This is a wonderfully long necklace from Miriam Haskell. The necklace measures 58 1/2 inches (148.6 cm) in length. Worn as single strand or wrapped in coils this is a beautifully colored faux stone bead necklace for everyday wear. Irregular beads in soft colors with marbling, accented by classic Haskell gold beads and spacers, create a totally natural effect that is serene and lovely. Marked. Circa 1970's
A finely handpainted 1-7/8 x 1-1/2" porcelain pin c1900. This pin is claw-set on the original brass mount with c-clasp; the portrait is of a casual woman with flowers in her hair. It is unsigned and in excellent original condition with no chips, cracks, dents, bends, corrosion, damage or repairs other than some loss to the gilt edge and a tiny scrape to the paint above her hair (very slight)...
This Juliana faux emerald & rhinestone necklace is one of the most superior designs from D & E., in my opinion. This necklace is circa 1964. The rest of the stones are clear rhinestones.
Huge statement circa 1970 Renaissance revival necklace in repousse goldtone metal with festooned chains and matching tassels, with a large resin malachite
green center stone. Marked NAPIER on the back of the foldover clasp. Great size -- center drops 8 1/2 inches and wearable length is 18 inches. Excellent
condition. Display form is life size. Photos enlarged to show detail.
Gorgeous 1970s clip drop earrings in antiqued goldtone metal, with green poured glass stones, faux pearls, and white Lucite drops. Possibly French. 2 1/4
inches long. Excellent condition. Photos enlarged to show detail.
1960s French necklace of black glass beads, and black and clear Lucite oblong drops, with goldtone metal findings. From the atelier runway
collection of Madame Gres. Not marked but well documented. Germaine Emilie Krebs (1903-1993), known as Alix Barton and later as
Madame Gres, launched her design house in Paris in 1942. She produced haute couture designs for many fashionable women, including Greta
Garbo and Jacqueline Kennedy...
Crinolined lady in gilt with an umbrella, the matted background brown and black. Ceramic pendant signed V S I, 1950's. Height "1 ½/ 3,7 cm. Condition: fine.
Giant cast gold color metal abstract hearts with pate de verre center teardrop cabochons. A bit under 3 1/2" (8.6 cm) long & 1 7/8" (4.7 cm) at the widest point., The poured glass cabochons each measure 1" (2.5 cm) long. The earrings are signed YSL ,Made in France on the back & they are in perfect condition. An Iconic Saint Laurent design! Please Note: All items must have the original inventory tags in place and be untouched in order to be returned.
This Hattie Carnegie is unsigned. It has her characteristic lucite (resin) coral body with clear rhinestones set in gold tone. It has a ridged segmented curler body, scales, horn and lower jaw open to expose the openwork metal. It is 2 7/8" x 1 3/4" . Excellent condition.
A mother of pearl hand carved portrait cameo from the 1890s. this unset vintage late Victorian hand-carved portrait cameo is carved in natural mother-of-pearl. This 1-7/8 x 1-1/2" cameo features a right-facing young maiden; it is unsigned and it is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use...
Vintage chunky heavy signed Cadoro hinged bangle in textured goldtone metal with white enameling and very big opaque glass
stones simulating Persian turquoise. 1960s. Marked CADORO, which is a very rare name. With a snap clasp.
Just under
7/8 inch wide and 6 1/2 inches inside circumference.
Excellent condition. The stones move slightly when pressed but are
completely secure. Photos enlarged to show detail.
Fabulous stunning antique 19th century Berlin iron long collet set crystal sautoir necklace. Mid to late 19th century, probably French. These necklaces were also originally used as muff chains, hanging
the fur muff around the wearer's neck, where it would fall at about waist length. The watch style clasp and ring could also be used to hang items such as a lorgnette or a lady's watch. This piece is
long enough to wear four times around the neck or wear as a longer sautoir...
Description: base metal, gold plating shows wear appropriate to heavy use, 4 white face Noh masks- 2 warriors and 2 female, pendant charms.
Condition : Well loved.
Hallmark: none, attributed to Selro Corp
Dimensions: 7 1/2" long not including the fully functional fold over clasp
Elegant yet delicate, this Hattie Carnegie set with its all prong-set rhinestones glitters brilliantly. The hook closure on the necklace permits it to be worn as a choker or slightly longer for an equally charming look. necklace is 15" end to end and 1" wide, approximately. Clip earrings are 1" by 1/2". All pieces have the Hattie Carnegie plaque on the back. NOTE: see following picture for matching brooch.
This hat pin is circa 1890. It has a center amethyst stone.
A matched set of six oval unset hand carved shell cameos c1930s-40s. These 13/16 x 9/16" cameos are new old stock (NOS) and they are from an old Toronto jewellery store. One retains the original MADE IN ITALY paper sticker on the back, and these would be great for a bracelet or clothing accessory. This group is in mint unused original condition with no chips, cracks, losses, damage or repairs...
This is a signed pair of Selro Corp red Okina mask earrings. It is the mask of an older male with long white beard expressing wisdom. They are 1 1/2" x 1 1/8". They are hallmarked: Selro Corp.
This necklace has a classic form and, in certain light, looks to be plated in two colors of gold. The beautiful surface condition is a result of a rolled gold-plating process used by the Newark, NJ, firm of Krementz & Company. The exotic design is reminiscent of ethnic jewelry, composed of graduated pointed vertical drops alternating with ovular beads. A braided chain with spike and drum closure completes the retro design. The Krementz signature in block letters is on the back of one drop...