AUCTIONS (2)
 | Fine quality Ohi Ware Macha bowl by Yoshio Iwamura |
 | Antique Tibetan painted wood image of Green Tara Bodhisattva |
 | Rare Zen Chawan Zenmi by Tenryū-ji’s Seki Bokuō 関牧翁 and Hara Kiyokazu |
 | Signed Handwrought Hammered Copper Sterling Necklace 2p |
SALE PRICED
 | A Classic Bizen Tea Bowl by Konishi Tōko II |
 | A Nerikomi Tea Bowl by Wakasugi Naomi |
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Strikingly bold patterns revealed through curtains of copper green play across the surface of this dramatic work by Ikeda Shogo enclosed in the original signed wooden box. Sea Turtles, Castles, Cherry Blossoms and Lattice Bamboo Fences, a smorgasbord of Japanese iconography painted and carved into the gritty clay...
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White slip lopes and wavers and splashes over this slightly trumpeting chawan by master of that genre Koie Ryoji enclosed in the original signed wooden box titled Hikidashi no Chawan. Innovative as always, the application of glaze has been performed in several layers and styles, giving the bowl a unique appearance which sets it apart from others...
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Hayashi Shotaro is one of Japan’s preeminent potters, and he has outdone himself again with this mouthwatering work decorated with a pagoda in dark iron silhouette against an iron red sky fading to darkness at the rim. It comes enclosed in the original signed wooden box titled Manyou Yamato-ro Henko (Manyo is his signature glaze and Yamato-ro refers to imagery of old Japan). This piece was shown at his exhibition celebrating 45 years of potting, and is featured in the catalog image number 19...
A unique and distinctive tea bowl constructed of half porcelain and half stoneware—the swirling blue spirals and accents serve to captivate the eye and the imagination, making this artist’s works instantly recognizable.
A native of Kyoto, Hashimoto Machiko runs a small studio and kiln where she creates a wide range of ceramic works—including functional pieces such as the chawan featured here—as well as a number of purely decorative and experimental pieces which most would ag...
A native of Kyoto, Hashimoto Machiko runs a small studio and kiln where she creates a wide range of ceramic works—including functional pieces such as the chawan featured here—as well as a number of purely decorative and experimental pieces which most would ag...
Albedo 3 Studio
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Rare & important black and white inlay exhibition charger by Kyoto master potter, Kondo Yutaka. Measuring 46 x 11cm (approximately 18" x 4.25") this impressive charger/ platter is cloaked in a shimmery, and sparkling black texture with impressed, inlaid decoration of stark and contrasting white across the piece which gives off a wet sheen across the impressed surface...
Momoyama Gallery
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A perfect Mashiko chawan with stunning glaze by greatest Shoji Hamada, enclosed in its originally signed wood box. The bowl has a wonderful shiyo-yu salt glaze. Hamada made such treasures only once a year in April because items with such glaze were very difficult to made.
Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St...
Mottled blue in thick textured drips run down the sides over ashen glaze on this 4 eared Tsubo by Sakuchi Ensen enclosed in the original signed wooden box. The thickness of the drips adds a tactile sense to this piece, compelling the hands to reach out and touch. It is 11-1/2 inches (29.5 cm) tall 9 inches (23 cm) diameter and in fine condition. The box lid is stained.
Sakuchi Ensen (B...
Sakuchi Ensen (B...
Albedo 3 Studio
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Traditional wood fired Aka-Shino chaire made by the late Kato Yasukage XIV prior to changing his name to Yasukage and thus the box is signed Kato Shoji. Elegant and traditional in form with quick, gestural spatula marks on the front and back the rich, nearly crimson iron surface is painted with a nice dusting of wood ash from the wood firing with throwing marks adding to the overall decoration...
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This very liquid form seems already imbibed with rice wine, the base stable while the sides tilt slightly, sagging on the stool, a superb work by Abe Anjin. It comes wrapped with the original stamped wrapping cloth enclosed in the original wooden box titled Bizen Shuki and in turn enclosed in a black lacquered wooden box also stamped by the artist. Obviously, he felt this was deserved of greatness...
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A charred Ash Glazed Hento by Kumano Kurouemon enclosed in the original signed wooden box titled Echizen Ko-wakamaru Hento and signed To Kurouemon. Two slabs joined by a wide belt, one side slightly sagging like Hotei’s belly, lines scorring the sides. Glaze is crisp on the neck and one side, but grows quite liquid as it drips down the other...
