Offered is an outstanding, Art Deco era, circa 1920-1930s, hanging, drug store, apothecary show globe in impeccable condition!

The fancy and highly-stylized, Art Deco, aluminum frame cradles an equally highly-stylized, classically-ribbed, clear glass show globe and finial. If so desired, the show globe will hold water. The frame is embellished with a buffed matte finish with design details outlined in contrasting black to further enhance the fabulous, Art Deco styling...

An early and rare Japanese copper plaque showing a bird on a prunus mume twig, worked in dull colored cloisonné enamels, the reverse with green contre-émail. The former owner attributed this artwork to an artist of the "Japonisme Movement". Condition: bubble bursts, a hairline (see photo No. 5). Dimension: 20.3 cm x 20.3 cm x 0.3 cm.

Offered is a fabulous and scarce, 19thC, tin, CANNABIS, apothecary storage container with hand-painted, gold gilt label and a decorative and stylized floral, front embellishment...

An Edo period image of plums blossoming on thick branches by Kitayama Kangan. Ink on paper in a patterned cloth mounting with beige piping in the Mincho style so popular int eh 19th century and featuring bone rollers. It is 21-1/2 x 78-1/2 inches (55 x 199 cm). Some minor loss to the piping at the top of the scroll, otherwise in surprisingly good condition.
Kitayama Kangan (Ba Moki, 1767-1801) was the grandson of a Chinese émigré...

Remnants of yellow glaze covers this Heishi (Heiji) bottle form from the Owari-Seto area engraved clearly about the neck with three lines. A quintessential Kamakura pot. There is much degradation to the glaze typical of Seto which has withstood a millennium of earthquake, fire, war and abuse. That anything survives so long in Japan is miraculous. It is 9-1/2 inches (24 cm) tall, 6-1/2 inches (16.5 cm) diameter and comes wrapped in old cloth in an old wooden box.

Chinese Qing dynasty ink and color on silk painting of a maiden in a garden setting seated on rockery and holding a flower under a willow tree. The ink inscription at the upper left states the painting was executed in the guimao year (1843) after Ming artist Tang Yin (1470-1524). Signed Wujin artist Tang Luming (1804-1874) and with two red artist seals, "Tang Luming yin" and "Lemin." An unidentified collector’s seal is at the lower left. Framed with UV Plexiglas. 19th century...

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding...

Big, beautifully crafted and early as is indicated by the low design number this Deco Los Castillo silver brooch is wrought en repoussage in what seems to have been a favored motif among Mexican silversmiths and designers at the time. Fern leaves inspired rings, clamper bracelets, brooches and necklaces and of course, earrings. The design comes in variations enough to ensure that everybody will find a piece that appeals to them. The specific version, however, I have never encountered before...

A large evening bag showing on both sides the same geometric pattern on a red ground, worked in tiny glass beads. The celluloid frame in the form of an opened poppy blossom. Presumably French around 1920. Brown lining. Condition: two tassels with missing fringes, lining a bit raddled, clean. Dimension: without handle: c. 45 cm, 23.5 cm wide.

Set of four Chinese Qing dynasty porcelain wine cups each decorated in underglaze blue and overglaze iron-red enamel with two four-clawed dragons chasing a flaming pearl. An underglaze blue geometric border is at the rim and blue waves surround the foot. The interior well holds five blue bats surrounding a shou (longevity) symbol. A six-character underglaze blue zhuanshu square form Qianlong mark is on the base. Possibly mark and period...

Offered are two absolutely wonderful, cast iron, still, penny banks manufactured by the AC Williams Company of Ravenna, Ohio, manufactured in the first quarter of the 20th century.

The banks may be purchased as a pair for $425.00, or they may be separately purchased as follows: Mammy with Spoon $295.00 and Black Man Darkey Sharecropper $225.

The Mammy with a Spoon measures 5 7/8 inches high and was produced between 1905 and 1930...

Description: A Dingyao Dish was applied with characteristic creamy white glaze.
In elegantly curved rim, the dish was decorated in the center with carved floral pattern.
It was preserved in perfect condition except some burial stains were left on the surface.

Date: Northern Song Dynasty AD960-1127

Width :12cm.

A Custom-made cotton box is included.

A refined set of 5 later Edo Sake cups in a hybrid E-gorai style from the Kosobe kiln of Igarashi Shinbei decorated with pale blue designs (gnarled plum trees?) under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Each cup is 2-1/2 inches (6.5 cm) diameter. They are in surprisingly good condition, with no cracks...

A rare set of five tiny Gosu cups for drinking Gyokuro steaped tea from the Shidehara kiln of Sanda in Hyogo prefecture dating from mid to later 19th century (Late Edo to Meiji). Fish circle the cups as they swim among water plants. Each cup is 2 inches (5 cm) diameter and in great condition...

A rare English George III pear form fruitwood tea caddy. 18th century. Size: 8.75 inches height. x 4.5 inches diameter. Retaining wooden stem, original brass hinge, scalloped metal key escutcheon (lock not working) and remnants of foil lining. Condition is very good, with two drying age cracks in the lid which have been filled at some point in the past. Lovely patina. Original Georgian fruit-form tea caddies are scarce to find.

A young girl reaches up to steady herself on a branch laden with plum buds, not yet ready to open, as she presses down on the ice with her bright red shoes. This is an absolutely darling image by Chishima Kayo, which came to us as a silk makuri (never having been mounted) painting, which our restorer placed in this natural field allowing the painting to show itself.
Chishima Kayo (b. 1890) was a female artist of the Meiji to early Showa periods. She was born in Saitama and studied init...