PORTRAIT OF KENJIRO

Vintage anonymous Japanese oil painting on canvas attached with original wooden frame, titled 'Portrait of Kenjiro', with the painter's sign as 'Yuri', Showa period, mid-late 20th century. Frame: 30.5 x 34.3 x 5 cm (12.00 x 13.50 x 1.96in), Canvas: 14 x 18 x 1.8 cm (5.51 x 7.08 x 0.70in). No glass/acrylic plate and no fixation ( with no metal fittings or nails or so) for framing canvas as in original condition...

STILL LIFE

Anonymous Japanese oil painting on canvas, 1987, 45 x 33 x 2 cm (17.71 x 12.99 x 0.78in). Aged deterioration as is, with stain and peelings.


selected by kikue




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances...

SEASHORE

Anonymous vintage Japanese oil painting on particle board, with the sign of 'Y. Ohta. 53_'. 1953 or Showa 53 (1978). At the backside, written his loving passion to a certain Japanese woman, as "Sayoko Tominaga. Miss Universe. Sayoko Tominaga. Sayoko Tominaga. Sayoko Tominaga. How beautiful, noble, wise, lady you are."...

BOWL ONCE USED FOR LACQUERING

Became an object of art together with such harden urushi lacquer taking many years. Wood and lacquer. Showa period, 20th century, Japan. D 12 x H 6.5 cm (4.72 x 2.55in)...

POWER STONES FOR THE FIVE ELEMENTS

35 pieces set of 'Godai Rikiishi' translated to 'Power stones for the Five elements (in Japanese philosophy: earth、water、fire、wind, and void)' that are the small talisman stones enshrined numerously at Sumiyoshi Taisha shrine (https://www.sumiyoshitaisha.net/en/) in Osaka, Japan, and regarded as having divine favor if can pick up the scarce one written some words...

ANDROGYNY

Wood carving phallus having vagina, Showa period, 20th century, Japan, H 23.5 x W 5.5 x D 6 cm (9.25 x 2.16 x 2.36in). Aged deterioration as is.


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances...

3D TIGER

Lenticular sheet, Japan, 25 x 35 cm (9.84 x 13.77in). Enjoy it from various angles.


selected by Jinta




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. Thank you.

SCROLL OF SUMO WRESTLERS

Pictures of various sumo wrestlers and kanji words of 'hono' (dedication), titled "Untiring nerve" as its contents is like mental direction. Kaei 6 (1853), Edo period, Japan. 105 x 13.6 cm (41.33 x 5.35in)...

SHAKOTAN BLUE 1970

Vintage Japanese oil painting on canvas, 'Fine scenery of Shakotan (https://en.wikipedia.org/wiki/Shakotan,_Hokkaido)' by Yakuwa Shiro (1914-93), 1970. 33 x 24.5 x 1.7 cm (12.99 x 9.64 x 0.66in)...

MISS CHI

Vintage anonymous oil painting on canvas, "MISS CHI - 3-years old Toy Poodle, 1980". 41 x 31.7 x 2 cm (16.14 x 12.48 x 0.78in)...

FIREWORK MOLD 1890

Old wooden ball mold for making 'hanabi' (traditional Japanese firework), with aesthetically many random cutting tracks for peeling the papers off, signed as Meiji 23 (1890), D 10 cm (3.93in)


selected by Pottari




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our ...

SMALL TEAPOT

Traditional Japanese pottery teapot called 'kyusu', but smaller and unique tri-footed make attached with natural vine handle, with primitive surface by the warmth of handmade. Anonymous artist, Showa period, 20th century, Japan. Total: H 12 x 9.5 x 5 cm (4.72 x 3.74 x 1.96in). Practically usable...

Early Showa period Japanese silk woman's formal kimono with embroidered highlights decorated on the bottom of the front with two prominent phoenix birds flying among feathery fans. The clusters of fans and the ends of the long phoenix tails extend around to the back side...

Japanese Meiji Cast Iron Tetsubin with Signature - Hailstone Pattern

The cast iron tetsubin (teapot / kettle) is of course the central feature of the tea ceremony. This example was made during the Meiji period (1868 - 1912) or possibly a little later, the pattern to the upper part of the kettle known as the hailstone or nail head pattern. It has a copper cover that is a perfect fit. There is a signature to the right of the spout and there also appear to be seal marks to the base. To the inte...