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Thick white vitrifies over bottomless black, creating a stark sense of drama on the torn form of this outstaniding work by world renowned potter Miwa Kazuhiko enclosed in the original signed wooden box titled Kakan (Floral Crown). It is quite tall, and with a single flower would be an excellent complement to the alcove of a modern Tea Room. The raw red clay is visible benath where the glaze has crawled away to allow a peek inside...
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Black splashes over spattered white slip draw the eye into the window in the darkenss on the side of this exquisite chawan tea bowl by master fo that genre Koie Ryoji enclosed in the original signed wooden box titled understatedly Chawan. The title is the only thing simple about this complex combination of contemporary clay, glaze, tradition, form, function, past and future. A simply stunning work by the master of tea bowls...
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Here is a piece with attitude! A proud Iga vase with two “ears” like elbows on its hips by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Hanaire Somimi. Interestingly he has written the last characters as one instead of two in the title...
Albedo 3 Studio
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Large and bold yakishime wood fired chawan by Konno Haruo with crisp facets and a wide array of ash effects enveloping the bowl. The exterior is painted with wet and drier ash with the rear having a reddish, purple that accentuates the facets and makes them come to life...
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A set of five Yunomi Tea cups showing off to a tee the many styles of Oribe for which Suzuki Goro is known. Narumi Oribe ,Yashichida Oribe ,Ao Oribe and everything in between with just as varied decorations. Each is uniquely engraved with the artist’s signature and they come enclosed in the original signed wooden box titled Oribe Yunomi.
Size, W 5.5cm (2.1/2inches) H 7.9cm ( 4 inches)
Condition, Excellent
Suzuki Goro has a list of shows and prizes too lengthy to ...
Size, W 5.5cm (2.1/2inches) H 7.9cm ( 4 inches)
Condition, Excellent
Suzuki Goro has a list of shows and prizes too lengthy to ...
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A tall Sake bottle with handle deeply dragged and scratched by Yamada Kazu enclosed in the original signed wooden box titled Ao-Oribe Sake Tsugi. It struts forward at a jaunty gate, as if whistling a tune on a summer day in the park, oblivious to all. It is dressed from top to bottom in oribe green, the scarred body filling in the recesses forming dark pools and fractures.
Size, W 9.8cm (4 inches) H 18.3 cm (7 inches)
Condition, Excellent
Kazu was born in Tokoname c...
Size, W 9.8cm (4 inches) H 18.3 cm (7 inches)
Condition, Excellent
Kazu was born in Tokoname c...
Albedo 3 Studio
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Distinctly fired mizusashi resembling stacked stones, this Sueki influenced Shigaraki mizusashi is absolutely timeless having the appearance of a piece medieval pot or a modern, abstract sculpture based on stones placed on top of one another. Made by Takahashi Makoto this feudal pot was fired in an anagama where it partially sat in a charcoal bed imbuing the piece with a variety of grey and stone colors with areas of rich ash having a pate-de-verre style surface at several points. Though fiercel...
Momoyama Gallery
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Here is a fascinating Chawan (tea bowl) made by Koie Ryoji, one of the best internationally known contemporary Japanese potters. It is another embodiment of the artist’s spirit, with a shape that remains free and moving, rough, unique and dynamic. Its colors and its rawness is reminiscent of a wild landscape. As with many works by the famous artist, this piece’s dynamism conveys pure energy and raw strength. Through its shiny glaze, rough texture and primitive markings, one gets the sense...
Momoyama Gallery
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A perfect Mashiko chawan with high foot by greatest Shoji Hamada, enclosed in its originally signed double wood box. The bowl has a wonderful shiyo-yu salt glaze and - rarely seen on Hamada bowls - a figurative 'window' iron glazed design called maru mado. Hamda made such treasures only once a year in April because items with such glaze were very difficult to made.
Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to Engla...
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Thick ash covers the ovoid form of this exquisite Chaire by Tsujimura Kai enclosed in the original signed wooden box. Nostalgic with its glaze effects and form immersed in tradition, yet full of the world today, contemporary, breathing, alive. To one side a crescent moon shaped kutsuki forms a rakish grin, inviting the viewer to join in the merriment. It is a masterpiece by this young artist.
