Occupation era original Japanese shin hanga woodblock print titled "Spring Evening at the Kintai Bridge" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15 5/8" x 10 3/8" (image size: slightly over 14 1/4" x 9 1/2"). Very good overall condition. Possibly lightly faded...
Pair of Chinese early Republic period baluster form porcelain vases covered overall in a flambé transmutation style glaze (referred to as "san yang kai tai") of oxblood red and green that darkens to nearly black. The glaze drips down into the flared mouth and stops short of the unglazed base. 8 3/4" to just under 9” high each. Early 20th century. Very good overall condition...
Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting two black cats on a snowy village lane titled "Footprints." The print is pencil-signed, titled, dated ’99, and numbered 80/80 in the bottom margin. Visible paper size: 23 1/2” x 14 1/2" (image: 22 1/2” x 13 3/4”). Original Kanda Gallery frame with non-glare glass measuring 32 3/4” x 22 1/2." The print has not been examined out of the frame, but no condition problems are visible.
Glazed all over in iron rust with the exception of the base ring which has been left unglazed.
This brush washer is unmarked and age has been approximated at 18th century.
In very good condition with normal wear use present on the inside. One small glaze kiln flaw on the base but this does not detract from it.
Size is approximately 5" in diameter by 3-1/2" high
Chinese Northern Song Dynasty Qingbai Porcelain Dish in Kiln Saggar with Oxford TL Test
A rare opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. This is one of a variety of different Qingbai porcelain wares in saggars, mostly bowls and dishes of varying sizes and patterns, that we were very lucky to be able to acquire some time ago and now offer for sa...
A Chinese 'famille rose' porcelain cup, painted with a pavilion entrance beside a river. On the reverse a poem in black with a red seal mark. The top rim is edged in gilt.
Size: Approximately 2.5 " high by 3.5" diameter.
Age: Qing Dynasty 19th century
Condition: Very good condition, no breaks or cracks. Some rubbing of the enamels and wear to the gilt.
Tall Chinese Tang Dynasty Painted Pottery Zodiac Figure - Horse
This pottery figure was made during the Tang Dynasty (AD 618 - 906). It takes a human form, other than the head which is of the zodiac animal represented, in this case the horse The figure stands upright with hands clasped together against its chest under a flowing robe. It is made from a reddish pottery that has been cold-painted in a base coat of white on top of which are traces of red pigment.
Height 29 cm (11.5 inches)...
Large Chinese Ming / Yuan Dynasty Longquan Celadon Porcelain Dish with Peony Pattern
This large and "heavily-potted" dish was made in the 14th century at one of the Longquan kilns in Zhejiang province, during the Yuan (AD 1279 - 1368) or early Ming Dynasty (1368 - 1644). It is the archetypal large Longquan celadon dish, an example of which should really be in every serious collection of Chinese ceramics.
It has a fluted cavetto and a carved peony in its centre...
Chinese carved jade box on wooden stand. The box is decorated with a relief floral pattern. The stone is a striated pale mutton fat colour with lavender and light green tones. The box raised on corner mounts. The stand carved.
Age: 19th Century to early 20th Century
Size: Box Only - 3.5 cm high by 11.3 cm length by 8.5 cm wide
A set of early wood panels, once doors on a votive shrine, painted with guardian shishi lions (Also called Fu-dogs) in polychrome colors, much worn with time. The doors are of clear grained hinoki (Japanese cypress) and have shrunk horizontally over the centuries, evidenced by the ari (wooden support) which is inset into them. On back one can see clearly the silhouette of the original metal-work...
Rare Chinese Sui Dynasty Glazed & Painted Pottery Horse & Rider (AD 581 - 618) (Ex. Roger Moss Collection)
This rare and finely-detailed model of a horse and rider was made during the Sui Dynasty. The horse stands upright with head straight ahead but slightly lowered. The dignitary sits upright upon the horse with his hands raised and wears elaborate robes and headgear. It is made from a relatively highly-fired buff-coloured pottery...
Very Rare Chinese Song / Yuan Dynasty Buddhist Lotus Jar with Sanskrit Inscription
This very rare, possibly unique, pottery jar was made between the 10th and 13th centuries, during the Five Dynasties period (AD 906 - 960), Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368) and has been excavated from a Buddhist site in Yunnan province.
It is one of the most unusual Yunnan jars that we have seen. The design represents either lotus leaves or a lotus blossom...
Rare Chinese Northern Wei Dynasty Pack Horse (AD 386 - 534)
This rare and interesting pottery model of a pack horse, or pony, was made during the Northern Wei Dynasty (AD 386 - 534). It is made from a buff-coloured pottery that has been "cold painted" with a base coat of white pigment on top of which has been applied black pigment in places. Note the detail of the pack on its back that includes two water containers and a rabbit.
Height 25 cm, length 27 cm...
A Chinese brush or ink cake rest in scroll shape. Made of porcelain, beautifully painted in the Qianjiang Palette, showing a river landscape. The sides with some gold paint. Base with four unglazed feet. Dating to the late Qing / early Republic period. Condition: gilding with little wear. Dimension: 8 cm long x 3.3 cm wide x 1.8 cm high.
The gist of the script is Taoist, something to the effect of: This is my life, I am neither overtly talented nor gifted with genius, like a sail boat alone tossed among the waves I drink freely of sake untouched (unfettered) by others seen only from a distance. Ink on paper in a the rough silk border preferred by Literati artists with exquisite turned ivory rollers enclosed in a period wooden box (the rollers will be changed for something suitable if exporting)...
Set of three ceremonial lidded jars from the Islamic Maranao people of Mindanao in Southern Philippines. They are made of silvered copper alloy with geometric decoration in applied wire. Condition: few dents and bumps. Dimension: 23.5 cm and 29 cm high.
Two Chinese snuff bottles made of porcelain, both painted in underglaze blue and red. The cylindrical one with figural depiction, the base with Yongzheng mark, but dating to the 19th century, the stopper made of stone with bone spoon. The smaller bottle with a scholar and boys, dating to the 20th century, the stopper and spoon made of metal with coral-imitating top. Condition: the marked one with chip to the footrim and base with hairline. The small one with a tiny rim frit. Dimension: c...
Golden bamboo spreads its leaf laden branches about the rim of this aka-e Kinsai bowl by Kyoto potter Takahashi Seizan and decorated by the famous painter Hashimoto Kansetsu enclosed in the original signed wooden box. It is 6-1/2 inches (17 cm) square and in excellent condition. This is from the personal collection of painter Konoshima Keika (1892-1974). We will be offering more from his household in the near future.
Born into the family of literatus and painter Hashimoto Kaikan in Hyo...
