A beautiful example of modern Bizen-ware—with a thick feldspar glaze partially covering the clay body allowing the natural ash glaze underneath to show through in areas. This piece along with others by the same artist tend to push the bounds of what you usually see in Bizen pottery.

The craftsman who made this piece, Takahiro Ishii, was born in Tokyo, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln...

18 stunning Oribe works from Higashida Shigemasa, including,Tea Bowls,Vase,Sake Cups Sake Bottles and Incense Burner,available for purchase...

Black Raku Chawan, Tea Bowl, by George Gledhill; Payette, ID. Pinched & carved with notched foot. Individually gas-fired to 1900 - 1950 F (1038-1065 C.) H.2.5"(6.5cm) x Dia.4.375"(11cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates...

Shinogi (faceted) Dessert Bowls, White Porcelain, by Hanako Nakazato; Union, Maine & Karatsu, Japan. H. 2.625"(6.5cm) x Dia. 4"(10cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education...

A rare Chawan tea bowl imprinted with her signature text from the Bible Series by modernist artist Araki Takao fired by Uchida Koichi enclosed in the original wooden box titled Seisho Hakuryu-yu Chawan signed by both artists.  The script raises pillar like up the side, wrapping around inside the bowl, and would be slowly revealed as the thick green tea was consumed in three sips.  The Bible Series is arguably one of her most important, and this piece is a very rare work bridging the Zen cultur...

An exceptional work by Suzuki Goro enclosed in the original signed wooden box titled Omaha Oribe. Omaha Oribe was made in the studio of world-famous contemporary artist Jun Kaneko, located in Omaha, Nebraska, USA, using his Kaneko's clay and glaze. "Omaha Oribe" tea bowls has an overwhelmingly small number of works, and I think there are many of you who see it for the first time. Please take a close look at the photos and enjoy the new "Oribe". Please do not miss this opportunity...

Shadows of red flame ripple across the variegated surface and thick white glaze of this tall chawan by Shino master Kato Toyohisa enclosed in the original wooden box titled Nezumi-Shino Chawan.  Whenever one looks into a wood burning kiln during the firing, this is what is visible; ash molten on the sides of pots turned red hot by flames blasting through, long tendrils of fire wrapping about the wavering forms.  It is as if Toyohisa has captured that moment, and brought it out into the colder ...

Here is a masterpiece by Wakao Toshisada, one of the great artists of the post-war era who helped to revive the Shino tradition (now one of the most popular Japanese forms) from extinction. An early masterpiece by the artist showing his abilities from inception, this bowl was selected for the cover of the exhibition invitation card in 1973 (card included). It is 14 cm (5-1/2 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition...

There is something very alive about the Shino works of Hayashi Yuka...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base...

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. Like much of Tahara pottery, the natural ash glaze displays glossy lavenders, light tans, and hues of ivory...

A morphic vessel of rough outer form like a fossilized egg or bowl of coral covered from the rim within by slick blue, a quintessential work by Tanoue Shinya enclosed in the original signed wooden box titled Kara-wan Ao (Empty Shell, Blue). It has a wide, rounded form which is surprisisngly pleasant to hold, and the smooth blue decorating the rim is pleasing to the lips. The shape allows for a very stable silhouette, which seems to anchor itself to whatever surface it rests upon...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay, and displays a beautiful ashen glaze with hues of blue, grey, green, and a dark glossy ring encircling the top.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Elegant Hagi chawan with fine lip and kodai foot and a creamy and drippy rim of opaque glaze around the lip.

4.8" X 3.25"

Though marked, the seal is unread. This chawan was purchased at a store in Hagi. The original owner could not wait the extra day for the wood box, so it is presented here in a Hagi store gift box. It was thought that this chawan was made by Notomi Choun, but I will leave the detective work to the next owner.

Like the previous Iga sake set, here is another igneous form by enclosed in their original signed wooden boxes titled Yohen Iga Tokkuri and Guinomi respectively. Here he has breathed new life into the traditional form, both paying homage and yet leaving his indelible mark on it to carry it to the new century...

Momoyama influenced serving bowl(sukashi-bachi) with incised and pierced triangles around the circumference of the bowl in Ao and clear glazes

Stoneware and glazes

8.25" X 4.25"

Functional, decorative and food safe

A deep bowl decorates with an assortment of colors in dashes, dots and draperies by Kawabata Kentaro enclosed in the original signed wooden box titled simply Chawan. Consistent with this artitsts repertoire, the varying aspects are difficult to surmise in few words, raw clay, torn, cut, molded, squeezed and decorated with color in a variety of styles with glass beads. A playful work to represent his eclectic style...

Living National Treasure Fujiwara Kei (1899-1983) Bizen ware Hidasuki Chawan for Tea Ceremony.
The mark of the potter is carved on the bottom.

Hidasuki or fire sleeve-cording technique results when the ceramic items are wrapped in rice straw and then it burns in the kiln with beautiful red markings left on the surface.

Kei Fujiwara has become the second Bizen Living National Treasure in 1970.

Bizen pottery was originally produced in Imbe village of Bizen pro...