Size, W 7.1cm(3-1/4 inches) H 11.1cm (4-1/2 inches)
Condition, Excellent , encased i...
Size, W 7.1cm(3-1/4 inches) H 11.1cm (4-1/2 inches)
Condition, Excellent , encased i...
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Here another igneous form by Fujioka Shuhei enclosed in the original signed wooden box titled Iga Igyo Tsubo (Iga disparately Shaped Tsubo). Like the previous Shigaraki work, this shows a state of nature, not a state of intent, as if the piece came to be. It is this sense of raw elementalism which puts Japanese pottery apart, and gives it its unique place of reverence in world ceramics. Fujioka himself states The spirit of Old Iga, its body born in these lands and the soul of which transcends...
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Thick ash covers the squat form of this exquisite traditionally shaped tsubo by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Shigaraki Uzukumaru Tsubo and annotated by Tea Master Tachibana Daiki of Daitokuji Temple. One can easily see how a traditional Zen master would wish to associate his name with the work. Like the answer to a Zen Koan, the piece appears to have always been there. It is amorphic, clothed in such a thickness of ash and coal that it appears to have f...
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Glaze clings to the raw clay like the last remnants of winter snow hidden in the shadows on this Spartan bowl by world renowned artist Mihara Ken enclosed in the original signed wooden box,and dates to (2014). understatedly titled simply Wan. The unassuming form is simple and refined, a perfect compliment to the austere recesses of the tea room aesthetic.
Size, W 12.8 x13.3cm(5-1/2 inches) H 8.1 cm (3-1/2 inches)
Condition, Excellent ,
Mihara Ken was born in Shimane pr...
Size, W 12.8 x13.3cm(5-1/2 inches) H 8.1 cm (3-1/2 inches)
Condition, Excellent ,
Mihara Ken was born in Shimane pr...
Blasted and dripping with ash, a spectacular Shigaraki Mizusashi by Tanimoto Yo enclosed in the original signed wooden box. A shell juts from raw rippled wood lid like it was sticking up from the ripples of sand on a beach. It is 21.5 cm (8-1/2 inches) tall 18.5 cm (7 inches) diameter and in fine condition.
Born in 1958 the son of Iga potter Tanimoto Kosei, Yo was raised among the kilns and has always had his hands in clay. He first began exhibiting in 1982, and in 1984 moved to Europe where...
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Vivid white runs down over green filling the cracks in the rough faceted sides of this large Chawan by Nishihata Tadashi enclosed in the original wooden box titled Haiyu Chawan (Ash-Glazed Tea Bowl) and signed within Tamba Tadashi-Zo. The thick wari-kodai four part foot, very stable and firm, grounds the bowl solidly, rising up in raw clay to meet the double whamy of green and blue-edged white falling from the shoulder. Inside is all glazed, maing it very easy for whisking the frothy tea.
S...
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Molten ash has crystallized into green glass on the front of this large faceted Chawan by Nishihata Tadashi enclosed in the original wooden box titled Aka-tsuchi OO Chawan recently-fired (2014) and signed Tamba Tadashi-Zo. The rest of the bowl, inside and out, is mostly raw Tamba clay, the red a striking contrast to the mottled flowing greens.
Size,W 13.1cm H,11.1 cm (5-1/2 x 4-1/2 inches)
Condition, Excellent, wrapped in a silk bag and buffers insidethe box.
Nishihata Tad...
Condition, Excellent, wrapped in a silk bag and buffers insidethe box.
Nishihata Tad...
A black lacquered lid covers the opening of this exquisite mizusashi by Tsukigata Nahiko enclosed in a wooden box titled Oni Shino Mizusashi and endorsed by his student Ayukai Kogetsu. It is 7-1/2 inches (19 cm) diameter, 6 inches (15.5 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician. Born in Niigata prefecture, he was at Waseda University in 1941 when he was summarily d...
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician. Born in Niigata prefecture, he was at Waseda University in 1941 when he was summarily d...
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A breathtaking icy-blue ceramic powdered tea container by Ajiki Hiro enclosed in the original signed wooden box titled Ruri Shioyu Chaki (Ruri Salt Glaze Tea Impement). Facets are torn from the natural form, more like some rare stone than a typical Tea Caddy. The slat glaze crawls on the surface as if it is alive, and it is alive with brilliant colors.
