Composed of five connected sterling panels, each decorated with two applied sterling calla lilies and gilded leaves. The flap clasp is very secure, as are all connecting rings; the sterling safety chain has a spring-ring clasp. The flap has an indecipherable mark, possibly for a maker, between the mark for sterling and the mark for gold content: 1/20 10kt G.F. (for gold-filled). The bracelet measures 7 ¼ inches long, including the clasp, and just under 1 ¼ inches wide. Weight: 57.9 grams

The rich look of these cuff links comes from the intricate engine-turned engraving and deeply embossed scrolled, vine-like borders. The backs exhibit securely soldered split bridge bars connected to domed anchor buttons known as bean backs. The bridge bars bear the mark for 14kt gold and what looks to be the maker’s mark of M.B. Bryant & Co., New York (1896-1915). There are tiny dots of tarnish on the fronts of both cuff links. Each rectangular button measures 5/8 inch by ½ inch...

This popular Georg Jensen design features a deeply recessed, oxidized groove around the entire band that is embedded with tiny silver beads. The inside of the band bears the Jensen post-1945 mark, country and sterling marks, and design number of 60 B. The ring is sized at approximately an 8 1/4. Weight: 3.3 grams

This unusual bracelet is cleverly hand-built from cast circular elements, each riveted to the next. The rivets allow the circular pieces to move as on a hinge, and each is connected at an angle to accommodate a comfortable fit on the wrist. The box clasp is sturdy and secure, with a figure-eight safety catch. Although the circular elements are hollow, the bracelet has a good heft and has a Constructivist aesthetic. It is probably from the 1970s. The clasp is marked 925 for sterling silver...

These cuff links are composed of forged-wire bands that have been hand-formed into pinwheel shapes and anchor bars with curled ends. The anchor bars are marked sterling and are secured to the buttons with a soldered figure-eight link; the cuff links exhibit tool marks from working the silver. They are probably from the 1950s. The pinwheels measure about 11/16 inch across; the anchor bars measure 1 inch long. Weight: 9.7 grams total

These earrings feature simple, classic geometrical designs enhanced with oxidation that is reminiscent of Southwest design. The earrings are not marked, but test for sterling silver; the screw backs are marked sterling. The surface exhibits a warm, aged patina. Each earring drops about 2 inches and each hoop measures 1 3/8 inches in diameter. Weight: 10.5 grams total

An unusual piece of repousee work in copper. This belt is made of 17 panels with Middle Eastern designs. Measures 26 1/2" long and 2 1/2" wide. Hook closure holds securely. Signed J. Simmons 1945. Well crafted and substantial. Warm patina. A very unique piece of handicraft.

Ca1940 A study cable bracelet with rope twist design marked LP sterling. The large heart charm is inscribed(TTB?) and marked LaPaglia Designed International Sterling.The bracelet is 8"x 1/2" ; the charm 1 -1/2" x 1 -1/4".Weight 2.1 ozs.

An elegant 14k yellow and white gold large Mabe pearl and diamonds pendant necklace on a 14k chain circa 1970s. The 3/4" across (sans bale) octagon shape pendant features a 13 mm. genuine Mabe pearl with pink and green lustre surrounded by 24 round brilliant cut genuine diamonds (1 to 1.5 points each). The diamond part of the setting is white gold. The 16-1/8" long 14K yellow gold chain is a double-serpentine style and has a spring-ring clasp. Both the chain and the pendant are stamped 14 K...

Margot van Voorhies Carr designed this pre-Colombian double swirl and her taller Margot de Taxco created this absolute to die for necklace. It is so beautiful it was chosen as the COVER DESIGN for the book WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE by Penney C. Morrill. Definitely a favorite of mine being 1 14/16th wide (for all intent and purpose you can call it 2 inches wide) and 21in. long. The actual wearable size due to its width is a comfortable 17in...

A modernist sterling silver brooch by noted mid century jeweler, Sam Kramer, in the shape of a stylized fish or bird with an amethyst eye. Measures 2" square. Has a faceted pear shaped amethyst stone cabochon on an additional layer of sterling. Marked with Sam Kramer's mushroom mark and sterling. Rollover safety clasp holds securely. Has some minor surface scratches and a little tarnish. There is a very minor ding to one corner. There are some scratches on the back near the clasp...

Gorgeous big statement vintage 1940s French wired necklace with very big faceted yellow topaz glass beads, ornate French filigree beads, and snake chains, with a matching link chain section at the back. Great on its own or layer with other similar sautoirs. 32 inches wearable length and 3/4 inch or 20mm at the beads. Excellent condition with some slight flea bites to some beads, not noticeable at a short distance. Display form is life size. Photos enlarged to show detail.

Vintage 1960s necklace with topaz glass strands and centerpiece with topaz prong set rhinestones layered with matching wired glass beads, with matching clip earrings, all mounted in goldtone metal. The necklace terminals are openwork cast goldtone metal. With hook clasp and extender chain. The earrings are hand wired. The necklace has a plate on the back of the rhinestone center. The design and hand made construction of this set have a very French look...

A wildly designed 18k yellow gold custom made ring featuring an emerald cut pale rose pink topaz gem stone circa 1970s. The trade marks are worn so tested for gold content. This size 5-1/2 or 5.5 ring weighs 5.0 grams and the pink of the topaz is subtle and attractive. It is a genuine topaz. It measures 3/4" x 9/16" across the setting and this attractive ring is in excellent condition with no chips, cracks, dents, bends, corrosion, losses, damage or repairs...

These abstract earrings have an unconstructed, rough look of Brutalist design. They have pendants with curled, textured and oxidized surfaces that are finished on both sides and dangle from similar tops. They test definitively for sterling silver, and although they are not too heavy for the original ear clips, a good jeweler or metalsmith could convert them to posts to be on the safe side. There are indecipherable marks on the pendant top rings that could be either tool marks or struck. The earr...

The bold design of this cuff features Viking influences, with embossed traditional patterns on an oxidized background. The terminals are curved for easily slipping the piece over the wrist, and there are applied triangular plaques where a safety chain was attached. The bracelet is inscribed inside and dated 1967. The Georg Jensen post-1945 mark appears on the edge of one terminal, and the design number 78 is on the other. There is a 1/16-inch impact under one edge (see photo 5). The cuff has a 7...

This unusual sterling silver necklace is constructed of sections 1/8-inch wire in a wavy pattern similar to figure eights laid end to end. Each section is linked by flattened, securely soldered bands; it is a nice, substantial piece. The necklace is marked sterling on the band attached to the jump ring, as well as on the spring ring. It measures 17 inches long by 3/8 inch wide. Weight: 53.7 grams

This handsome cuff features an abstract design of two concave asymmetrical bands, linked by a single narrow applied strand. It’s quite comfortable to wear, and is constructed with flattened edges at the terminals to ease the fit over the wrist. Under the lacquered finish there is a soft patina indicating age with some oxidation that adds character, including a fingerprint. The maker’s mark is partial and as yet unidentified. It dates about 1970. The cuff measures 1 7/8 inches wide, about 2 i...