Measuring 6" high, and 10 3/8" wide, this is a remarkably well sculpted image of a lion, functioning as an inkwell or inkstand. The recumbent lion has wonderful detail, and clearly portrays the regal posture of the legendary King of the Beasts. It is on an oval base, with a shell protruding from the front with a fanciful face of another cat like creature...

Nice old Navajo bracelet, all hand stamped, on interior also, with applied crescent shapes around the central turquoise stone set in a straight bezel. Interior measurement 5 1/2", opening 1 1/4", outside measurement 6 1/8", and 1" wide band. In good condition, with wear to surface and slight abrasions to silver, turquoise in good condition, shows matrix and smooth shiny surface. Signed sterling on interior, with initials MEG or MEL. From collection of older Navajo jewelry. The interior stam...

Pair of silver candlesticks, ca 1890, by Herman Sudfeld, fully marked with .800 silver standard and Sudfeld's name and monogram. Measure 16" high, 35 troy ounces. Sudfeld is a known silversmith, working between 1883-1909. Well proportioned, with a bulbous stem over cylindrical section upon a domed base, with four ornate feet. Bright cut engraving over much of the surface. Lions heads adorn the cylindrical section, each with ring and bar in their mouths. One lion's head is missing, visible ...

One of the most coveted designs for Mexican Silver collectors is the Hector Aguilar feathers bracelet. The stones are amethyst and the height is 1.5 in. The markings are hand chased on top with deep and darkened recesses. The weight reflects it's presence at 156 grams heavy. It is built on a curve and you can see a posted pix that reflects that. It closes with a hook and safety chain. No chips, repairs or damage of any kind. An excellent example from the Mexican Silver Renaisance.

Rare vintage hand wrought 1930's Art Deco silver, amethyst and green hardstone necklace, bracelet, and brooch suite designed & signed by Mexico artist Frederick W. Davis (1880-1961). The pieces are comprised of alternating links of cushion shaped cabochon amethysts and pyramidal shaped green hardstones. These are gorgeous deep, dark purple amethysts and striking, bold green hardstones...

Vintage Antonio Pineda 970 silver and aventurine bracelet. Sculptural geometric shaped links alternate facing up and down, each having an aventurine ball shaped stone suspended from the center. This is the matching bracelet to the necklace I am offering in a separate listing. Measuring 6 3/4" around in the inside when the bracelet is closed, it is 1" wide and weighs 120 grams. It is in fine original condition with intact safety chain and secure closing push in clasp...

Fabulous mid-century modern design in this 970 silver and aventurine necklace by Antonio Pineda. I am offering the matching bracelet to this necklace in a separate listing. Measuring approximately 16" end to end ( it is curved in the center so hard to be exact ) it is 1" wide at the front geometric shaped links and weighs 126 grams. It is in beautiful original condition. There are no chips or cracks to the gorgeous green aventurine stones. Signed as shown...

We have a stunning pair of matching cuffs from the Mexican Silver Renaissance with a grand height of 5 inches. Beautiful cabbage roses with leaves adorn the treasure. The wrist is 2.25 in. and up the arm it is graduated to 2.75. It can be made somewhat smaller or larger. I would say it is set for a medium wrist with air to flow comfortably. The repousse is deep and puffy and without any holes where light can go through them. In superb condition with no damage or repairs...

Navajo Kenneth Begay has been called the "father of modern Navajo jewelry". From 1946-1964, he worked as a benchsmith at the White Hogan Shop in Scottsdale, Az. The top bracelet was made by him during this time and is signed with his initials and the White Hogan hallmark. The other bracelet has only the White Hogan hallmark but could possibly have also been made by him as there appears to be a very faint KB hallmark...

Matilde Poulat was known for her reliquary silver work. She made beautiful crosses with ornate chain and statues adorned with stones. This cross and chain necklace has the block letters MATL on both the chain and the cross center piece. The chain measures 21 in. long with the drop being 2 1/8th inches tall. This chain is featured in the book MEXICAN JEWELRY BY MARY L. DAVIS AND GRETA PACK. Here it was used as a choice to display a cross. Each link is embedded with a branch of coral...

Large Japanese Imari porcelain charger decorated in a free-form pattern of underglaze blue geometric, floral, and phoenix bird patterns with overglaze polychrome and gilt highlights. Two white floral areas in the center are raised in slight "moriage" relief, giving the charger a rich texture. The underglaze blue decoration on the back surrounds a six-character apocryphal Chinese Ming dynasty Chenghua reign mark...

An antique flattened flask from Oman once used to fill the powder-pan of a matchlock gun, after 1880 often used as amulets. Made of solid silver beautifully decorated with granulation and filigree work and some gilding. Condition: some traces of usage and wear to gilding. Dimension: 17.8 cm long, weight: 212 g.

Work by Matilde Poulat from the Mexican Silver Renaissance is becoming more and more rare. This one is hallmarked Matl Mexico 925 m.reg 142093 and is without eagle. The size is medium to medium large for Matl treasures with a measurement of 4 in. across on the drop and 3.75 in. tall. The double chain is extremely desired in Matilde's work and adds a romantic touch to it's presence. Simply lovely, just LOOK AT THAT NECKLACE!

A scarce artist's fully articulated wooden mannequin, probably French. 19th century. Size: 19 inches ht. Mannequins were an important tool in the artist's studio. Each was carved to model the human form and utilized wooden ball joints that allowed the figure to be manipulated into realistic positions. In our example, the face has been carved with facial details, as well as the hands, rib cage and feet.These figures were used in the artist's workshop and were frequently passed down from maste...

A rare, stunning bracelet by Modernist Joachim S'Paliu of Cordorba, Spain. Born in 1944, he produced a significant line of jewelry during the 1960's and 70's. This big, bold, sculptural bracelet measures 7 1/8" end to end and is 7/8" wide. The links stand 3/4" high from the wrist. Weighing 66 grams, the bracelet clasps with a tight, thick, hook closure. Fine original condition and signed S'Paliu Sterling Spain on the clasp. This is a smaller scale of the identical bracelet designed in the late 6...

A beautiful sterling necklace by Navajo silversmith George Kee, made during his time at the White Hogan Shop in Scottsdale, Az. The links all move and flow and the necklace is very comfortable and flattering on the neck. It clasps with a simple , secure hook closure. Measuring 16" end to end, it is 1 1/8" wide at the center link. Weighing 63 grams, it is in fine original condition and signed as shown. Exquisite design and craftsmanship.

One of the rarest pieces of Margot de Taxco's enamel jewelry, the articulated mermaid brooch is not even pictured in Morrill's relevant book except as a drawing. Sharing the same design number as the "little fish" parures, she is the dedicated collector's dream-come-true. If one is very lucky and determined to find her, one might come upon an example in blues - discovering one in golden yellow, shimmering metallic sage green and sky blue is almost impossible. Yet here she is - her lithe body eme...

A Mingei style sculpture of a sake-sprite (Shojo) making off with a barrel of rice wine on his shoulder dating from the 19th century. This architectural work was likely originally part of a gate, and would have been a welcome sign to thirsty fellows after a day of work. Carved from a single piece of hard Keyaki wood, It is in excellent condition. 28 x 12 x 5 inches (71 x 13 x 13 cm). Keyaki as a wood is known for its hardness, beautiful grain and pest resistance.