Japanese Meiji carved bamboo okimono figure of a standing Daruma (also known as Bodhidharma), the body wrapped in a draped robe covered in folds. A fly whisk emerges from the hidden folded arms and extends along the side of the head between one of the elongated earlobes with hoop earring and the furrowed brow. 8 3/4" high. Very good overall condition with typical minor wear. There are a few short cracks and one small chip at the base. From the Phoenix estate of a former Daruma collector.

CURVED KASHIGATA

‘Kashigata’ as old wooden molds with detailed fish carvings for making traditional Japanese confectionery, and it's a unique curved type. Showa period, 20th century, Japan. 24 x 9 x 9 cm (9.44 x 3.54 x 3.54in). Sign of its confectioner's name.


selected by Pottari




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since yo...

A Meiji period Japanese natural paper, bamboo and iron hanging Chōchin lantern in its original wood box. It consists of the ebonized hand-cut and bentwood hanger which has iron fittings with handcut nails. It opens around a pinion for mounting. The 8-3/4" diameter lantern is formed from handmade paper fiber and it has a bentwood collar and base with iron fittings. The top fitting has a handle for hanging and the bottom has fittings for hanging depending on the location. The loop is for secu...

Vintage Japanese watercolor painting by Fukutaro Terauchi (1891-?) depicting a village scene with figures walking under parasols in the snow. Signed at the lower right. Likely dates from the 1950s. Executed on slightly textured watercolor paper measuring about 11 3/4" x 8 1/8." Very good overall condition. There is a narrow strip of old tape residue at the top back and there are a few pencil notations on the back.

Vintage Japanese Kutani porcelain vase with a pair of cranes and a pine tree made about 70-80 years ago. The wooden box with no signature is also provided. Height 5.9"(15.0cm) Dia. "(9.5cm) Condition Overall good. No chips, No cracks.

PAPER AND THREAD

Old Japanese natural materials before being paper and thread. Northern Kanto region, Showa period, 20th century. Bundle of paper materials: 28 x 11 x 8.5 cm (11.02 x 4.33 x 3.34in), Length of extended bundle of thread materials: 61cm (24.01in)


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your or...

Japanese limited-edition mezzotint depicting a traditional village in snow by Koichi Sakamoto (b. 1932) titled “Enduring Village No. 1.” The print is pencil-signed, titled in English and kanji, and numbered 68/100 in the lower margin. Dates circa 1982. The artist’s watermark is in the lower right margin. Paper size: 9” x 11” (plate about 5 1/2” x 6 1/2”). The white archival mat folder measures about 12 1/2” x 13 1/2.” Excellent overall condition. The print is attached to...

MAP OF RIVER

Edo period's hand drawing map capturing the certain area of Kitakami river in Iwate, Japan, approx. 42 x 31.5cm (16.53 x 12.40in). Washi Japanese paper, in creased and stained condition as is. The last two photos were shotten up through the natural light. Acrylic frame is not attached.


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Po...

This antique ivory bookmark is shaped and colored on one side to appear as a woman wearing a kimono. There is a long cord with small pierced ivory ojimi and tassel attached. This piece came from the estate of a famous silent screen actress of the 20's who collected an assortment of antique Asian items... The ivory book marker is 5.5 inches long and 1/2 inch wide...the attached cord and tassel are 18 inches long and the ojime is .5 inches diameter. There is a small hole on one side of the o...

Japanese antique black formal winter silk kimono hand dyed and finely painted along the bottom with a powerful predator hawk or falcon on rockery preparing to attack a much smaller chidori (plover) flying above churning water. The scene is set against a landscape of pine branches on a pale celadon background. Symbols of military strength, Japanese artists historically painted raptors for the wealthy nobility and samurai warriors who ruled Japan. The chidori over waves motif symbolizes the ove...

An attractively enamelled turquoise earthenware bottle vase depicting two cranes in flight. The base is signed with a name and Kyoto. We have a cup with identical decoration carrying a Kinkozan signature. This item was made in Japan during the Meiji period (1868-1912). Condition - there is very good old restoration to the top 4cm (1.5inches) of the neck (please see enlargement no. 7). 26.5cm (10.5inches)high.

19世纪末 日本陶制松石 ...

Japanese bronze mirror. 19th century. 8.2 x 0.2 cm. 86gm

Japanese Edo to Meiji period bronze mirror (kagami) with handle, decorated in relief with palm leaves and flowers. Inscribed with the Fujiwara Shigeyoshi maker’s mark. Measures 8 1/8” long x 5 3/4" diameter. 19th century. Very good overall condition. There is a tiny nick at the bottom of the handle. From the Sahuarita, Arizona collection of former expatriates to Okinawa in the 1970s. Stand not included.

