanese kimono, it was made to stress the lightness of the coat without the lining. Light coconut shell buttons were chosen for the same reason. Freshly made using the fabric from early 1900 to 1940. Black color with a slight green tint and silver thread stripes, medium size.

A daunting image by radical Nihon Nanga-In member and founder of the Osaka Art College Yano Kyoson (1890-1965) dating from earlier in this influential artists career. Crisp white walls of a strangely elongated house perch on the edge of a dark forest reaching up to the rain washed sky. A single tree ripe with yellow leaves guards the entrance...

 

This estate piece is a superb Japanese Imari plate, Meiji Period, having a central medallion and eight panels, scalloped gilded edges, white ground with hand painted polychrome floral and brocade decoration, red mark, blue and rust color design on underside of plate. Good-excellent condition, some wear to gilt, measures 8 3/8" diameter.

This is a superb Bunraku puppet of the historical figure Minamoto Yoshitsune, one of the lead characters from the Tale of the Heikei and legendary fighter in Japan. The doll is incredibly mobile. Head moving up and down, his eyes open and close and move left to right. His eyebrows can be raised and lowered, and mouth opened or closed, all from toggles inside his kimono on the extended neck piece...

 

A dragon wraps around the trumpeting form of this brilliant yellow vase by Makuzu Kozan II (Hanzan) enclosed in the original signed wooden box. A vibrant contrast between the yellow and blue is enhanced by the artists care and minute detail. The vase is 8-1/2 inches (21 cm) tall, 6-1/4 inches (16 cm) diameter and in perfect condition...

A brilliantly textured Oni-Hagi bowl dating from the early 20th century by Deika (Sakata Deika XII, died 1934), the radically fissured surface ruptured by exploding inclusions; the scars connected by cracks in the glaze giving the appearance of constellations written into a yellow sky. Outside the bowl is an earthy beige, mostly eclipsed by pale white. Inside the basin is the same earthy color, while all the walls are like salt foam...

 

Meiji (1868-1912) Japanese Kinkozan Satsuma Mini Vase with Hundred Children

The vase is 2.5 inches tall, and 2.3 inches wide.

It is in good condition with no repairs, chips, nor cracks, except minor rubbing of gold at the opening rim and the bottom rim (as seen in the photos).

Our Guarantee: We stand behind all of the items that we place on Trocadero...

A radical Iga vase by unconventional artist Kishimoto Kennin (b. 1934) enclosed in the original signed and stamped wooden box. The free form Terracotta image is covered in lichen-like pale green ash glaze. The vase is 10 inches (25 cm) tall, 5 inches (12.5 cm) wide and in perfect condition. Possibly better known today for celadon, Kennin went through a radical period some 15 years ago working on pieces like this unusually formed Iga ware...

A large porcelain vase by Miyanaga Tozan decorated with a garden scene of young pine growing up around a large stone brushed by Yamamoto Shunkyo and enclosed in a double wooden box signed by both artists. It comes with the pictured rosewood stand in a separate section in the box. The vase is 12 inches (31cm) tall 8 inches (20 cm) diameter and in excellent condition.
Yamamoto Shunkyo (1871-1933) was born in Otsu, Shiga prefecture in 1871, and came to study traditional Shijo painting in Ky...