A fabulous baluster form vase by the first generation Kato Keizan enclosed in the original signed wooden box titled Gaoji Ryumimi Chokoku Kabin(Ivory Porcelain Dragon Ear Carved Vase). Low on the flaring neck two dragons form handles, and the body of the vessel as carved with archaic symbols reflecting continental taste popular from the Meiji through Taisho to early Showa period. It is 33 cm (13 inches) tall 19.5 cm (7-3/4 inches) diameter and in excellent condition...

Fine Chinese Song Dynasty Qingbai Porcelain Bowl with Peony Pattern

This fine and delicate bowl was made during the Southern Song Dynasty (AD 1127 - 1279). Its body is particularly thin and translucent. The outer wall is decorated with an incised peony pattern. Both inner and outer surfaces are coated in a finely-crackled pale greenish-blue qingbai glaze...

A very unusual set of three scrolls depicting the women of Shimabara looking down with trepidation at a Fumi-e (a Christian symbol) before lotus enclosed in a wooden box titled Shizan Shimabara-me Sanpuku Tsui (Shizan, Women of Shimabara Three Scroll Set). The Fumi-e was a bronze or wood placard embellished with a Christian symbol upon which people were forced to step to prove that they were not Christians during the ban on Christianity throughout most of the Edo period...

Two austere Bodhisattva play music and spread lotus petals before the benign countenance of Kannon while a fierce green God (god of thunder or wind) recoils, flame spouting from his mouth. This is a very unusual triptych enclosed in the original age darkened compartmentalized kiri wood box signed Urata Tenka titled Daiji Kannon no Zu (Image of the most merciful Kannon), Takahashi Koko Sho (Painted by Takahashi Koko)...

The benign figure of Monju Bosatsu bearing the sword of knowledge and a sutra astride a fierce Shishi lion exquisitely painted by Takagi Shunrin in 1920. The compassionate being appears in royal regalia and white robes seated on a lotus shaped saddle upon the fierce creatures back. Pigment on silk in the original silk mounting with large ivory rollers enclosed in the original signed wooden box dated Spring of Taisho 9 (1920). The Rollers will be changed if exporting...

Chinese 17th Century Dehua / Blanc de Chine Porcelain Lion-Mask Censer

This censer was made in the 17th century (c. 1650 - 1700) at the famous Dehua kilns in Fujian province. It is "heavily-potted", the outer surface and inner mouth coated in an ivory-coloured glaze. The inner surface and base remain unglazed.

Diameter 15 cm. There are a couple of firing fissures to the thickly-cut foot, no doubt caused during firing due to the thickness of the clay...

Chinese Song Dynasty Incised Celadon Porcelain Bowl

This porcelain bowl was made in the 12th - 13th Century during the latter part of the Song Dynasty (AD 960 - 1279). It is fairly "heavily-potted" and coated in a transparent pale celadon glaze, save for the foot that remains unglazed. The inner surface is decorated with incised floral patterns. It is most likely a product of the Anqi kilns in Fujian Province.

Diameter 17.25 cm...

Fine Tall Chinese Western Han Dynasty Painted Pottery Soldier

This fine and impressive pottery model of a warrior was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a dense grey pottery and is particularly "heavily-potted". It has been "cold painted" in a variety of coloured pigments. Most known Han soldiers are painted in only red, black & white pigments; this figure is exceptional with traces of green and blue pigments also...

Tall Chinese Western Han Dynasty Painted Pottery Soldier (206 BC - AD 8)

This impressive pottery model of a warrior was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a dense grey pottery that has been "cold painted" in a variety of coloured pigments. Most known Han soldiers are painted in only red, black & white pigments; this figure is exceptional with traces of green and blue pigments also...

A figural painted wooden gun powder flask in the form of a Makara with a maiden holding a pot, protruding from its mouth. Missing stopper. Condition: lost stopper, paint with some wear. Dimension: c. 19 x 17 cm.

A large and rare mid Edo period Tamba Funa-dokkuri Ship Bottle made with flaring mouth and wide flat bottom for use on Ships. Down the side is inscribed the date Kyoho Gannen (First year of Kyoho, 1716). The Akadobe clay is covered in rich green glaze cascading in rivulets all about, with a few scattered windows of raw clay exposed. The base is slightly concave, impressed with a fern leaf...

A serving tray made of Kozai (Jap. old material) from Todaiji Temple in Nara branded with the marks of the 7 great temples of Nara and enclosed in the original wooden storage box dated 1925...

Chinese Song Dynasty Qingbai Porcelain Bowl (damaged)

This fine-quality porcelain bowl was made during the Song Dynasty (AD 960 - 1279). It is of an attractive cone shape standing on a relatively high foot; the body is thin and particularly translucent. The inner surface has been decorated with incised floral patterns. It is coated in a blue qingbai glaze of good colour.

Diameter 13.5cm. Despite being chipped at the rim and with hairline cracks, it does have a ring when tapped.

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Large Thai 14th - 15th Century Sawankhalok Celadon Bowl

This stoneware bowl was made at the Sawankhalok kilns around the 14th - 15th century. It is coated in an attractive and finely-crackled translucent celadon glaze that has just a hint of blue to it. It has become slightly warped during firing and the glaze has pooled to one side in its centre. To the unglazed base is the round mark of the pontil on which this bowl stood whilst in the kiln during firing. Under the glaze, the inner surface...

A very rare colored figurine of a egret standing, foot raised, by Miyanaga Tozan I enclosed in the original signed wooden box. Known best for his celadon and sometsuke porcelains and tea ware, this figurine is a scarce example of his talent with figuration. Beautifully rendered in life-like detail, it is 21 cm (8 inches) tall and in excellent condition.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated fr...

An incredibly large vase showing a blend of art-nouveau and traditional design motifs by Miyanaga Tozan I enclosed in the original signed wooden box. It is 46 cm (18-1/4 inches) tall and in excellent condition. This is perhaps one of the great examples of this artists work, blending elements of traditional Chinese, Japanese and European concepts into one breathtaking work.
Due to size the cost of shipping will be accrued separately
Miyanaga Tozan I enclosed in the original signed ...

A breathtaking Koro in the shape of a roaring lion by Miyanaga Tozan I enclosed in the original signed wooden box. This is one of the best pieces I have ever seen by this important artist. It is 25 cm (10 inches) tall and in excellent condition.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represented Japan at Arts Expositions, a...

Rarely encountered Japanese pencil-signed limited edition sosaku hanga woodblock print by Tokuriki Tomikichiro (1902-2000) titled “Loquat Tree” dating circa 1950. The white title is set against the cobalt blue background at the upper right. The print is pencil signed "T. Tokuriki" and numbered 11/200 at the bottom. Narrow format print measuring 16” x 7” (paper); image: 15” x 4 7/8.” Very good color and overall condition with large margins. Two tiny paper hinges are at the top ba...