Antique Raku Ware Tea Bowl Chawan with Red Glaze used for Japanese Tea Ceremony Meiji period (1868-1912) Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Diameter 11cm Height 7cm Total Weight 240g Condition Overall good, no cracks. Minor chip can be seen on the fourth photo near the edge.

Japanese bronze mirror. 19th century. 7.2 x 0.3 cm. 100g.

Water Cooling Bowl Yusamashi of Hagi Ware made by Living National Treasure 10th Miwa Kyusetsu (1895-1981) about 50 years ago. Hagi Yaki pottery became popular throughout Japan for tea ceremony during Edo period (1603-1867). Hagi ware has its distinctive nice cracks together with soft texture which is highly prized among tea lovers around the world. Size Width 4.6in ( 11.8cm) Length 3.2in ( 8.2cm) Height 2.0in ( 5cm ) Weight 4.23oz ( 120g ) Condition Used, relatively good There ...

Antique Japanese Pair of Old Hand-painted Kutani Teabowls with Bird and Pine Tree Design Made Before 1940s Size Width / 4.29 inch ( 11cm ) Length / 4.29 inch ( 11cm ) Height / 3.12 inch ( 8cm ) Total Weight / 450 g Condition Good. No cracks, no chips

This pair of Japanese handmade long square cut nails are 5" long and appear to have never been used. The nail heads are solid and shaped into a hemisphere. The silver colored decorative metal escutcheons have scalloped edges and markings to represent a flower. The escutcheons are just under 1" in diameter and have a squared center hole which exactly fits the nail shank.

Japanese Antique Hand-painted Imari Bowl with Colourful Flower Design Meiji Period (1868-1912) Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century. Very nice bowl for Japanese art collector. Size Width 5.4in ( 13.7cm ) Length 5.3in ( 13.5cm ) Height 2.6in ( 6.7cm ) Weight 10.93oz ( 310g ) Condition Overall good. No chips, no cracks.

Two Japanese rectangular bronze mirrors. Both 19th century. 7 x 0.1 and 6 x 0.2 cm. Combined weight 78g.

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid. All items are thorough...

A bronze bell dated Kanbun 10 (1670) which would have been suspended in front of a Shinto shrine worship hall, and struck with a knotted rope to awaken the gods to listen to one’s prayers. Inscribed in the surface around dials of lotus flowers is: An auspicious day in the 7th month of Kanbun 10, followed by the names Honda Yasutoki Ko and Hiramoto Sukeyuki opposite a dedication to the god of water the Hachidairyu-jin followed by a place name near Awazu in modern day Shiga prefecture. The Hac...

Bonji Buddhist characters in five rings of silver, gold and brass damascene decorate this Incense burner by Izumi Ryoichi enclosed in the original signed wooden box titled Kin-do Gorin-mon Koro. We see the number five in Buddhism and Bushido, With the elements Earth, Water, Fire, Wind and Air, as well the famous treatise on fighting by Miyamoto Musashi is called the Book of Five Rings, and the stone stupa seen all over Japan called the Gorinto (Five part tower). This is 3-1/2 inches (9 cm) dia...

A very rare pair of porcelain vases decorated with Plum Pine and Bamboo by Miyagawa (Makuzu) Kozan I enclosed in the original signed wooden box titled Makuzu Gama Seika Shochikubai no Shuku-ga Kabin (Makuzu Kiln Plum Pine and Bamboo Celebratory Image Vases). Bamboo rise up majestically, the blossoming plum branches wrapping opposite each other, with baby pines growing on the back. All traditional symbols of celebration. The vases are roughly 25 cm (10 inches) tall each and in excellent condit...

An exceptional boxed set of sake cups made by Seifu Yohei III lined with silver by Nakagawa Joeki (IX or X) enclosed in the original compartmentalized kiri-wood box signed by both artists. Each cup is unique, silver on blue, gold on red, and green on yellow, each stamped by the artist and displaying the celebratory Plum, Pine and Bamboo (Shochikubai) motif. They are 2-12 inches (6.3 cm) diameter each and in excellent condition.
Seifu Yohei III (1851-1914) was the adopted son of Yohei II...

An exquisite 17th-18th c. rendition of Suiten (vedic Varuna) rising over tempestuous waves. Pigment on silk, The scroll is 59.2 x 167.5 cm (23-1/2 x 66 inches). It has been fully remounted, in an antique silk retaining the original brass rollers. One of the oldest gods, Varuna is associated with a Serpent (Makara) as his vehicle and a noose as his weapon. Varuna is god of waters, the source of rains and the one who rules over the Nagas (divine sea serpent), myths important in Hinduism and ...

