Wood-fired Vase (hanaire) or Sake Flask (tokkuri) by George Gledhill; Payette, ID. Ash glaze. H.4.375"(11cm) x Dia.3.375"(8.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Brilliantly glazed, Chinese influenced shishayu (copper red) vase made in Japan, circa 1950 - 1960. This vase owes its inspiration to Ming and Ching period of China and is made of porcelain and then heavily glazed in a multi-dimensional shinshayu glaze. Though it comes with the original signed box and is prominently signed, the maker is at this point, unidentified.

This vase is in excellent condition, measures 8.75" x 4" and comes with its original signed box.

Futa-oki, Lid Rest, by Tagami Isamu of Hinta Kiln, Mashiko. Faceted sides, Kaki (persimmon) glaze with red & green overglaze enamel decoration of sugar cane reed and stripes. H. 2.375"(6cm) x Dia. 2.25"(5.5cm.)Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo...

Few foreign potters are able to embrace the Japanese aesthetic as well as Jeff Shapiro. Here is a piece from his second solo exhibition in Tokyo dated 1991. This piece is 9-1/2 inches (24 cm) tall, 9 inches (23 cm) diameter and in excellent condition.
Shapiro was born in New York in 1949. He studied ceramics in Japan from 1973 to 1980, returning to America to build an Anagama kiln in New York in 1981...

A book of Yagi Kazuo works (number 203 of 800) dated 1969 with the cover inlaid with a ceramic work signed and dated Feb. 1967. Dozens of photographs of his work dating from the height of his fame as an avante Garde sculptor fill this 100 page book titled Simply “Yagi Kazuo”. The book comes in the original cover which is held inside a cardboard sleeve. The ends of the cover not encased in cardboard have yellowed some with age, but this does not affect the book within.

Two ethereal herons stand against a wind blasted bank lost to evening on this E-zara by Yokoishi Gagyu (b. 1975) enclosed in the original signed wooden box. The deep dish is covered in a dark glaze shot through with pale fingers of white, the two creatures small against the other-worldly background. The backside is decorated with swirling lines of white, signed within the foot ring. It is 9-1/4 inches (23.5 cm) diameter, 2 inches (5 cm) tall and in perfect condition...

Ame-yu, amber glazed porcelain teabowl with carved design of fish around the form, "upriver" pattern.

Porcelain and glaze

5.15" x 3.5"

Functional, decorative and food safe

A deep Choho-zara rectangular dish decorated with morning glories in dark rust and red over yellow with a black rim, a striking combination by Kyoto female artist Takagi Hoko enclosed in the original signed wooden box. Created from a heavy slab, the sides were raised and carved with wave patterns covered in white with a raw base chiseled out in long horizontal strokes...

Lines of burnt straw scar the surface of this voluminous work by Yamamoto Yuichi enclosed in the original signed wooden box. It is 17-1/2 inches (45 cm) tall, 9 x 10 inches (23 x 25.5 cm) at the base and in excellent condition.
Born the son of Living National Treasure Yamamoto Toshu, Yuichi was raised among the clay and kilns of Bizen, at a vital time when Bizen was devastated by the war economy, and the dramatic years of growth and research following...

This bowl is reminiscent of a colorfully striped Nishijin-ori Kimono, blue and green and yellow on a base color of hemp. The rim rises and falls in a rhythmic dance aong the broad shoulder. Created by modern master Ajiki Hiro, it comes enclosed in the original signed wooden box titled Shio-Yu Wan, Basara. Basara is a term in Japanese aesthetics associated with the challenge of traditional ideals during the Muromachi period...

Cylindrical vase with tapered mouth, decorated in a katazome influenced design of three bloesem panels under my Ao glaze

Stoneware, slips and glazes

9.6" X 5"

Wood-fired Disk-shaped Vase by George Gledhill; Payette, ID. Ash glaze exterior, white glazed interior. H.3"(7.5cm) x Dia.9.75"(25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Large Buncheong Vase by Yoon Ja Eui 20h x 13w 13.5d inches, 50h x 33w x 34d cm.

Wood-fired 5-sided lidded container by George Gledhill; Payette, ID. Ash Glaze. H.2.5"(6.25cm) x W.3.375"(8.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

This subtle, yet impressive mizusashi is by modern Karatsu legend; Nakazato Takeshi (b. 1937). This rounded, bowl shaped mizusashi is coated in a velvety layer of green ash with several areas of flashed iron red hi-iro and a patch of glassy bidoro where the piece faced the assaulting fire from Takeshi’s Ryutagama wood kiln. This pot was created slightly out of round and has a wonderful custom made roiro black lacquer lid to finish of the piece. The bottom of the pot is smoothly finished and pr...

Wonderful lobed chaire by Bizen veteran potter; Takahara Shoji (1941-2000). This elegant Bizen chaire has casual lobed indents around its solid form with a spontaneous incised line creating a boundary between body and shoulder. The chaire face (omote) is covered in a rich green ash showing signs of a horizontal tamadare run while the rear (ura) has sweeping effects of hi-iro capitalizing on the traditional Bizen tsuchi-aji. The chaire has a magnificent ivory lid and its handmade shifuku bag maki...

The edges burn dark brown on this large Bizen vase by Kawabata Fumio enclosed in the original signed wooden box. Green ash clings to the upper surface, peeling away from the superheated corners, the bottom rich dark raw clay. The vase is (‘29 x 21 x 36 cm) tall and in excellent condition.
Fumio was born in Yokohama city in 1948, far from the traditional kilns of Bizen hundreds of kilometers to the west in Okayama. After studying graphic design he was captivated by the natural landscap...

A valuable Shino Nezumi Chawan by legend and Living National Treasure Ishiguro Munemaro, 1893-1955.

It is in mint condition and comes with its original signed box.

In 1918, Ishiguro Munemaro set his goal of becoming a ceramist after seeing a spotted tenmoku tea bowl at Tokyo Art Club. On his own, he researched Chinese ceramics of the Tang and Song dynasties, Korean ceramics, and so on, and grounded on abundant experience and skill, he established a richly lyrical and eleg...