Circa mid-century, this clamper was hand-wrought by Los Castillo, and it is spectacular. Wide, large, heavy, and collector quality. The snail shell design has graduated beading which curves gently around the sides. Very substantial, with a weight of 104.4 grams. Hinge looks to be old and original, and it's super tight and snappy. Couldn't be more perfect. Recesses are oxidized, giving depth which makes this a standout piece. Fully closed this will fit up to a 6 1/2" wrist...

Circa early 1940's, this is a superb slinky chain bracelet from William Spratling. It's a heavy handwrought piece, with a closed, wearable length of 7 1/2" and a width of 7/8". Classy and elegant, and feels fabulous on the wrist. Signed and hallmarked with the WS Print Circle "Spratling Made in Mexico WS", and Spratling Silver. Weight is 115.2 grams. Excellent vintage condition, collector quality. Silver tested to be 98% purity.

Circa 1930's-early 1940's, this magnificent amethyst ring is the work of Abraham Paz. Paz produced and designed work for himself, as well as for Fred Davis. This is a gorgeous piece, with a huge hand cut and polished amethyst and deco sterling silver setting. The face of the ring measures 1 1/16" x 13/16", and sits 7/16" high above the finger. The ring size measures between 6 and 7 on a sizer, depending on which way the ring is placed. I've taken photos of both...

Tane Orfebres is an important silver house in Mexico City, known as the Tiffany of Mexico. This bracelet is wide, heavy, and gorgeous. It has a sleek modernist design, with the one half shiny and mirror like, and the opposite half bearing a slightly matte finish. I have never seen this design before, and it is a stunning bracelet. Signed and hallmarked "Tane Sterling Mexico", with an "A" within a triangle...

Circa 1939, from William Spratling's first design period, here is his Tuliman necklace. Shown in "William Spratling and the Mexican Silver Renaissance", "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", and "Mexican Silver", as well as the Spratling Silver website, this piece is known as Tuliman Bird Necklace. Spratling based his design on images painted on large clay water jars made in Tuliman...

This mid-century pin is the work of Los Castillo. It's a striking modernist design which is composed of two pieces connected with a rivet. The bottom hands and body swings freely with movement. Hand-wrought with intricate detail.

Measures 2 3/4" x 1 3/8".

Weight is 17.3 grams.

Signed and hallmarked "Los Castillo Taxco", with the eagle assay 15 and the design # 136.

In excellent vintage condition. Pin closes with a rolling C clasp.

Circa mid-century, this hinged bracelet was produced by Erika Hult de Corral and has her unmistakeable style. Rare to see one of her pieces executed in 980 silver as this one is. Hult worked with both Sigi Pineda and Enrique Ledesma before opening her own shop, and the influence of Sigi Pineda can certainly be seen in this bracelet.

It's a beautiful bangle bracelet, hinged on both sides to swing wide open...

With hallmarks dating 1940-1944, this William Spratling bracelet is from his first design period.

Composed of three rows of elongated silver beads with a foldover clasp, this is a weighty bracelet which tests out at 980, or 98% silver purity...

This bracelet is the work of Horatio de la Parra, whose company Plateria Azteca produced hollowware for both William Spratling and Hector Aguilar.

It's an early piece, dating to the 1940's. Six repoussé silver panels, each with a high domed amethyst cabochon, make for a regal deco design bracelet which closes with a pin.

Closed, wearable length is 6 3/4"...

This mid-century necklace from Los Castillo is a heavy and very substantial seldom seen design.

Thirty-eight modernist twisted panels drape perfectly upon the neck, conforming perfectly with a fluidity which compliments the wearer. The wide J-hook closure forms an almost seamless appearance.

Measures 15 3/8" end to end, with a 1" width...

From his first design period, with hallmarks dating 1944-1946, this cuff from William Spratling is massive and spectacular. Collector quality.

This is a book-piece design shown in "William Spratling and the Mexican Silver Renaissance" by Penny C. Morrill, where it's noted that the "Nahui Ollin", or "Four Movement" cuff bracelet replicates the glyph at the center of the carved stone Aztec Calenda...

Circa 1940's, here is a seldom seen pin from noted Taxco designer Hubert Harmon. Harmon was active for a short time, and this Neptune pin is signed and hallmarked with his winged feet and Hubert Harmon marks dating likely 1942-1948.

It's a stunning whimsical pin with Neptune holding his pitchfork, seating upon a large fish with an amethyst cabochon eye. The repoussé silver work is superb...

Here is an exceptional necklace and earrings set from Antonio Pineda, circa mid-century. Collector quality.

This set is a book-piece design, shown in Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda."

The design is known as "Crossing Arches with Teardrop Amethysts", and it's a heavy modernist design which is hand-wrought with superb craftsmanship. The necklace has seven teardrop amethysts dangling beneath the crossed arches...

This is a very early work from Sigi Pineda, and dates to the early 1950's when he first opened his own shop. The shop was named "Plateros", later renamed "Sigi".

It's an amazing piece, with three huge red coral branches in a modernist setting which is sterling silver with 14k gold plated over it...

Circa pre-1948, this coiled snake necklace is the early work of "CEL". I seldom come across pieces by this artisan, but the few I have had are all in the same folk art style of Matilde Poulat, as is this design. Like produced in Mexico City, this necklace is in superb vintage condition.

Composed of alternating spiral and coiled links, the closure is a turquoise jeweled snake head and tail which joins together. You can wear it with the snake at center front, or on the side. Both ways l...

Circa 1930's - 1940's, here is a huge early hand-wrought Mexican modernist bracelet. Hallmarked simply "Silver Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one. Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end. Closure is a tight and secure tongue in box. Weight is 60.9 grams. Closed, we...

Circa 1940-1945, this bracelet is a book piece design produced by Hector Aguilar at the Taller Borda, known as "Six Spheres". It's a spectacular piece, wide and substantial, and it drapes over the wrist with a luxurious feel. Shown in bookplate III-88, page 130, of the Penny C. Morrill book “Silver Masters of Mexico”. Measures 7 7/8” without the tongue portion of the clasp. Closed, wearable length is about 7 1/4”. Width is 1 5/8”. Clasp is a tight and secure tongue in box. ...

Circa mid-century, this is a killer bracelet from Margot de Taxco. In absolutely pristine collector quality condition, complete with all nine charms.

It's a book-piece design shown on p. 63 of Penny C. Morrill's "Margot Van Voorhies : The Art of Mexican Enamelwork". The cherubs are highly detailed, with exquisite repoussé silver work.

Measures a closed, wearable length of 7 1/16". Width is 2 1/16".

Weight is 50 grams.

Signed and hallmarked "Margot de ...