A pair of powerful Shishi guardian carvings dating from the later Edo period, 18th-19th century, in the Ah-Un expression (Exhaling and inhaling). Ah-Un has many allusions, it is the beginning and end of the alphabet, summarizing all in between, and is said to be inhaling good fortune, and exhaling bad. Glass eyes inset into very human faces. They are 10-1/2 inches (26.5 cm) tall, 9-1/2 x 5-1/2 inches (24 x 14 cm). Ah has a chip in the foot and tip of the tail whereas the end of the tail has ...

An Ancient wooden casket for Buddhist ritual implements lacquered black and decorated with lotus flowers in silver and gold on scrolling vines with an inscription beneath stating it was donated in the New Year of Kenmu 2 (1334). The lacquer, originally black, has oxidized to a mellow chocolate color. It is 33.5 x 18.5 x 13 cm (13 x 7-1/2 x 5 inches). As one may imagine there is a great deal of wrinkling of the lacquer from shrinkage, some losses and much wear to the edges. Nevertheless, the b...

This is the pinnacle of production for imperial artist Seifu Yohei III, a large Taihakuji porcelain vase with carved designs enclosed in the original signed wood box. Museum quality would be an understatement. Seifu III was known to have made few large works, so this is a very important piece, and Taihakuji was his most appreciated style. Here we see two pheasants in a blossoming tree overlooking a large crag, with clouds brimming about the rim, all in carved relief. It is signed on the base D...

An unusually large vase by Seifu Yohei III with carved cloud designs covered in mottled red flambe glaze. The box is titled Dawn-cloud-glazed Vase, Made by the former Seizan (alternate name used by Seifu III) dated Late in the Year of the Earth-Horse in the Taisho era (1918), attested to by the 4th generation Seifu. He has employed the Teishitsu Gigei-in seal of the third generation on the lid. There is a large, broad repair to the foot in colored lacquer, so it is likely the vase was never o...

The richest blue bamboo rises majestically against the bright yellow ground of this exceptional vessel by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Kiyu Seika Takenozu Kabin (Vase with Blue Bamboo Design on Yellow Ground). It is 33 cm tall (12-1/2 inches) tall, 23 cm (9 inches) diameter and in excellent condition, signed on the base.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imp...

A one of a kind Edo period Buddhist censer of wood carved in the shape of a Baku, a mythical creature with the ability to eat nightmares, a brass basin inserted into the back. It is 23 x 16.5 x 27 cm (9 x 6-1/2 x 10-1/2 inches) and in fine condition. There is a strip of wood embedded in the form filling a crack in the wood.
The traditional Japanese nightmare-devouring baku originates in Chinese folklore and was familiar in Japan as early as the Muromachi period (14th–15th century). A...

Texture has been applied to joined silk panels intimating waves and frothing sea salt which has then been gilded with genuine silver by Imai Toshimitsu signed and dated 2000. Each panel is 67 x 183 cm (31 x 72 inches) and the screen is in excellent condition.
Toshimitsu Imai was born in Kyoto in 1928. After finishing school in 1948, he trained at the Tokyo State Art Academy. Throughout Imai's career his work was distinguished by an acute sensitivity to color. In 1951 Imai was awarded the ...

A large glass vase of emerald green reflecting the ancient glass works found in the Shosoin Imperial repository by 20th century pioneering glass artist Iwata Toshichi enclosed in the original signed wooden box. Flecks of various colors and air permeate the glass, accentuating the fact he is duplicating the ancient glass works, long before techniques had been perfected and material purified. It is quite large at 15-/2 inches (40 cm) tall and in excellent condition. As the industrial revolution ...

The time of Obon is upon us, the middle of August when the spirits of the dead return to visit their families. A lantern is hung so the wandering souls may find their way. And on the last day of Obon (August 16), in Kyoto, is held perhaps the most famous of all the festivals, commonly referred to as Daimonji-yaki, when 6 massive characters are lit on fire in the mountains surrounding the city to light the way home for the ancestors. Unlike the Gion festival or Aoi Festival, made for tourists,...

An incredible Flambe glazed vase by Kiyomizu Rokubei V on a black-wood stand enclosed in a massive red lacquered storage box heavily inscribed and signed by the artist. I rarely use the term, but this is Museum Quality, or perhaps I should more rightly say this unprecedented piece should be in a Museum! It is 55 cm tall (22 inches), 41 cm (16 inches) diameter. There is a firing flaw in one side (see close-up pictures). Less a box than a cabinet, inside the door is a long inscription which des...

