This "heavily-potted" porcelain bowl was made in the 13th - 14th century during the Yuan (AD 1279 - 1368) or early Ming Dynasty (1368 - 1644), most likely at the Longquan kilns in Zhejiang province. The upper outer wall is decorated with an incised wave pattern. It is coated in a crackled celadon glaze of good colour...
This extremely rare (unique?) porcelain wine cup was made during the 12th - 14th Century (Song - Yuan Dynasty). The inner surface is coated in a finely-crackled pale olive-green celadon or qingbai type of glaze. But its most interesting feature is the unglazed textured outer wall, decorated with cord or fabric impressions. There is a firing bubble to the inner surface.
Height 3.8 cm...
This fine porcelain bowl was made in the Southern Song Dynasty (AD1127 - 1279) around the 13th - 14th Century. The inner surface is decorated with a deep and crisp moulded pattern featuring lotus blossoms above which is a key fret band. Save for the unglazed rim, it is coated in a very finely-crackled qingbai glaze of a pale yellowish-green colour.
Diameter 15.5 cm (6 inches)...
Surely among the rarest of ancient Chinese pottery horses are the large glazed equestrians from Shanxi province dating to the early Northern Wei Dynasty (AD 386 - 534). This is one such example. It is made from a relatively high-fired buff-coloured pottery that has been coated in a finely-crackled amber coloured glaze, save for the flat base that remains unglazed...
Surely among the rarest and most desirable of ancient Chinese pottery horses are the large glazed equestrians from Shanxi province dating to the early Northern Wei Dynasty (AD 386 - 534). This is one such example...
This fine tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220). A whole variety of pottery figures of varying sizes of this general type comprising farmers, musicians, domestic servants etc. are known and have been excavated from Sichuan province...
This rare and unusual painted pottery figure was made during the Northern Qi Dynasty (AD 550 - 577). It is made from a relatively highly-fired grey pottery that has been "cold painted" in various coloured pigments, traces of which still remain. Note the details of the clothing, the headgear, both tied with a bow, and the facial features...
This very rare, possibly unique, pottery jar was made between the 10th and 13th centuries, during the Five Dynasties period (AD 906 - 960), Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368) and has been excavated from a Buddhist site in Yunnan province.
It is one of the most unusual Yunnan jars that we have seen. The design represents either lotus leaves or a lotus blossom...
This tall and impressive porcelain jar was made in the 13th - 14th century, toward the end of the Song Dynasty (AD 960 - 1279) or the Yuan Dynasty (AD 1279 - 1368). Interestingly it has been made in several sections that have been luted together. It is coated in a finely-crackled greenish qingbai glaze (the colour on the cover is a little more blue than the jar)...
This fine pair of tall and impressive porcelain jars was made in the 13th - 14th century, toward the end of the Song Dynasty (AD 960 - 1279) or the Yuan Dynasty (AD 1279 - 1368). Interestingly they have been made in several sections that have been luted together. They are coated in a finely-crackled greenish-blue qingbai glaze of very good colour.
This is a true matching pair. Various decorations have been moulde...
This fine pair of tall and impressive porcelain jars was made in the Song Dynasty (AD 960 - 1279), more specifically around the 11th - 12th century. This type of tall qingbai-glazed porcelain jar was made throughout the 11th to 14th centuries, although the later versions tend to be more "coarse", more thinly-potted and made from multiple moulded sections luted together. These examples are quite "heavily-potted" and ma...
This tall and impressive pottery figure was made during the Western Han Dynasty (206 BC - AD 8). It is made from a dense grey pottery, the head made separately to the body. Both head and body have been "cold painted" in various coloured pigments, traces of which still remain. The figure represents a female attendant and she wears long flowing robes. The head has two small vertical slots where originally would have been so...