Chinese Qing dynasty Qianlong period thinly potted deep charger decorated with floral groupings in alternating deep blue and "dan miao qing hua" (fine pale blue pigments) set against a white porcelain ground. A narrow geometric and floral band extends around the interior rim. A few sparse leafy twigs decorate the exterior. There are chatter marks to the unmarked base. An old owner's tag on the base incorrectly states the age as 19th century, however, the piece dates circa 1750...

In lobed melon shape, this silver box features fine repousse designs all over the surface, with an applied branch holding various flowers and leaves...

The black dye changed its color to a dark gray which is nice in its own way. It is a formal wear with 5 mon (family crest). Top half of the lining is done with a white silk and the bottom half is done with the same black silk from the front. The design from the front goes throughout the inside lining! The bottom is lightly padded which makes this kimono into a great decoration piece. Beautifully hand sewn, again it is the work of art itself...

Measuring 32" x 1", this belt is comprised of a heavy stepped buckle, 8 square panels featuring peacocks, lions and other animals, 8 rectangular panels of foliate designs, 5 round panels with peacocks, and 12 bar panels with a flower, all over 13 woven strands of silver. The buckle is set with a blue stone, and is fastened with two bars, both attached with three chains...

Description:
A wood carving of Guanyin was nicely rendered.
She was well preserved in warm patina and was in nice condition.

Date: Qing Dynasty, 19th Century.

Height: 16.3cm,

An old wood stand is included. That makes the height to 19cm.

A blue glazed Song vase of unusual color for Song pieces. Size: H. 18.8cm. W. 15cm. Condition: No repairs

Description: A beautiful inkcake rest was intriguingly made of pudding stone. With agate-like stone quality, this precious scholar item was preserved very well with only some old crack lines and some minor old frets. The stand was an old Suan-Ji wood piece from 19th century. Date: Qing Dynasty (18th Century) Material: Pudding stone. Length: 6.1cm(with stand) Height: 2.4cm(with stand)

Japanese bronze mirror. 19th century. 7.1 x 0.4 cm. 92 g.

An elegant rendition of the famous Rimpa Crane standing alongside a swirling river of silver created by Shoun for the Shobido Art Studio enclosed in the original wooden box. Extremely well crafted, the creature stands 11 inches (25 cm) tall and is signed Shoun Saku. The black lacquered table is 18 x 13 inches (45 x 33 cm) and is in fine condition.
Shobido has been commissioning works with first rate artists and craftsmen for its own facilities and top Department stores since 1900...

Chinese Qing dynasty ovoid form porcelain fish bowl decorated around the circumference in underglaze blue on a white ground with lotus seedpods and scrolling tendrils topped by a border of alternating pendant spear points and ruyi heads. The pot tapers to an unglazed, flat, slightly recessed base. The interior, rolled rim, and raised rib under the rim are all glazed white. This vessel could also be used as a scholar's scroll pot for storing rolled handscrolls...

An ominous row of black crows in silhouette cry in unison from the stormy insides of this gassaku bowl made by Kiyomizu Rokubei IV and decorated by Kikuchi Hobun, enclosed in the original signed wooden box. Color has infused the glaze, evidence of age and use and lending to the malefic atmosphere. It is 20.5 cm (8 inches) diameter and in fine condition, stamped on the base Rokubei and signed on the side Hobun...

Chinese Northern Qi Dynasty Painted Pottery Figure (AD 550 - 577)

This rare and unusual painted pottery figure was made during the Northern Qi Dynasty (AD 550 - 577). It is made from a relatively highly-fired grey pottery that has been "cold painted" in various coloured pigments, traces of which still remain. Note the details of the clothing, the headgear, both tied with a bow, and the facial features...

A hermitage lost in the early blossoms of the plum forest, ink and light color inside a wide gold border and mulberry frame typical of the Taisho era. Gold powder has been liberally applied intimating a shimmering mist throughout, creating an ethereal quality. Signed in the upper left corner, it is 68 x 149 inches (172.5 x 378 cm) and in overall fine condition. Akashi Shoun was born in Osaka on March 12, 1867, the first year of the Meiji era and a time of great change in Japan...

A beautifully Qing dynasty enamelled pink-ground "famille rose" bowl with seal mark and period of Hsien Feng (1851-1861) and of the period. Brightly painted with alternating upright lappets surrounded by meandering foliate and branching leaf on an incised with a wave like pink background. The interior of the bowl is evenly applied with light turquoise enamel.

There are no sign of cracks or chips...

A Very Rare Chinese Yuan Dynasty Porcelain Lidded Jar - Jizhou Ware (Ex. Grahame Clarke Collection)

This very rare small jar was made in the 14th Century during the Yuan Dynasty (1279 - 1368). Although it is clearly from the Jizhou kilns of Northern China it is painted on a porcelain body under a qingbai type of glaze...

Description: An exquisite white jade piece was shaped as a hanging piece and a display item as well. Carved with figurines of an old man carrying a boy on his back which was a Chinese metaphor of longevity and fertility of boys. It was very cute on the topic and the carvings was very delicate for revealing the details. Date: Qing Dynasty (18th Century) Height: 5.1cm

Chinese Tang Dynasty Painted Pottery Saddled Horse with Oxford TL Test

This pottery model of a saddled horse was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a reddish pottery. The horse stands alert with its head head up and turned slightly to its left. The surface has been "cold painted" in a reddish-brown pigment with details picked out in red, black and white pigments.

Height 28 cm. It is in good condition with any possible repairs having been per...

An unusual modern art vase in robbins-egg-blue dating circa 1970 enclosed in the original signed wooden box by Kyoto artist Kumakura Junkichi (1920-1985).. The blue metallic glaze flows down the sides leaving a distinct pattern in the smooth surface, collecting in oil drop pools around the thickened base. Notches cut in the surface are turned out at various points to allow the insertion of flowers and twigs on all surfaces. One could make a variety of very interesting arrangements with this a...