Large Chinese Han Dynasty Painted Pottery Sheep Jar

This large and unusual pottery vessel in the form of a recumbent ram was made during the Han Dynasty (206 BC - AD 220). It has a thick cylindrical neck on its back quite a wide opening. Possible this vessel was used as base for the pole of a banner or screen support. Traces of the original "cold painted" coloured pigments can be seen.

Length 41 cm (16 inches), height 18.5 cm (7.25 inches)...

Large Chinese Neolithic Machang Phase Painted Pottery Jar (c. 2300 - 2000 BC)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a pale yellowish-brown pottery. It is of quite an unusual form, a wide body with two sturdy loop handles, a tall narrow neck and a flared mouth...

Set of Chinese Ming Dynasty Painted Pottery Tiles - Lotus Blossoms

This highly decorative set of pottery tiles was made during the Ming Dynasty (1368 - 1644). They are made from a dense, quiet highly-fired grey pottery and comprise three tiles, the left and right tiles being very elaborately decorated with lotus buds and blossoms in high relief, together with a central spacer tile...

Large Chinese Western Han Dynasty Painted Pottery Tripod (206 BC - AD 8)

This fine example of a painted pottery tripod, most likely a steamer, was made during the Western Han Dynasty (206 BC - AD 8). It is a large example of its type, made from a fine-grained grey pottery and relatively highly-fired, having a distinct ring when tapped. The body stands on three long curved legs that have been luted to the surface...

Rare Chinese Northern Wei Dynasty Painted Pottery Pack Horse (AD 386 - 534)

This very rare pottery model of a pack horse, or pony, was made during the Northern Wei Dynasty (AD 386 - 534). It is made from a grey pottery that has been "cold painted" with traces of red and white pigments remaining. Note the detail of the saddle bags and pack...

Chinese Tang Dynasty White Pottery Horse & Rider

This unusual model of a horse & rider was made during the Tang Dynasty (AD 618 - 906). It is made from a creamy-white pottery that has been "cold painted" in various coloured pigments. Note the detail of the overweight rider's clothing and hairstyle.

Height 33.5cm (13 inches)...

Chinese Tang Dynasty Painted Pottery Horse & Rider

This attractive pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in a base coat of white pigment on top of which have been applied various coloured pigments. The rider is a musician, a drummer, and is in the act of beating his drum...

Fine Chinese Western Han Dynasty Painted Pottery Figure (206 BC - AD 8)

This tall pottery figure was made during the Western Han Dynasty (206 BC - AD 8). It represents a male servant or attendant. It is "heavily-potted" and made from a grey pottery that has been "cold painted" in various coloured pigments, much of which still remain...

Rare Chinese Tang Dynasty Painted Pottery Horse & Rider with Oxford TL Test

This very rare pottery model of a horse & rider was made during the Tang Dynasty (AD 618 - 906). The body of the horse, complete with the rider, has been made in a two-piece mould. the join running along the horse's neck and back and the sides of the rider. Note the detail of the rider, his clothing and his hands...

Fine & Rare Large Chinese Han Dynasty Glazed Granary Jar with Cover

This rare pottery model of a granary was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220). It is coated in a very attractive amber glaze that varies slightly in colour around the vessel. The unusual shoulder and top presumably represent a two-tier tiled roof. It has its original cover with moulded floral pattern and two purpose-made holes...

This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting.　Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai...

A comic scene in ink on paper of boys herding oxen by Nagasawa Rosetsu spreads across these two low screens. The central characters, one in the lead the second astride one of the behemoths crossing a bridge is distracted by a butterfly floating by above while the beast in front steps on its own rope, pulling his head back to the viewer with a quizzical expression. Other oxen and boys populate the background. All is performed in very soft gray tones with abbreviated detail as if viewed through...

A small round heavily lacquered box made to contain incense carved with Peonies by Imperial Artist Suwa Sozan I enclosed in the original signed wooden box. Layer upon layer of lacquer has been applied over time, each subsequent layer allowing for drying, then the entire is carved through with the floral motif. This would likely have been years in the making. This kogo is 3 inches (7.5 cm) diameter and in perfect condition signed underneath Sozan. Sozan was known best for his impeccable celad...

A pair large Chinese silk kesi tapestries, once mounted as hanging scrolls with silk brocade border and backed with paper. Showing immortals and gods of the Daoist Pantheon in a landscape setting. Made of a two colour silk tapestry with painted areas. Dating to the late Qing dynasty. Condition: please look at the photos carefully - they make part of the condition report - the brtittle mounting is damaged and only partially preserved, the wooden bars of the top and one of the bottom are lost. Kes...

A dark forest rises in a field of white, as if still covered in frost or snow, over which is draped a poem brushed in the exquisite script of the poet-nun Otagaki Rengetsu, Itsu to naki, Tokiwa no sato ha, Hototogisu shinobu hatsune ni, Uzuki wo ya shiru?
With the first cry of the Cuckoo, in this village of Tokiwa
Will the people realize, Spring has arrived?
To the extreme left, the cuckoo flies off the page. Ink on paper in forest green silk extended in a beige with black ...

The Heron Maiden coquettishly covers her face, the intimation of snow in the vacant background with large occasional flakes falling in the fore on this large work by important 20th century artist Kitano Tsunetomi. Pigment on silk in the original silk border with solid ivory rollers (these will be changed if exporting). It comes in a later collector’s double wood box. The scroll is 46 x 206 cm (18 x 81 inches) and in overall fine, original condition. There are faint scattered foxing marks t...

Kannon (Guanyin) the bodhisattva of compassion, is depicted by two of the most famous painters of the early Showa period on this pair of presentation cloths by Hashimoto Kansetsu and Tomita Keisen. Keisen’s loosely brushed image of a cherubic Kannon sits in the center of an Enso Zen circle. The calligraphy on the left reads "Entsu", a Buddhist term combining the kanji for circle and authority, loosely meaning knowledge of the circle of Buddhist Doctrine, the cycle of life and of all things et...

Japanese limited edition woodblock print by French artist Paul Jacoulet (1902-1960) titled "After the Dance" (Apres La Danse. "Celebes") published June 29, 1940. This image is illustrated on page 59 (plate 67) of “The Prints of Paul Jacoulet” by Richard Miles, 1982. It is described on pages 104-105. The print is pencil-signed and bears the red butterfly seal at the lower left corner of the image. The seal of the carver and printer (Maeda/Fujii) is at the lower right margin corner. A red...