A breathtaking Taireiji pottery vase by Kiyomizu Rokubei V enclosed in the original signed wooden box. Chrysantheum in raised relief grow ghosly white on the soft pink surface. It is 32 cm 12-1/2 inches) tall and in excellent condition. Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters...

The largest vase I have ever seen for sale by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seika Sansui taki-ho-ga Kabin (Blue and White Vase decorated with waterfall Mountain Scene). It is 54 cm (21 inches) tall 36 cm (14 inches9 diameter and in excellent condition, signed on the base.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyo...

A rare 17th century Japanese Lacquer table performed in the Nanban style exhibited in 1972 at the Kyoto National Museum (including paperwork from the museum). Overall it is in excellent condition, enclosed in an older wooden storage box. It is 12 x 17 x 14 inches (31 x 43 x 36 cm).
According to the Met: The Portuguese and Spanish who visited Japan during the Momoyama period were fascinated by the beauty and exotic appearance of luxurious gold-decorated lacquerwares associated with the t...

An original Edo period kōsatsu public proclamation dated Tenwa I (1681) detailing the laws against Christianity, rewards for turning in a Christian to the authorities, as well as punishment for the offenders. Of cypress wood with sumi ink, and a hand-forged iron loop for suspension from a post or gate. The signboard has a shallow peaked “roof” to protect the calligraphy from the rain. However decades in the weather have caused the original surface to wear and bake away the surface, leavi...

A mid Edo period (16th to 17th century) five plate cuirass (go-mai-do) of heavy iron emblazoned on front with a sun and moon in inlayed silver over the fierce god Fudomyo with protective sanskjrit characters in silver damascene on the sides and a five character phrase (The Gotoku or five precepts of Confucianism, also espoused in the book of five rings) on back, also in silver. It is lacquered red inside, and about the waste hang rows of black lacquered scales laced in blue with color fleckedwh...

A Teapot by Teishitsu Gigei-In Suwa Sozan I decorated by his friend the famous scholar artist Tomioka Tessai and enclosed in a signed double wood box. A custom pad between the pot and lid protect it during storage from chipping, and it has a silk bag in which it is wrapped. . It is 4-1/2 x 7-1/2 x 6 inches (11 x 19 x 15 cm) and in excellent condition. The box is titled Daibutsu Sozan – Chossen – Suichu and signed Hachiju Okina Kyuso Tessai Dai, Sozan Yakisei.
A strikingly similar ...

A silver rabbit and large solid bronze figure of the young god O-kuninushi no Mikado by Oshima Joun on a black lacquered stand enclosed in the original signed and red lacquered wooden box with separate compartments for the table and figure. Here we see O-kuninushi seated beside his bundle of belongings, hand extended in benevolence to the meek creature. The box is titled O-kuninushi Go-Zo, Go Okimono, Tobu Oshimia Joun Sakku followed by a ka-o signature. Inside is written the characters SoNeK...

Iyashiku mo tsune areba
hisashi hisashikereba onozu kara yoi kaori wo harau
If you perservere (with proper living), the years will grant you success. This was a famous last line from a treatise written by revered Han Dynasty scholar Cui Yuan (Cui Ziyu, 78–143). These same words were famously written by Kukai (Kobodaishi 774-835) the founder of Shingon escoteric Buddhism in Japan. The calligraphic style appears to be taken directly from the Saishigyoku Zayumei, written by Kukai, o...

A troop of Shishi lion dogs sewn with couched gold thread. frolic among the blossoms and crashing falls embroidered on the re-purposed rich blue patterned Edo period silk of this altar cloth. The original form was likely an uchikake kimono, assembled as an altar drape as a tribute to the owner at a Buddhist Temple. Embroidered up high is the Mitsuba-aoi crest of the Tokugawa Shogun, indicating this was from an aristocratic family as the quality of the embroidery presmes. The dimensions are ro...

Early Edo Myochin Signed Nimai Do with Nanban influence featuring gilded kusazuri and sode laced with blue chord dated Genwa 3 (1620). There are rows of Prominent rivets all about with nobori-kiri crests on the top of the munaita. Comes with an old wrapping cloth dyed with the same crest. The Hon-kozane Kusazuri are removable, attached to two leather belts suspended from iron tongs about the waist. The takahimo shoulder straps are wrapped in leather. The shaped horn clasps are extant but on...