Size, W 5.8 x 6.9 (2-1/4 x 2-3/4 inches) H 8.5 cm (3-1/2 inches)
Condition, Excellent
Ajiki Hiro has been focusing in func...
Condition, Excellent
Ajiki Hiro has been focusing in func...
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Like some giant medieval Lug, this solid form displays strength of purpose and somehow a devotion to all those Mizuashi that came before it; by Harada Shuroku and comes enclosed in the original signed wooden box titled very simply Bizen Mizusashi. Dark and awe inspiring, it shows to dramatic effect the path of flame in the kiln through the streaks of crusted ash and hi-iro on the sides interspersed with Shiso-iro gray-purple clay.
Size, W 18.1cm x 23.1cm (7-1/4 x 10-1/4 inches) H 19.1 cm ...
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A long necked bottle form vase by Tokuda Yasokichi III enclosed in the original signed wooden box,covered in his signature gosai colors of yellow, purple blue white and green.Very Powerful,one of the most beautiful Yasokichi piece i've ever seen.
Size, H 26.3cm (10-1/2 inches).
Condition, Excellent
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by ...
Size, H 26.3cm (10-1/2 inches).
Condition, Excellent
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by ...
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Curvelicious; I am not certain that is a real word but aptly defines this evasive form of this Koro incense burner by Tamba superstar Ichino Masahiko enclosed in the original signed wooden box titled Senmon Koro. Refined elegance in coloration and line, a removable lid allows access to the ash-chamber where incense cones could be burned.
Size, W 17.4 cm (7 inches) H 8.6 cm (3-1/2 inches). H with lid 11.8 cm (4-3/4 inches)
Condition, Excellent
The youngest winner ever ...
Size, W 17.4 cm (7 inches) H 8.6 cm (3-1/2 inches). H with lid 11.8 cm (4-3/4 inches)
Condition, Excellent
The youngest winner ever ...
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An iconic work decorated with energetic graffiti by important potter Suzuki Goro enclosed in the original signed wooden box. The artist exuberance seems to over-run his pallet, covering all sides and becoming trapped in the vortex in the bottom. Inside the box lid the artist has scrawled a woman in ink and signed it like a painting.
Size 18 cm (7 inches) tall, 11.5 cm (4-1/2 inches) diameter
Condition Excellent
Suzuki Goro has a list of shows and prizes too lengthy...
Size 18 cm (7 inches) tall, 11.5 cm (4-1/2 inches) diameter
Condition Excellent
Suzuki Goro has a list of shows and prizes too lengthy...
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Ash is blasted around the stately form of this tall Tsutsu-gata vase by legendary potter Tsujimura Shiro enclosed in the original wooden box titled Iga Mimitsuki Hanaike and signed by the artist in the lower left corner. It is as if his exuberance got the better of him, the characters beginning so stark and bold, running into a jumble of strokes as he culminates with the character life (ike), like the final crescendo in this opera of clay, fire and joy.
Size, W 13.5cm (5.3 inches) H 25...
Size, W 13.5cm (5.3 inches) H 25...
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Molten red rises magnificently from the thick frosting of white by Kato Toyohisa enclosed in the original signed wooden box titled Aka Shino Chawan. Dark shadows periodically dividing the thick reds and drifts of white on the sides of this tea bowl lend a sense of pleasant trickery, making the bowl seem at first glance as if it were fluted, yet when taken in hand one realizes the sides are beautifully rounded. It is like lava boiling up under a glacier of pure white snow, volcanic gases escapi...
Momoyama Gallery
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Here is a fascinating Chawan (tea bowl) made by Koie Ryoji, one of the best internationally known contemporary Japanese potters. It is another embodiment of the artist’s spirit, with a shape that remains free and moving, rough, unique and dynamic. Its colors and its rawness is reminiscent of a wild landscape. As with many works by the famous artist, this piece’s dynamism conveys pure energy and raw strength. Through its glaze, rough texture and primitive markings, one gets the sense of th...
Quality Chadogu
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A one of a kind incense burner, an unheard of work by highly sought Oribe Master Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro. Enigmatic designs form aboriginal riddles between slabs of rushing green copper glaze, the body torn and scarred by the hands of its maker. Standing firmly on three tapering legs gives the piece a sense of standing on the edge, as if the moment, like the drifts of smoke, will soon be lost.
Size: W, 16.4 cm (6-1/2 inches), H,27.2 (10-3...
