Robust Oribe style teabowl with a matsukawa texture around the body of the piece. There are two areas of poured and partially removed slip under the glaze creating areas of varying brightness.

Stoneware, slip and glaze

14 x 10 cm.

Functional, decorative and food safe

A dark flower blooms magnificently on this black form by Takauchi Shugo enclosed in the original signed wooden box titled Tetsu-E Kuro Chawan.
Size, W 13.4cm (5.1/4 inches) H 11.4cm ( 4.1/2 inches)
Condition, Excellent
Takauchi Shugo was born in Tokyo in 1937, opening his kiln in Mashiko at the age of 31...

A very rare boxed set of 3 cups by potters of several ancient kiln areas: Bizen by Kakurezaki Ryuichi, Hagi by Miwa Kazuhiko and Ki-Seto by Suzuki Goro. What great fun to break out this set on a night with friends, sharing tastes of various sake from the hands of some of Japans top potters in various traditions. Something not simply to be seen or collected, but used and experienced. It comes enclosed in the original wooden box signed by the artists...

Lavender clouds like rain threatening on a foggy landscape form on the surface of this cool White Hagi chawan by important artist Kaneta Masanao enclosed in the original signed wooden box The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is famous for...

An unusual chawan draped with blue over leopard-skin like some Osaka Obachan on a Friday night romp by Takiguchi Kazuo enclosed in the original signed wooden box. The apple shaped form is pleasant on the hands, not heavy or unruly. A large drip had sagged off the side, affixing itself to the kiln floor, where it has been cut off. A bowl very much in this artists avant-garde spirit...

An Oribe vessel covered in pale earth-tones scribbled with nudes by Suzuki Goro enclosed in the original wooden box titled Yahichida Tsubo. A crow perches on the base like a signature cawing out GORO! Yahichida was a style of Oribe popular in the Momoyama and early Edo periods. That said it is likely that they did not decorate with such audacious flair back then...

This bowl is reminiscent of a colorfully striped Nishijin-ori Kimono, blue and green and yellow on a base color of hemp. The rim rises and falls in a rhythmic dance aong the broad shoulder. Created by modern master Ajiki Hiro, it comes enclosed in the original signed wooden box titled Shio-Yu Wan, Basara. Basara is a term in Japanese aesthetics associated with the challenge of traditional ideals during the Muromachi period...

Strikingly bold patterns revealed through curtains of copper green play across the surface of this dramatic work by Ikeda Shogo enclosed in the original signed wooden box. Sea Turtles, Castles, Cherry Blossoms and Lattice Bamboo Fences, a smorgasbord of Japanese iconography painted and carved into the gritty clay...

White slip lopes and wavers and splashes over this slightly trumpeting chawan by master of that genre Koie Ryoji enclosed in the original signed wooden box titled Hikidashi no Chawan. Innovative as always, the application of glaze has been performed in several layers and styles, giving the bowl a unique appearance which sets it apart from others...

Hayashi Shotaro is one of Japan’s preeminent potters, and he has outdone himself again with this mouthwatering work decorated with a pagoda in dark iron silhouette against an iron red sky fading to darkness at the rim. It comes enclosed in the original signed wooden box titled Manyou Yamato-ro Henko (Manyo is his signature glaze and Yamato-ro refers to imagery of old Japan). This piece was shown at his exhibition celebrating 45 years of potting, and is featured in the catalog image number 19...

A unique and distinctive tea bowl constructed of half porcelain and half stoneware—the swirling blue spirals and accents serve to captivate the eye and the imagination, making this artist’s works instantly recognizable.

A native of Kyoto, Hashimoto Machiko runs a small studio and kiln where she creates a wide range of ceramic works—including functional pieces such as the chawan featured here—as well as a number of purely decorative and experimental pieces which most would ag...

A perfect Mashiko chawan with stunning glaze by greatest Shoji Hamada, enclosed in its originally signed wood box. The bowl has a wonderful shiyo-yu salt glaze. Hamada made such treasures only once a year in April because items with such glaze were very difficult to made.

Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St...

Mottled blue in thick textured drips run down the sides over ashen glaze on this 4 eared Tsubo by Sakuchi Ensen enclosed in the original signed wooden box. The thickness of the drips adds a tactile sense to this piece, compelling the hands to reach out and touch. It is 11-1/2 inches (29.5 cm) tall 9 inches (23 cm) diameter and in fine condition. The box lid is stained.
Sakuchi Ensen (B...

Traditional wood fired Aka-Shino chaire made by the late Kato Yasukage XIV prior to changing his name to Yasukage and thus the box is signed Kato Shoji. Elegant and traditional in form with quick, gestural spatula marks on the front and back the rich, nearly crimson iron surface is painted with a nice dusting of wood ash from the wood firing with throwing marks adding to the overall decoration...

This very liquid form seems already imbibed with rice wine, the base stable while the sides tilt slightly, sagging on the stool, a superb work by Abe Anjin. It comes wrapped with the original stamped wrapping cloth enclosed in the original wooden box titled Bizen Shuki and in turn enclosed in a black lacquered wooden box also stamped by the artist. Obviously, he felt this was deserved of greatness.
Size, W 6.7 cm ( 2 1/4 inches) H 6.1 cm ( 2 1/2 inches)
Condition, Excellent...

A charred Ash Glazed Hento by Kumano Kurouemon enclosed in the original signed wooden box titled Echizen Ko-wakamaru Hento and signed To Kurouemon. Two slabs joined by a wide belt, one side slightly sagging like Hotei’s belly, lines scorring the sides. Glaze is crisp on the neck and one side, but grows quite liquid as it drips down the other. The title is like the cocky little swordsman Ushi Wakamaru, the neck cocked slightly to the side in an arrogant parry combined with the Shigaraki Term ...

Thick white vitrifies over bottomless black, creating a stark sense of drama on the torn form of this outstaniding work by world renowned potter Miwa Kazuhiko enclosed in the original signed wooden box titled Kakan (Floral Crown). It is quite tall, and with a single flower would be an excellent complement to the alcove of a modern Tea Room. The raw red clay is visible benath where the glaze has crawled away to allow a peek inside.
Size, H 36.5 cm (14.1/4inches)
Condition, Exc...

Black splashes over spattered white slip draw the eye into the window in the darkenss on the side of this exquisite chawan tea bowl by master fo that genre Koie Ryoji enclosed in the original signed wooden box titled understatedly Chawan. The title is the only thing simple about this complex combination of contemporary clay, glaze, tradition, form, function, past and future. A simply stunning work by the master of tea bowls.
Size, W 12.6 cm (5 inches) H 8.3 cm (3.5 inches)
C...