Flora in heavy pigment decorate the gold leaves of this two panel Rimpa screen dating from the late 18th to early 19th centuries. Tinges of red bring a brush of Autumn to the various grasses and flowers. Heavy veining on the gold as well, evidences the age and brings to vivid life the scene in the fore. The screen has been restored at some time in the distant past with some repairs performed then, and is bordered with patterned blue silk in a natural wood frame...

A dilapidated shrine nestles deep in a forested mountain side with a cluster of stone Jizo and a fudomyo climbing the green hillside behind signed Koho and dating to the late Meiji. A quiet and contemplative scene reflecting the quality of the art of the time, the subject not overstated but resting silently awaiting our discovery...

This antique Japanese Goten or Palace would have been used to create a Palace scene of the Imperial Court for the display of the 15 traditional Girls Day Hina Doll Collection. The structural parts of the dollhouse are constructed of light weight wood which is painted with black lacquer. Made in the Meiji Period, it is elaborately decorated with painted cranes, pine trees, and flowers, and metal fittings...

A very finely decorated Satsuma earthenware vase,depicting five ladies and ten boys in a garden landscape, made for export in Japan during the Meiji period (1868 to 1911). Condition - excellent - no damages and no restoration...

A pimpled toad looks to the sky exhaling a clouded spirit, a truly superb version of this theme in deep caramel bronze dating from the Meiji period. It is an interesting theme, the ugly creature elevated to the status of saint. Judging by color and quality, we attribute this as the work of Kanaya Gorosaburo (1836-1890), a bronze artist of Kyoto fond of this color and known for his superb modeling and detail. Not always signed, Gorosabutro was often known to sign only the box...

An antique cast bronze waniguchi bell or gong, the type used to hang in front of places of prayer and under temple eaves dated 1710. Often these can be found hanging over saisen-bako where the bell is rung by clanging a dangling rope with wooden corbel against the bell to awaken the gods; coins are tossed and a prayer given. Anyone who has been to a Japanese Temple or Shrine may have noticed one. A much thinner cast than the later bell we are offering

A silvered bronze figure of a Noh actor made in Japan circa 1900 to 1940. Condition - good but lacking original detachable fan and mask. This item is heavy - approx 6 kilos (nearly 13 pounds) in weight...

A typical Muromachi style Sansui screen showing scholarly travelers in a ragged landscape of precipitous hills and temples dusted with clouds of gold flake likely dating from the late 16th century. It is bordered in fine antique patterned brocade with a black lacquered frame. The gold mist engulfs the scene, giving life to the unusually large figures, a Muromachi-Momoyama trait. In the area about the travelers’ path, gold has been rubbed into the paper, giving it a soft sheen...

A large Kiji porcelain vase with florals (stylized millet?) in raised relief by Miyanaga Tozan enclosed in the original signed wooden box. The architecture and infinite care shown in the carving on the surface proves this to be a superb piece deserving of the name of one of Kyotos top porcelain artists. The vase is 10-1/2 inches (27 cm) tall, 11-1/2 inches (30 cm) diameter and in excellent condition. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics...

A massive museum quality Chinese style Pot by leading Kyoto artist Ito Tozan enclosed in the original signed wooden box. The bulb-form body is sculpted with 14 flutes, a pair of beast heads serve as handles. The glaze is olive covered in red, bleeding through in places, the combination of color quite striking. The vase is 18 inches (46 cm) tall, 14 inches (36 cm) diameter and in perfect condition and comes with the original rosewood stand...

A large Japanese stoneware koro (incense burner), decorated with coloured enamels on a celadon glazed ground, depicting mythical beings. The cover is surmounted by a Shishi. This item was made circa 1880 - 1920 during either the Meiji or Taisho periods. Condition - two of the three legs have been restored...

An exquisite large vessel by Seifu Yohei III (1851-1914) enclosed in the original signed wooden box. The mirror smooth surface is lightly tinged pink, a delicate touch only Seifu could create...

Like an aged boxer, the squat muscular crab takes a stance of readiness, one claw up prepared to defend against a coming attacker. This little fellow is unusual in that it is made of thick bronze, with each joint pinned in a way that allows for some mobility. Legs splayed the creature is 9 inches (23 cm) wide, standing it is 3-1/2 inches 89 cm) tall. There is a repair to the first joint of the 2nd left leg. It dates from the first part of the 20th century.

Everything about this sencha tea implement storage cabinet is top quality; a most unusual box made up almost entirely of worm wood featuring a removable door with an inner panel of antique Chinese origin, possibly an image of a tea salesman with his baskets of leaves. A bronze handle surmounts the lightweight box, with a set of four jade rings attached through a pair of folding fans serving as a handle for the door. Climbing up the naturally gnarled sides of the door are two tiny frogs gazing ...

A good pair of ruby red/"pigeon blood" baisse-taille enamel vases hammered and carved in low relief depicting sparrows and styalized bamboo. These items are unsigned and were made in Japan during the Meiji period (1868-1911). Condition - very good. No damages. 4.8 inches (12cm) High.

日本明治 一对红色浅浮雕珐琅瓶
一对“鸽血红”浅浮雕珐...

A rare Japanese oversized limited edition "sosaku hanga" woodblock print titled "Black Cat, Three Kittens & Butterfly" dated 1967 by Tokuriki Tomikichiro (1902-2000). The artist's black seal is at the lower left and his black ink signature is at the lower right. The print is titled and dated in kanji in the upper right margin. Numbered 14/200 in the lower right margin in pencil. The paper measures 16"V x 21 3/8"H (image size: 15"V x 19 1/2"H). Very good overall condition. This print was prev...

A rarely encountered Japanese oversized sosaku hanga woodblock print by Asaga Manjiro (1885-1965) dating circa 1950's. Asaga Manjiro was the elder brother of Maekawa Senpan. He was known for his Noh theater and Otsu-e prints. Paper size: 20 1/4"V x 15 3/8"H (image: 17 5/8" x 12 7/8"). Excellent condition with full margins. Never framed. Traces of paper residue from the original folder remain on the back at the left top and bottom corners.

A group of three clambering turtles in fine detail dating from the opening of the 20th century (later Meiji) stamped on the base Keishin and enclosed in a period wooden box. The group is roughly 8 inches (20 cm) long, 3 inches (7.5 cm) tall and in fine condition but for one old chipped toe on the back foot of the largest turtle (see close-up).