Chinese Neolithic Machang Phase Painted Pottery Jar (c. 2300 - 2000 BC)

This attractive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a fairly highly-fired pale buff-coloured pottery, the surface colour varying a little in places due to uneven firing conditions...

Chinese red glazed porcelain vase, with mottled decoration and an everted neck, late 19th/early 20th century period. Size, Height of vase is 9 1/2 inches, in very good condition.

A boxed set of fifteen unique bowls with lids for clear soup made for the Lord of the Yanagisawa family enclosed in a wooden box dated the 7th month of 1730. What makes this set quite unique is that each bowl is singular, a different design, color, shape or technique. But throughout is the one continuous symbol, the four petaled crest of the Yanagisawa clan.　The box is titled Yakatasama, Go Suimono wan, Yangisawa Shimono and on the side Jugonin-mae...

Egg shaped vase with a black-red patina. Signed on the bottom. H. 18 cm. Showa period (1926-1989). Good condition, original tomobako. Master casting artist Kazan Yokokura continued to enter contests, mainly centered on Nitten Exhibition. 1915 Born in Yamagata Prefecture, northern Japan 1951 Won for the first time a prize at the Nitten Exhibition (and won many prizes at later exhibitions). 1959 Won special commendation "Hokuto Prize" at the Nitten Exhibition...

Chinese scholar's desk root wood (possibly cypress) sculpture depicting Sanxing (Three Star Gods) representing longevity, happiness, and wealth. The god of wealth holds a small child representing wishes for future good fortune through healthy offspring. Measures nearly 11" high by 12" long. Late Qing dynasty to early Republic period. Very good overall condition. There is old bug damage to the back of two heads which appears at one time to have been filled (see enlargements 9 and 10)...

Fine Chinese Tang Dynasty Painted Pottery Horse & Lady Rider (36cm)

This attractive pottery model of a horse & female rider was made during the Tang Dynasty (AD 618 - 906). It is made from a relatively highly-fired buff-coloured pottery that has been "cold painted" in various different coloured pigments. The horse stands alert with its head turned a little to its left...

Description:

An old jadeite bracelet of Qing Dynasty was unusually discovered from excavation.
Aside from other jadeite pieces which we usually see that in green or tri-colors, this jadeite bracelet was originally in pure white quality with least tissues observed.
During long time of burial the jadeite's surface was incursioned to a foggy but greasy-feel patina which was a phenomenon only the nephrite jade would yield...

A whimsical Bizen stoneware figural koro. A young man is depicted inebriated - sake barrel by his side (the hat cover and barrel form inokes the otherwise absent tanuki associated with sake and mischief.) The sake barrel holds the burning incense while a separate piece represents the boy's hat and forms the cover for the censer. The enjoyment of incense from the burner suggests the intoxicating qualities of imbibing. Late 19th to early 20th century. Good condition...

Chinese Tang Dynasty Changsha Bowl from 9th Century Shipwreck (c. AD 826)

This rare decorated glazed bowl was made around AD 826, during the Tang Dynasty (AD 618 - 906) at the Changsha kilns. We can be that precise about the dating because it was excavated from the "Belitung Wreck" in 1998-99, a mile off the coast of Belitung, Indonesia...

Painted wood.Attributed to the workshop of Etuobe, Meku village, Ketu region. H. 32,5 cm. Mid 20th century. Ex coll. Ursula Voorhuis (1932-2021), The Netherlands Guy van Rijn Archive: ao-0110581-001

Ivy in colored maki-e lacquer drapes over the ro-iro polished black of this museum quality Tankei oil lantern dating from the 19th century complete with oil container, with both ceramic and lacquered-brass oil dishes; enclosed in the original wooden storage box. It is 22 x 18 x 54 cm (8-1/2 x 7 x 21 inches) and is in overall fine condition, with minor wear typical of age and use...

Pair of Chinese Qing Dynasty red flambe-glazed Buddhist lion dogs seated on plinths. The female is playing with a cub and the male's left forepaw rests on a ball. Custom carved wood stands. 9 1/4" high (10 7/8" high on the stand). 19th century. From a Paradise Valley, Arizona estate.

A true part of Kyoto modern ceramic history, this robust vase reminiscent of Okinawan Kaki-otoshi ware was created at the Kyoto 2nd Industrial School circa 1925. It comes in the original wooden box titled Black Glazed Vase with Flower Motif, and signed inside Kyoto Shiritsu Dai Ni Kogyo Gakko followed by a large red seal...

Chinese Han Dynasty Pottery Hu Jar with Dragon Cover

This fine-quality pottery jar was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220). It is relatively highly-fired, has two raised bands around the waist with applied moulded taotie mask handles on opposing sides and has a flared foot. The smooth burnished surface has a silvery sheen to it. Its moulded cover depicts two intertwined dragons. Around the mouth are calcified deposits from long burial (easily removed).

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Longquan porcelain covered with green celadon glaze. Glazed Base. Southern Song 南宋 (1127–1279). Measurement : Diameter: 22 cm. Condition : firing fault on the center, no chips, cracks or hairlines and free from restorations.

An unusual image of a towering stone among pines by Yasuda Hanpo enclosed in the original signed wooden box dated 1935. It is titled Sosui Manken (In the shade of Towering Trees. Light pigment and ink on paper in a cloud-patterned satin border with large bone rollers. 46.5 x 207 cm (18-1/2 x 82 inches) and is in exceptional condition.
Yasuda Hanpo (1889-1947) was a Nanga artist studied under Mizuta Chikuho and Himejima Chikugai. He was first accepted into the Bunten in Taisho 6 (1918) ...

Thai 14th - 15th Century Underglazed Sukhothai Bowl

This stoneware bowl was made at the Sukhothai kilns during the 14th - 15th century. The striking floral / geometric pattern is in underglaze iron-brown on top of a white slip. The honey-coloured clear glaze is finely-crackled. The glaze is at its thickest to the upper surface. On the underside the glaze is thinner and has degraded in places leaving a matt surface. To the centre are five "spur marks". The base remains unglazed.

It is a...

Exquisitely formed Hakuji pale porcelain defines this fine vase by Suwa Sozan I enclosed in the original signed wooden box bearing the Teishitsu Gigei-In stamp. Two simple bands match in width the diameter of the large rings suspended from simplified animal head handles. Fretwork in the lower belt provides the only overt decoration. The vase is 12 inches (31 cm) tall, roughly 6 inches (15 cm) diameter and in excellent condition. Sozan (1852-1922) was born in Kutani country, present day Ishik...