A lobed form by Nakajima Yasumi enclosed in the original signed wooden box. It is 12 inches (30.5 cm) tall and in fine condition. The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1950) was awarded at the Senkatsu Kinen Exhibition...

Chinese Qing dynasty Shiwan stoneware bombe form tripod censer with two raised loop handles on the rim covered overall with an iridescent monochrome flambe brown glaze imitating bronze. The glaze drips over the rim into the unglazed interior. Custom wood stand. Late 19th to early 20th century. 8 3/4" diameter x 5 3/4" high (to top of handle). Very good overall condition. The censer sits at a slight angle indicating the placement of one tripod leg might be slightly off...

A lovely hand formed bowl in the shape of an inverted mushroom with brush strokes (Kushi-me) defining the gills and the bulbous stipe laying like a handle to one side. A speckled yellow glaze (typical of Maiko) covers the sandy clay, with a drape of green and white seeping like milk from one side. It is roughly 21 cm (8 inches) diameter and in excellent condition, stamped on the base Mahiko (In traditional writing the character for Hi is interchangeable with the character for I as is Fu and U)...

Japanese limited edition sosaku hanga woodblock print titled "Into the Woods” by Shiro Kasamatsu (1898-1991) dated 1955. The artist's black ink signature and red seal is within the water at the lower right corner of the image. The small rectangular "Shiro hanga" seal is in the lower right margin corner. The print is titled in kanji ("Woods") and dated 1955 in the lower margin. The numbered edition 88/100 is in pencil at the lower right margin corner with a watermark beside it...

Lovely wear and patina. H. 11,5 cm. From a Dutch private collection.

Japanese shin hanga woodblock print by Ito Yuhan (1882-1951) titled "Fuji from Taganoura" published by Nishinomiya Yosaku in the 1930's. Signed at the lower right corner of the image. Paper: 16 1/8" x 10 5/8" (image: 14 1/2" x 9 3/4"). The painterly effect in Ito Yuhan's woodblock prints are achieved through the elimination of black key block lines. Very good overall condition. This print was never framed and has excellent color and full margins...

A pair of Chinese porcelain rice bowls and covers. Painted in famille rose enamels with dragons among lotus scrolls above waves. The base of each bowl carries a six character Daoguang reign mark in iron red. Republic period.

Size: Approximately 9-1/2 cm high by 9 cm diameter

Condition: Very good condition, no breaks.

Scratches of ink form a precipitous landscape of jagged mountains on the paper surface of this scroll performed by Fujii Tatsukichi enclosed in a wooden box titled: Painted by the elder Tatsu, One Scroll, Mountain, Annotated by Eichi. It is framed in a silk border terminating in black lacquered rollers. It is 13-1/2 x 59 inches (34 x 149 cm) and is in excellent condition.
Kato Eichi (1899-1987) was a potter from Seto who trained under Tatsukichi...

A Persian torch stand made of bronze or brass with chased and engraved sheath showing floral decoration and arabesques. Condition: traces of usage. Dimension: c. 25.8 cm high, diameter foot: 15.6 cm.

An antique flattened flask from Oman once used to fill the powder-pan of a matchlock gun, after 1880 often used as amulets. Made of solid silver beautifully decorated with granulation and filigree work and some gilding. Condition: some traces of usage and wear to gilding. Dimension: 17.8 cm long, weight: 212 g.

This beautiful Qianjiang painting of two yellow birds amid branches of pine, interspersed with flowers is a must have for any serious collector of Qiangjiang painting. The Qiangjiang artist were employed at the imperial factories and were often experts of paintings and calligraphy. This vase has a poem and is signed by the artist, the vase dates to the early Republic era C. 1916 and is without damage, and with little wear to the details. It measures 9 inches tall. Guaranteed not to disappoint.

Measuring 15 1/2" high and 4 1/2" wide, this bronze alam, or standard, is from the Deccan region of India, and iwas used in ceremonial parades or other functions, carried on a pole by a leader or religious person. Used in the Islamic culture, it is heavy bronze, and this one was made in two sections, the handle attached with a heavy handmade screw...

A rare opportunity to pick up a perfect condition Mingei pot from the former Yonezawa Clan's Narushima-kiln of Imaizumi on the border between Yamagata and Fukushima prefectures, one of the Edo period Daimyo feudal kilns, dating from the later 19th to opening years of the 20th century. It is 7-1/2 inches (19 cm) diameter, 6-1/2 inches (16 cm) tall and in fine condition with no chips, cracks or repairs...

A set of six pierced silver zarfs with decoration in Niello, Ottoman coffee cup holders. Stamped with Tughra mark on body and foot, base with "Tremolierstich". Condition: some small repairs, two zarfs with a lost prong. Dimension: c. 5.6 cm high, diameter: 5.1 cm, weight: 227 g.

Qianlong celadon vase with three lugs. Measure H=22 cm Qianlong Period Condition hairline encircling the neck.

Porcelain covered by celadon glaze, to the footrim; glaze base. PERIOD : Song Dynasty (960–1279 AD) MEASUREMENTS: 12 cm wide, 4 cm tall. CONDITION: Excellent, no chips, cracks, hairlines and free from restoration.

NAKED JAPANESE WOMAN 1908

Old anonymous charcoal drawing backed with washi Japanese paper, dated back to the Meiji period (as related to another listed drawing of 'NAKED JAPANESE MAN 1908' signed with "Meiji 41 (1908) acquired from the same provenance at the same time), 46.4 x 62 cm (18.26 x 24.40in), in very fine antique condition with aged deterioration as is, with stain and surface cracks as seen...

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...