Aldro Thompson Hibbard (American, 1886-1972) winter landscape painting titled "Up The Valley"; oil on artist board; 18" x 24"; signed lower right, titled on the reverse. Circa 1940. A classic winter scene by Hibbard, one of New England's best artists of the 20th century and an undisputed master of "plein aire" Vermont winter landscapes. This scene has been identified as the old Arthur E. Gleason farm on Rte. 30 in East Jamaica, VT (Hibbard's studio was located in Jamaica, VT)...

Description:
A Zitan covered box was in quite good condition.
Preserving with the charming purplish black patina, the box was revealed with the characteristic Ox-furs wood grains on the surface .
By a good size, the rectangular box was carved, tenoned and shaped into a typical scholar box.
A similar box was in the book of “The collection of Chinese box”, the collection from a famed connoisseur and antique dealer,Ma Wei Du.

Date: Late Qing periods, late 19th century.

Embroidered in counted and different decorative stitches, some areas couched with gold wrapped thread and sequins. The bird is depicted in the naive Vietnamese style on a red background now faded to a paler shade. Rank insignia from Annam are very rare but closely linked to the Chinese system. Bordered and lined with pale blue silk. Condition: worn, faded, stained, loose threads, restorations. Dimension: 27 cm x 30 cm.

Large and heavy mirror pair of Chinese bronze Mandarin duck-form censers, or incense burners, with lotus stems trailing from open beaks and bodies decorated with molded lotus flowers and etched feathers. A removable pierced cover in the form of lotus flowers and stems is integrated into the feathers of the back. Each duck rests on a custom wood stand carved with water ripples. The incense smoke can exit through the opened beaks, a vent in the tail, and the pierced cover...

Small tea ceremony incense container in the shape of a recumbent Buddhist lion. Molded of brown stoneware, the exterior surface with ash glaze. Condition: fine. Dimension: approx. 6 cm long, weight: 68 g.

Louis Vuitton brass paperweight, produced by Louis Vuitton in the early 1980's, was made to resemble a Louis Vuitton trunk right down to the locks and handles. This heavy (4.5 ounce) solid brass weight measures 2 inches (5 cm) Long, 1 inch (2.5 cm) Wide and 5/8 inch (1.6 cm) Tall. There is a scratch on the bottom that is visible in the photographs, which can be buffed out, but otherwise this is in excellent condition. Comes with a Louis Vuitton box...

Piero Fornasetti porcelian dish of the advertising poster for Arturo Toscanini's Concert at La Scala. The dish is gold trimmed and measures 5.25 inches (13 cm) wide and is 8.5 inches (22 cm) and 1 inch (2.5 cm) in height. There is some wear to the gold trim but there are no chips, cracks or repairs. This is an original Fornasetti not a later Rosenthal re-issue. Marked on back with Fornasetti Logo, FORNASETTI-MILANO/MADE IN ITALY, followed by a small gold letter "P". Circa 1951

Lucille De Paris calf leather handbag in black with gold plated fittings, two loop handles with an 8 inch drop. Interior compartment has two zippered pockets, two slide pockets and one coin purse type snapped pocket. This is a very roomy bag measuring 12 9/16 inches (32 cm) Long, 9 13/16 inches (25 cm) Tall and is 3 inches (8 cm) Wide at the base. The bag sits on four small metal feet...

Japanese sagemono (hanging object) tobacco pipe set consisting of a wood kiserutsuzu (pipe holder), kiseru (pipe), and wood tonkotsu (tobacco box) in the form of a humorous yawning Daruma with arms overhead grasping the two cords with his fists. The cords hold an ojime (sliding bead), which is attached to the pipe holder. Daruma’s body is kiri (pawlonia) wood and his eyes are inlaid with mother of pearl. His face lifts and functions as a cover for the tobacco box...

Description:
A Blanc De Chine statue were uniquely in a subject of the praying Catholic pupils.
Obviously made for the western market, this porcelain pieces was a product of Dehua county, Fujiang province of Qing Dynasty, 19th century.
It was in a perfect condition without any defects.
It was an amusing piece too especially in this holy season.

Date: Qing Dynasty, Late 19th century.

Height:10.5cm, Width: 8.9cm.

Large candlestick with bell-shaped foot, knobbed stems and round drip pans ending in a pricket. Decorated with scrolling lotus and a band of ruyi heads in polychrome cloisonne enamel against a turquoise ground. The gilt rims embellished with key pattern in champleve enamel. Made up of several parts. Condition: The upper parts a little bit loose, slightly warped, minor wear to gilding, one small area with tiny loss, one small area with cracks, both hardly visible...

Finely potted octagonal vase with tapering body and four loops applied to the high shoulder. White clay with a transparent glaze of beautiful pale blue tone, the partially unglazed base with some oxidation. Condition: missing cover, the neck with a chip and cracks. Dimension: 15.1 cm high, weight: 206 g.

An unusual chato (tea room sword) in the shape of an octopus, its 8 legs stretched out in uniform with one curled back exposing the suckers. Eyes are intimated on one side, with an old chip where the breathing hole is opposite. About the neck is wrapped a faded silk chord. It is 22 inches (56 cm) long. It is said that these wooden swords were produced from the mid to late Edo period, in lieu of swords for those not allowed to carry weapons (all but samurai)...

A very nice example jar decorated with lines of splashed iron spot. Qingbai glaze over a porcelain body. Jingdezhen ware, Song Dynasty 12th. century. H : 7.5 cm. Diameter : 12.5 cm. Condition : excellent glazed and splashed iron spot, 2 crack on the base, restoration to chip on the mouth rim.

A very nice example of a splashed iron spot decorated Jar. Qingbai glaze over a porcelain body. Jingdezhen ware, Song Dynasty 12th. century. H : 8 cm. Diameter : 11.5 cm. Condition : very good, two tiny frittings glazed on the body, no chips, cracks, hairlines and free from restorations.

A good small vase in pear-shaped form, decorated incised to the body with floral sprays motif. Southern Song dynasty Jindezhen ware. Condition is good excepted one crack to the rim but free from restoration. High: 11 cm.

Spouted ewer covered with olive-green crazed glaze falling well short of flat base exposing burnt red. For comparison please look at Chinese Celadons and Other Related Wares In Southeast Asia, by South East Asian Ceramics Society, June 1979, plate 5 , page 108 and plate 10 page 110. Height = 22 cm Yue ware, 10th Century Condition : loss to part of spout and one of lugs, no cracks, hairlines and free from restoration. If needed can be restored with USD 50 for professional restoration cost.

Blue and White jar decorated with two kind of eight precious things : the mirror (zhing) to counteracts evil and lozenge as a symbol of victory, lotus interlocking, lotus petal scroll to the foot and prêt patern on the shoulder ; . Kangxi 1662-1772. Height = 12.5 cm, Width= 11.5 cm. Condition : perfect, no hairlines, cracks, chips or restoration.