Fred Davis was often daring with his designs using size for the jewels presence. This one is 2 1/8th inches tall and a depth of .25 inches. The length is 9 inches but has a wearable of 6.5 inches. The stones are without damage and set into their rows like peas in a pod. There are no dents to the saucer shaped beads. There is a natural patina and you will see some patina scattered about and on the ends of the handmade beads. Exceedingly rare and built for attention at 212 grams of thick silver...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15"...

Circa 1948-1953, this early Antonio Pineda necklace is a supremely rare piece. I have never seen another quite like it. Hallmarked Silver by Tono, this is collector quality, and in superb original condition, including the stringing - which is a ribbed silver wire with silver crimping at the ends where it joins a hook and eye closure on each side. The center links measure 2" tall. Sixteen repousse middle panels which oppose each other in the center, graduating in size...

Circa 1948-1955, Hector Aguilar's Armadillo necklace is a work of art. It's a spectacular showpiece, with eleven overlapping discs which graduate in size and hang from a black velvet ribbon. The design was created by Valentin Vidaurreta. Measures 17" end to end, with a closed, wearable length of 16 1/2". The closure is a tight and perfect tongue in box. Weighs 88.1 grams. Signed and hallmarked with a conjoined HA, .940 Taxco, and the eagle assay 9. This mark is shown on p...

This mid-century bracelet was produced by Antonio Pineda. It's a superb piece with a sleek modernist design, a mirror-like finish, and ten gorgeous oval amethyst cabochons. It's a bracelet which works equally well with dressy or casual wear. The amethyst gemstones are bezel-set at the center of thick square silver panels in such a way as to appear to float...

Gorgeous on angles at a V and known to be a Valentin Vidaurreta design signed and produced by William Spratling. Inner diameter 2.25in. 2.5in. at highest point. The gap is 1.25in. and can be warmed by a professional jeweler to make smaller or larger. This silver is higher than 925 and is silky to the hand. The stones are Azure Malachite and shows off the natural silver sparkles that are within the the blue Lapis. A published and documented design in Penny Morrill's books on Mexican Silver...

Matl Matilde Poulat opened her shop in 1931.(Pack Davis) She with her nephew Salas produced folk art jewels that are sought after today. This signed example is studded with turquoise and clear, faceted amethyst squares. The silver work shows itself as an excellent example that is 7 in. long and 1.75in. tall. The weight is heavy at 63 grams as a bracelet with open air filigree. Collectors will not be disappointing with this bracelet.

Correctly signed and rare this Matl designed by Matilde Poulat is a find for the discerning eye. The drop is 4 inches across and 3in. tall including the dangles. The center comes together with a single amethyst cabochon and has many warmed, teal turquoise stones and a row of coral. The clasp shows off a cluster of turquoise cabochons. The length is 18.5 inches and the patina is very dark naturally. This has no damage to the silver and no areas with missing stones...

This pre-1948 bracelet from Fred Davis is collector quality and a larger than life showpiece.

Composed of five huge oval amethyst cabochons framed within silver, the panels have a geometric design inspired by pre-Columbian clay stamps which Davis collected.

This bracelet is a book-piece design, shown in "Dreaming In Silver" by Penny C. Morrill, p. 69.

The amethysts measure 1 1/2" x 3/4". The stones are gorgeous, perfectly matched in a rich grape color with quartz ma...

Circa 1950's, this bold, edgy cuff from Bernice Goodspeed is a book-piece design shown on p. 132 of the Morrill/Berk book "Mexican Silver".

It's a hand-wrought piece with an intricate deeply carved design and an oxidized background. This is a fabulous bracelet, and one which is rarely seen.

It's a large cuff, measuring 5 3/4" inside edge-to-edge, with an opening/gap of an additional 1 1/2". Width is 2 9/16". Can be adjusted to fit just about any size wrist, but this shou...

This Matilde Poulat necklace bears her earliest block hallmark "Matl", and dates 1934-1940. It's a rare and beautiful piece, and it's also collector quality. Exquisitely hand-wrought, and it lays perfectly on the neck. A wonderful necklace which can be worn easily with any outfit and occasion. Measures 16" closed, wearable length. Width is 3/4". Weight is 69.7 grams. In excellent vintage condition with absolutely no issues whatsoever.

Circa mid-century, this is a rarely seen design from Antonio Pineda. I have seen hoop earrings from Antonio, but not this exact design with the rims.

These are fabulous! Repousse sterling silver hoop earrings which are very substantial - weighing 32 grams. Wide and puffy in the center, with a rim on each side. They are comfortable to wear and very secure. Hinged on one side, so simply open in the center to slide right on your ears. Classy, with an elegant modernist design.

Circa 1930's - early 1940's, this Mexico City moth necklace was produced by M. Velazquez.

It's a magnificent piece with absolutely superb repoussé silver work. This silversmith's work is seldom seen and quite sought after, and this necklace is quite the showpiece.

Measures 19" interior end to end, which is also the closed, wearable length. The center link is 1 1/2" tall. I believe the clasp is original to the piece. It's identical to another M. Velazquez necklace I had ...

This iconic masterpiece is the work of Antonio Pineda. It's a necklace which draws attention immediately to the wearer. Circa mid-century, executed in 970 silver, this lays perfectly upon the neck. Ten moonstone cabochons dangle from scalloped silver links, sitting in silver open-backed bezels. The stones glow from within - really beautiful moonstones. Tongue in box clasp is topped with a round domed moonstone which you push down on to open.

Measures a closed, wearable length of 1...

This very early Mexican brooch is unsigned as to the maker, hallmarked simply "Mexico Silver". The style is certainly similar to the work of Matilde Poulat / Matl.

Entirely handwrought with exquisite and intricate detailing. A rare and stunning pin. Three amethysts of varying sizes form the center body sitting between the wings.

Measures 2 3/4" wide and 1 3/4" tall.

Weight is 16 grams.

In excellent vintage condition.

Circa mid-century, this bracelet from Margot van Voorhies Carr pulls out all the stops.

A very rarely seen piece, the front features a huge repoussé ribbon swirl, with graduated silver beading running through the middle and through the center of the bracelet. Hinged at the back, with the opening disappearing behind the front portion of the clamper. The spring hinge is perfect, and closes securely. This one is a real showpiece, and a worthy addition to the discriminating collector...

This is an extremely rare Antonio Pineda 970 silver necklace with 11 amethyst drop dangles. The necklace has the "Silver By Tono" hallmark which dates it 1948-1953. A necklace with a very similar design is featured on page 103 of the catalogue from the Antonio exhibit titled "SILVER SEDUCTION". The necklace measures 15 5/8" end to end, is 2 1/8" wide at the longest point of the necklace and weighs 119 grams. The necklace clasps with a hook link at the back. It is in fine original condition. Ther...

This is a spectacular set of necklace, pin, and earrings which were produced 1930's - early 1940's in Mexico. The design is one which originated from Fred Davis, and also one which is very seldom seen. This set does not bear the FD mark from Davis, but is simply hallmarked "Silver Made in Mexico". It is my belief that this was likely created by the same silversmith who produced the design for Fred Davis - who contracted several master silversmiths to produce his designs. It's an edgy stunning...